I first began thinking about bones 25 years ago when I was given a copy of Clarissa PInkola Estes’s book, Women Who Run With the Wolves. She writes about discovering stories of bone people in the Southwest. Bone people are old ones who collect bones in a desert between the worlds and bring dead animals and humans back to life.
Reanimation is a common creative and spiritual theme. Bones are like seeds; they are the remnants of life, and thus the base material from which to build new life. Bones are the simple starting point, the hidden scaffold and substance that survives.
Several times in my life I’ve found myself walking in a trackless emotional desert, alone, lost, frightened and injured. Old stories tell us during these times we must seek and gather our discarded, stolen and lost bones in order to call ourselves home.
Bones can be hard to see under layers of clothing, flesh, distraction and scar tissue. Perhaps that’s why it was the desert dwellers who kept bone people stories alive. The desert is clean and uncluttered, and the vast sky and sweep of land hold space for stillness and inward journeying.
Bone collecting is like treasure hunting. The first time I went bone collecting, I traveled backwards and excavated memories of my child self. I compared those memories to my adult life and began to sift for my bones, those indestructible pieces of self that have always been present, come what may, sustaining and shaping me from the beginning.
I discovered I’d thrown a lot of bones away over the years. Some I rejected because I judged them as ugly or misshapen. I refused to claim them. Others I grieved to discard, but I believed they were useless, unworthy and/or unlovable, so I dropped them and walked on without marking the spot where they lay.
The desert between the worlds has become a home to me now. The sands know the scent of the naked sole of my foot and the soaring vultures recognize my figure as I wander below them, insignificant as an ant. I’ve crawled and searched, remembered and listened for my whispered name when my missing bones feel me draw near. Some are broken and stained, incomplete fragments that no longer tell their entire story about me, but I’ve learned patience and persistence, and I save every shard and splinter. I’ve traveled miles in the desert to reclaim all those bones, groping my way through old memories, feelings and bits of conversation, sifting my bones from the garbage dump of words that did not belong to me, expectations, rules, beliefs and storm debris from storms that swept me up, though they were not mine.
Over and over, I’ve felt I’ve come to the end of everything, only to find a whole new horizon just a few steps away, at the top of a hill I didn’t know I was climbing. Each time that happens, I pause and inventory my bones. Bone collection has become an external practice as well as an internal one. I’m less and less interested in obscuring the essentials in my life with distraction, objects and complications.
This summer I have a new dimension of perception in discerning the bones of each day, each week and each season. Living simply as we do, having time to stretch out mentally, spiritually and creatively, I’m experiencing for the first time the joy of casting myself into a day with no list, no agenda, no expectations and lively curiosity.
This is, for me, a summer of wood. We’re clearing a knoll of land in order to build a cabin, thinning a grove of spindly alders and cutting an occasional small tree growing in the field which is our building site. As each tree falls, I haul it into the wall of forest surrounding the clearing. In the sunny field, the growth is waist-high, and as I drag trees through it, the sweet scent of milkweed mingles with the smell of fresh-cut wood. Wild cucumber catches at my feet, invisible in the thick growth, and I fall, and fall again, getting up hastily because, although my clothing is doused in bug repellent, rolling on the ground is a foolish exposure to ticks, not to mention rampant poison ivy.
In Maine in the summer, this kind of work is done in light-colored pants and long sleeves to protect from black flies, mosquitoes, poison ivy, nettles and the inevitable ticks. Five minutes of exertion leaves me sweating heavily under the necessary layer of clothing, breathless in the heavy, humid air.
Stepping from the field into the forest, the air cools and I’m shaded from the sun. Here, the undergrowth diminishes and mainly consists of huge ferns, but I still slip and fall, as the forest floor is littered with rotting tree debris and liberally scattered with moss-covered boulders and stones. I drag the cut trees in under the canopy so they can gradually rot and feed their living brethren and the rest of the forest system.
In the driveway, we are processing enormous piles of tree debris from trimming two live trees and from a fallen maple. The maples we trimmed provide us with welcome shade as we work. I fork wheelbarrow load after wheelbarrow load of twigs, small branches and dead leaves off the driveway and tip them over a steep hill out of sight below the house. My partner works with a chainsaw, and its snarl, along with the smell of cut wood, becomes one of this summer’s bones.
A generous neighbor loaned us his splitter, and once the maple (rock maple, which dulls chainsaws at an alarming rate) is cut into wood stove lengths, we heave the rounds onto the purring splitter, and the smell of the gas engine and sound of the relentless maul cleaving the wood becomes another of summer’s bones.
The healthy wood parts smoothly, revealing ivory, cream, and pinkish-red grain. The diseased wood breaks open, showing honeycombed defects, or crumbling, blackened rot that smells, oddly, like vomit. Heavy, thick bark peels from the wood like scabs as we work. Here in the driveway, I risk working in shorts with bare arms, but the wood is heavy and unwieldy and my legs and arms are bruised and scratched. The way I hold the rake invariably rubs a blister on my left thumb. We sweat through our clothes and I have to keep wiping my forehead and upper lip with my bare forearm and gloved wrist. Hard wood is heavy, especially when still wet, and the inside of my wrist is bruised from supporting two or three pieces as I carry firewood to the wheelbarrow, into the barn or into the cellar for stacking.
Some of this wood has been piled in the driveway for a year. As we work, we uncover an insultingly large woodchuck hole. We find a red salamander, about two inches long. My partner rescues a grass snake from a brush pile and relocates it away from the pitchfork tines. We accidentally lift away a shrew’s roof, and my partner catches the grey velvet covered creature in his gloved hand and releases it over the hill in a safe place. We brush away crickets, earwigs and worms. We split one huge round and little red ants swarm over it, hysterically collecting a broad swathe of exposed white eggs. My gloves are covered with them, and the ones who run fast crawl onto my arms and bite before I can brush them off. We set those pieces of wood aside before splitting them further to give the ants a chance to find a new nursery.
We have birdfeeders along the driveway, and the birds are the backbone of the summer days, stretching from dawn to dusk. As soon as we take a break from work, the woodpeckers gleefully swoop in for uncovered insect tidbits, and the nuthatches scurry up and down the trunks of the standing trees with their fluffy, uncoordinated offspring. The finches and sparrows return to the seed feeders from their observation posts high in the surrounding canopy.
Our resident chipmunk is so curious he can’t stay away, but as we disassemble all his best hidey holes he scolds endlessly, like a shrill and irritated metronome, glaring from under the hostas or the gap in the porch floor.
Nesting Phoebe birdsandbloomsblog.com
Strangely, the shy phoebes like best to nest in the barn, in spite of my partner frequently playing music and our wood stacking and other noisy activities. They arrow in and out of several broken windows when the barn is shut, but on days when we’re working, they use the same door we do. Because of them, the cool barn is not only a haven of shade, but free of flies and mosquitoes. We know where the nest is, but we’re careful to ignore it and whichever motionless parent is sitting on the eggs when we happen to be present. Even the nestlings are still and silent as stone when we enter. The phoebes are currently raising their second brood, and their first set of offspring darts all over the place, hunting insects and filling the days with their distinctive cry, which gives them their name.
The bones of summer in this place mingle with my own bones. We are a bruise, a scratch, a sticky film of sweat on the skin, a sly mosquito bite. We are birds strung on the lace of trees; the private life of snake, shrew, salamander and woodchuck; the determined persistence of insects. We are tree and water and moss-covered stone. We are the smell of rotten wood, of sweat, of blossom. We are the breeze in the tree, the sound of the phoebe questing for insects, the tapping woodpecker, the hunting hawk’s cry as it circles, and the clamor of the tools we use to work on our land.
The days saunter through the season, leading me forward by the hand, and I follow, stopping every now and then to collect and record the ravishing experience we call life in words, and each word is a miniscule bone, too, each page a scatter of tiny bony seeds that wait for warmth and light, water and the soil of life and death in order to take root, grow, blossom, fruit and die, again … and again … and again.
I’ve been rereading James Herriot, who was a Yorkshire veterinarian. It’s been a long time since I last read him. His books are filled with love, affection and humor for the animals and people he spent his life with, but there’s another thread running vividly through all his books, a thread of place. He loved Yorkshire, the hills, moors and Dales, the little towns, the seasons and remote old stone farms, walls and buildings. Every page communicates his gratitude and contentment with his life and the place he worked. He and his wife raised two children. He worked all hours, and it was hard work. He was qualified before antibiotics and what we think of as modern medicine. He made very little money, but he was rich in love and contentment.
Photo by Greg Ortega on Unsplash
Dr. Herriot knew how to live deeply. One of his greatest joys was to pull over during his rounds and sit in the heather with his dog, drinking in the air, the view and the silence.
As I’ve been reading Herriot, the Fourth of July holiday has come and gone. I’ve never liked it. I hate noise and crowds. Fireworks are terrifying for many animals, both domestic and wild. They’re also dangerous and a fire risk. My idea of a really good Fourth is a nice, drenching three-day rain during which I stay peacefully at home.
This year, in addition to the usual associations, we have a pandemic. Each of the holidays this summer seem to be dividing the country more and more painfully, and all the hype and noise around escalating infection rates, distortions, denials, lies, economic concerns and travel concerns made me feel particularly anxious and miserable this year.
My Be Still Now practice has developed nicely. I’ve done it every morning for more than a month and it’s become a useful and enjoyable habit. It occurred to me, as I was sitting over the holiday weekend, that during this time I have an experience of depth. As I breathe and watch my thoughts move across my consciousness like clouds across the sky, I sink down to another kind of being, below the sound of boats, campers and ATVs passing the house, below my agonized empathy for animals, below my fear of fire, and below my general anxiety about the pandemic.
Photo by Erik Stine on Unsplash
In the space of sitting, I move beyond and beneath clock, calendar, distraction, and compulsion. There is only the peace of breath, sun and rain, birdsong, wind, growing things, and the cycles and seasons of this place and my life. I feel peaceful and content. There’s nowhere I need to go and nothing I need to do. It’s all right here, right now.
We all have access to this deep life, but it seems the modern world conspires to keep us away from it. We are assaulted by so much noise, so much seductive glitter and shine, so much chaos and so many voices. Clocks, calendars and screens rule our lives, as do the numbers in our bank accounts and on our bills and credit cards. We are completely caught up in short-term, surface activity.
To live deep is to remember geologic time and rediscover patience and perspective. To live deep is to climb into the mossy throat of an old well, filled with sweet water that knows ferns and frogs and underground springs. Living deeply takes us to the roots of things, the quiet musk of earth, mycelium, mineral and microorganism. We enter the endurance of bones and seeds, the long memory of stone.
Most of all, living deeply takes me below my thoughts and into my feelings. In that deep space I find all the women and children I have been and all the wounds I’ve neglected. Without thoughts attached to them, my feelings are intense, yet simple. I discover an affection and empathy for my fears, old and new. I gain intuitive understanding and insight into my behavior and choices.
Photo by Ludde Lorentz on Unsplash
I meet myself in the depths, my most primal, innocent, wise self. I put my arms around myself, kiss my own shoulders. Gratitude wells in me, along with comfort and love. Creativity and inspiration blossom. I rest.
This deep time anchors my day. I usually sit for less than an hour. Even 20 minutes of retreat below the surface agitations of life provide me with balance and peace. Living deeply prevents me from speeding and helps me control my compulsions. It helps me stay conscious as I make choices about how much media I allow into my life, how much distraction, and how much noise. It opens me to the simple joys of working in the garden, sitting in the sun, watching the trees move in the wind, listening to the birds, and playing with our two kittens.
James Herriot had fears, inadequacies and troubles, just as we all do. He knew a thing I’m only just learning, though, and that is the skill of downing tools and simply being, welcoming the joy of uncomplicated presence and feeling gratitude for the experience of life in all its magic and mystery.
The meaning and experience of life is not on a screen, on a calendar or clock, or in dollars and cents. Those are but glimmers on the water, the topmost leaves on a tree, a passing cloud, ephemeral and only meaningful because we make them so.
The real stuff of life is slow, deep, quiet and timeless. We carry it always within us, but no amount of doing or having can unlock it. The key is being, just that.
For me, February 1st is the first day of spring. I know it’s early. I like it that way. I like the anticipation, the half-intuited first stirring of life under the soil, under last year’s debris, the slow, cold wakening of seeds, stiff in their dormant shells but quickening, murmuring, “Is now the time …?”
The birds are the first harbingers for me. Here, in this place, a small city in central Maine, it’s the crows, the jays, the cardinals, and the little tufted titmice. The crows and jays complain in harsh voices of salt-encrusted pavement, tired snow over lumpy ice, the steely cold. Cardinal pairs flit in my bare, bedraggled forsythia, and visit the feeders, a startling splash of color in the grey and bone landscape.
The titmice sing. Joyful, bursting little songs of nests and eggs, of green growth and warming light. The first spears of bulbs, the budding lilac, the luscious magnolia petals are in their song, though those things are only memories and hopes in the February garden.
(As I edit this, the first goldfinch outside the window.)
(On the morning of the day I publish this, at dawn, the chickadee’s two-note spring call.)
Photo by Ales Krivec on Unsplash
I have been feeling quiet. I’m burning down the last two Yule candles, gradually bringing out those of white and ivory, scented with lavender and herbs. Midwinter festivities are packed away, red table linen and warm-colored throws washed and folded for another season. I’ve been spring cleaning, making glass shine, mopping the scarred old floor, washing cupboards and doors. I walk to and from work bundled up in wool and fleece, the cleats on the bottoms of my boots clicking on the bare pavement and keeping me anchored in the ice and snow. The cold makes my eyes water, my nose run, and my ears hurt. At night, after closing the pools at 6:00, I drop a fluorescent sash around my backpack and chest and hold a small flashlight in the hand closest to the traffic, a white LED light shining ahead, a red flashing light showing from behind.
At times sleep has been thin and wrinkled this winter. In other periods of ebbing sleep I’ve felt frantic and exhausted, but this time I don’t mind. The long cold nights are restful whether I sleep or not, lying comfortable and warm in my chilly room, cocooned in linen sheets and a down comforter. I think of stars overhead, the moon on her path, ebbing and flowing, the tides lapping against the stony coast not so very far away. The hot water pipes in the radiators pop and click reassuringly.
I remember ice skating as a child, gliding smoothly over frost and snow, soaring over magically transformed water, cold biting like the crystalline sound of the sharp-edged skate blades, but warm in body from the rhythmic thrust of my legs. I haven’t skated in more than 50 years, but I remember it now, the freedom, the rhythm, the pleasure, the sense of inconsequence, as though nothing mattered, all was easy and graceful and flowing.
As the old year and winter inch over thresholds into something new, I am companioned by memories. This time last year is a constant whisper in my mind, because this time last year my mother was dying. I am not preoccupied with any time before that. After a lifetime of striving to understand and repair family history and relationships, I have surrendered to what was and what is now over. My battered empathy lies tranquil, not ravaged and torn but manageable, docile, turning over the pieces of last year with gentle intention.
In the clarity of cold winter, in my internal peace, I am alive, aware, receptive in new ways. I learned much in the last year, but intellectually. There was not time for more. The intensity of the situation, the constant crises, the long distance management, the anguish, the helplessness, the impossible tasks, the planning, demanded everything I had. I did not have time to process, to think long and deeply. I did not have the strength for it.
But now, now the past year echoes within my bones and flesh and memory. The ghosts of my feelings and experiences are miraculously without anguish, without horror, whispering a half-remembered story from childhood in which everything works out in the end.
Mom herself does not haunt me. She wouldn’t come back to me in any case, but even before that thought has formed I realize she wouldn’t come back to any person. If she is in a place we can call somewhere, she’s with her animals. No one who knew her well or loved her could doubt it. She wouldn’t come back to anyone, not just me. I knew it before, but now I feel it, and the feeling is gliding, no friction, just freedom and clean, cold air. I can picture her face, laughing, joyful, with manes and tails, paws and shining coats, flopping tongues and pricked ears all around her. And I’m happy for her happiness.
A year ago I was home again after my first trip back to Colorado. I wrote on the ice, on the surface of things. I think without that I might not have stayed the course. It was my lifeline. I was surviving.
A year ago I noticed but did not feel the presence of the birds. The first weeks of Spring came and went; I was focused on the next trip to Colorado, on arranging an estate auction, on supporting my brother in finding renters for Mom’s home, on maintaining communication with Mom’s community, her caregivers, and family. I had no attention for anything but calls and texts as her condition and behavior worsened.
I was not here in April when the magnolia tree began to bloom. I did not kneel in the cold mud of the garden, rejoicing in the chilly sun as the bulbs first thrust up through the softening soil. We were dismantling Mom’s life in Colorado, reading the intimate stories of her history, her loneliness, her fear, and her private struggles. Revealing and releasing stories she never meant anyone to know, casting her life’s possessions and debris into the world, one way or another.
My brother was heroic. The community was stalwart. One step at a time, one item at a time, one mile and minute at a time, we got through it. Somehow.
Home again in May, and back to my life, but only in the motions. Some intuition kept my focus narrow, looking only at the next task, the next step. I gave myself time in the garden, time in the sun. I moved my body. I ate, and worked, and showered, and wrote, releasing my razor-sharp feelings and experience gingerly in words, like so many chips of ice. Now and then I found a moment of peace, a small oasis in between calls and texts, in between Mom’s querulous voice and caregiver check-ins, in between broken nights. But I did not try to plumb the depths of myself. I knew it was not time and I hadn’t the strength to stay safe.
She was released, but the work of wrapping up a life went on and on, the majority falling on my brother’s shoulders. He soldiered on. We signed and notarized papers, transferred ownership, sold the house, thought about taxes. I dealt with family jewelry and wrote an obituary, and chose a picture for the local paper.
Autumn came. On Halloween, I thought a year ago today she fell and broke her hip and it all began to end …
Winter came, and passed.
Spring is on the threshold. It feels like my first spring in this new house of ours. And now the ice begins to melt. Now I am not skating on the surface of things because the surface softens and melts, warms into depth and movement, into living water, cleansing and healing. The broken edges, the shards, blunted in the sun before melting away.
Water has ever been my strength and my safety. I take off my skates and float in my depths, my memories weightless, my ghosts drifting quietly, the echoes of the past fading away into peace as I allow them to brush against me, perhaps not for the last time – who knows? I will not be afraid if they visit me again. They are familiar now, and will melt again, as winter melts into spring.
“Ice holds memories … great islands of ice … hold many stories, but they’re just the fragments. Most of the stories are gone.”
—James Roberts at Into the Deep Woods
Questions:
What signals spring to you?
What intense experiences have you had to unpack slowly, over a long period of time?
How do you manage your intense feelings?
Leave a comment below!
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She suggests that a practice, whether it be meditation, prayer, or whatever else, is not a pathway to calm, but a pathway to passion. This struck me as a radical idea, and it made me reevaluate my Be Still Now practice completely.
Sitting in silence with nowhere to go, nothing to do, focusing only on my breathing, has been of inestimable value to me in ways I feel deeply but cannot easily put into words. I can talk about the effects in words: less speeding, diminished anxiety, a deeper connection with my intuition and creativity. But the pleasure of the actual practice during those few minutes a day is an experience I can’t share.
I would never have associated it with passion, however. Serenity, yes. I’ve pursued serenity and peace all my life, and that was my destination in creating a Be Still Now practice.
Pinkola Estes suggests I’ve not walked far enough along the path the practice opens up; that beyond the peaceful place where I stop and have my being in those minutes lies something more, some primal power I’ve been trying to control, hide, and even amputate for most of my life.
Passion.
What does passion mean? Passion is a strong or compelling feeling. It comes from a Greek root meaning ‘to suffer’.
Photo by CloudVisual on Unsplash
Passion expresses the full power of feeling. It’s a tidal wave, a hurricane, a tornado. It’s the grief we cannot bear, the rage we dare not fully express, the physical desire that overcomes our civilized facades and renders us as natural as wild animals.
Passion is agony and ecstasy. It’s a quality both attractive and repellent. We admire passion in music, on film, and in other artistic expression, but it’s more easily appreciated when we keep it at an arm’s length. Living with our own passionate nature, or that of someone close to us, is an uncomfortably intense experience for most people.
My experience of my own passion is it makes others uncomfortable at best. At worst, it’s a fearful threat, and when I’ve allowed it to bloom it’s been beaten down without mercy. Passion, for all its beauty, is also suffering, and none of us want to get too close to that. It might be catching.
The problem is if we are passionate, to deny deep suffering is to deny all deep feeling, to live in a kind of numb, unchanging twilight. We show a bland, inoffensive face to the world, asking for nothing, needing nothing.
Photo by Edu Lauton on Unsplash
Creating nothing.
We know much more in this culture about numbing our feelings than we do feeling them. When I view any personal practice from this angle, I can see being present without distraction is a natural first step to presence with our feelings. If we deliberately put aside all our coping mechanisms for pain, all that’s left is to feel it.
I don’t want to feel it. I want to feel peaceful. But my Be Still Now time doesn’t actually take the pain away. It takes my thoughts about the pain away. It allows me space to express and experience pain directly, without a lot of noise around it, but I have to actively consent to enter that space.
Passion is, of course, much more than pain. It’s also incomplete without pain. For me, pain is the top layer of passion, and if I don’t allow it, I can’t get to any other deep feeling.
Which means I can’t write from the fullness of my being.
Which diminishes the core of my life.
But, hey, nobody’s offended or uncomfortable. Nobody’s threatened, so it’s all good, right?
If I use my daily Be Still Now practice to connect wordlessly to passion, what would happen?
Just before I started writing this post, I read this:
Spring Azures
In spring the blue azures bow down at the edges of shallow puddles to drink the black rain water. Then they rise and float away into the fields.
Sometimes the great bones of my life feel so heavy, And all the tricks my body knows— the opposable thumbs, the kneecaps, and the mind clicking and clicking—
don’t seem enough to carry me through this world and I think: how I would like
To have wings— blue ones— ribbons of flame.
How I would like to open them, and rise from the black rain water.
And then I think of Blake, in the dirt and sweat of London – a boy staring through the window, when God came fluttering up.
Of course, he screamed, seeing the bobbin of God’s blue body leaning on the sill, and the thousand-faceted eyes.
Well, who knows. Who knows what hung, fluttering, at the window between him and the darkness.
Anyway, Blake the hosier’s son stood up and turned away from the sooty sill and the dark city— turned away forever from the factories, the personal strivings,
to a life of the imagination.
–Mary Oliver
I wonder if it’s possible for me to endure a fully passionate life now. I am attracted, and I am afraid. If my daily practice might be a doorway to reclaiming and inhabiting my own passion, I’m not sure I dare open it. There are reasons I’ve worked so hard all my life to bury passion.
And yet … to dance. To live in music. To be joyfully in the body. To howl and snarl and know the innocence of joy. To weep without shame. To love again without fear. To turn it all into words that awaken passion in others. Can I ever be truly peaceful without those? Is a life without passion peaceful, or merely numb?
