by Jenny Rose | Jan 3, 2019 | A Flourishing Woman, The Journey
Photo by Pascal Müller on Unsplash
I came across a poem by Ursula K. LeGuin (see below) and found it beautiful and timely. The wheel of cycles and seasons has swung around to the resurrection of light once more, and we wish one another a happy new year, each of us with our own hopes and fears for the months ahead.
For much of my life, I equated love with protection. When I became a parent, the vulnerability of my sons added exponentially to my own. In common with many parents, I struggled fiercely to protect them through infancy, childhood and beyond. Naturally, we protect others from what we ourselves most fear. In my case these fears include pain, loss, addiction, abuse and abandonment. I tried to shield my children from those people and experiences that hurt me, lest they be hurt in the same ways.
Photo by Nicole Mason on Unsplash
Certainly, in the case of small children, animals and others who have no voice or are unable to use it, protection can be an act of love, but I’ve thought for some time now that we carry it too far, especially when we seek to “protect” our perfectly capable adult children, partners and friends. At some point our impulse to protect others becomes selfish. We do not want to bear witness to a loved one’s pain, let alone our own. We do not welcome the responsibility of telling the truth. Protection becomes a pathological means of disempowering others and binding them to us because we don’t want to be alone or the independence of our loved ones threatens us.
To be over-protected is to be without the freedom to develop confidence in our own good sense, strength and courage. We’re never allowed to stumble and fall and we don’t have to figure out how to comfort ourselves, clean our scraped knees and move forward. We over-protect out of fear or control, not love, and our constant vigilance of our loved one or loved ones teaches them fear as well. Fear makes our lives smaller, not bigger.
This new year, I don’t wish you photoshopped health, prosperity and happiness, and I don’t have a list of resolutions I hope will lead me to those things, either.
This year, I wish us each the ability to stand in our own power.
May we learn to love our bodies as they are. May we live joyfully in our skin. Let us teach our bodies new things and work with them to become as strong and healthy as we can. May we allow our bodies to be and to change.
This year, may we make mistakes. May we become lost and confused, and then find our way again. May we find out we’re wrong, and tell everyone. May we be vulnerable, get hurt and heal ourselves.
May we wander far from home without a map and walk a thousand miles, exploring new places and ideas. May we listen to a different kind of music and read a different kind of book. May we do something we’re afraid of.
Photo by yatharth roy vibhakar on Unsplash
Let the new year bring us laughter that makes our bellies ache and tears that fall like warm rain on our anguish. Let us fall head over heels in love with something or someone as though it’s the first time we’ve ever done it and we just know it will all be perfect. Let us make friends with our rage and give it something productive to do. Let us tell someone about our deepest shame.
May we know loneliness, boredom, disappointment and humiliation, and balance them with companionship, engagement, satisfaction and validation.
Photo by Miranda Wipperfurth on Unsplash
May we risk, dare and dream. May we learn to believe in ourselves. Let us burn our candle at both ends. Let us wear ourselves out with living. May we hear our lives whisper and speak our own truths. Let us learn and grow. Let us allow ourselves to be seen and rejected.
May we long for a home, find one, make one and lose it. May we make another and choose to walk away from it. May we learn how to come home to ourselves no matter where we are or who we’re with.
May we let go of our protection. Let us tear ourselves away from it. Let us outgrow it. May we feel what we feel with every cell of our body. May we make our thoughts, emotions, curiosity and creativity big and hold nothing back.
Go out into the sun flood of your life, my friends, my sons, my family, and know that I hold you in my heart. Know that I believe in you. Know that I neither ask for your protection nor seek to protect you, for none of us need it and love is bigger than that.
Go out from me into the new year, dear ones, and if you choose to return, please bring strange things.
Please bring strange things.
Please come bringing new things.
Let very old things come into your hands.
Let what you do not know come into your eyes.
Let desert sand harden your feet.
Let the arch of your feet be the mountains.
Let the paths of your fingertips be your maps
and the ways you go be the lines on your palms.
Let there be deep snow in your inbreathing
and your outbreath be the shining of ice.
May your mouth contain the shapes of strange words.
May you smell food cooking you have not eaten.
May the spring of a foreign river be your navel.
May your soul be at home where there are no houses.
Walk carefully, well loved one,
walk mindfully, well loved one,
walk fearlessly, well loved one.
Return with us, return to us,
be always coming home.
Ursula LeGuin
Photo by Jeremy Thomas on Unsplash
All content on this site ©2019
Jennifer Rose
except where otherwise noted
by Jenny Rose | Oct 4, 2018 | A Flourishing Woman, The Journey
Photo by Aaron Burden on Unsplash
It’s autumn in central Maine, and the leaves are falling. Sometimes they flutter in the arms of a sly little wind under a crisp blue sky, skittering across the road in front of the car, turning me into a more cautious driver than usual because they look so much like a squirrel or chipmunk. Other days they’re torn from the trees by rain and heavy, tropical air under low grey clouds, misty at their trailing hems.
So many leaves in so many shades of copper, bronze, orange, red and yellow. A sodden chaos of leaves underfoot in the rain and an airy whirlwind of them on dry, bright days. It’s as though the trees have been holding their breath all summer and now they relax and exhale, releasing the tension of production, growth and photosynthesis, easing themselves from yesterday’s clothing and burdens, shaking and stretching in naked freedom and settling down with a sleepy grunt for winter.
Bits of the world, leaves, songs
scatter in painted light.
The days
break. –Carol Frost
The past hours, days, weeks and months litter the ground, trodden, damp and fading. Their stories, whispered to the wind, of nest and hollow; bird, insect and animal; stars and rain and dew and the secret underground life of root, soil and mycelium, are lost. From their bodies new stories for the next cycle and generation of life will green and grow.
Photo by Vanessa von Wieding on Unsplash
I envy the trees their grace and patience. They know how to let go. They turn change into glory. They understand surrender to the fading light and changing tilt of the planet.
I, on the other hand, am not so graceful. Starting a part-time job, even doing something I love and am familiar with, has me wild-eyed and overwhelmed. My carefully constructed and comfortable routine is in pieces. I can’t turn the calendar page and fill in my accustomed schedule. Horrors! Now the days ahead are as naked as the bared trees, allowing me time to reconsider the true shape of things. I think of periods of change as bone time. I can’t see the bones of my life when the calendar is predictable and lists guide me through the day. Habit and routine are powerful, and after a time I stop noticing if I’m staying in balance, managing my time and taking care of my needs well. It’s only in these periods when all my schedules, lists and calendar pages are so many leaves of paper tossed onto the floor that I see the bones again.
To inventory our bones is to let go of possessions, distractions, noise, activity, thoughts, beliefs, habits and behaviors and ask ourselves what our true shape is. What are the deepest pieces of our body and soul? What is necessary in order to express our highest purpose? What destroys our time, energy and joy, and what liberates them?
Can we let go of what’s no longer useful? Can we give it to the wind, to the air, to the frost and rain and snow? Can we give it willingly, freely, with grace and beauty?
Yes, I can let things go.
But grace and beauty are noticeably absent just now!
Still, the trees in this season comfort me and show me the way. They’re not worried about next month, next week or tomorrow. They don’t seem to mind change. They release yesterday’s leaves with careless abandon and show their bones proudly to the sky. They know who they are and they take what they need without apology or shame. They rest in the security of the endlessly turning cycles and seasons.
I don’t think I’ll ever achieve their wisdom or serenity.
On the other hand, I know something about my own bones because life gives most of us more than one chance to begin again, and I’ve had lots of practice. I know shortly I’ll be back in a steady, effective, predictable routine that accommodates my new job as well as my current needs and priorities.
wind tugs leaves away
my hat begs to follow
guide me wind the way
you’re lost i’ll be lost — Kim Robert Stafford
Life is change, and change is life. Old conditions give way to new conditions, and the process is always happening, no matter how stuck or helpless we feel. Chaos comes, picks us up by the scruff of the neck, gives us a good shake, and we find ourselves flung into something new, which will in turn gradually fade away.
Leaves fall. Light wanes. We are lost, torn away from what’s familiar, and then the way ahead opens before us and we’re found again.
Photo by Brigitte Tohm on Unsplash
All content on this site ©2018
Jennifer Rose
except where otherwise noted
by Jenny Rose | Sep 13, 2018 | A Flourishing Woman, The Journey
Clarissa Pinkola Estes introduced me, years ago, to the idea of descansos in Women Who Run With the Wolves, one of the most important books I’ve ever read. Descansos is a Spanish word meaning resting places. A descanso might be a grave in an ordinary graveyard, but Estes suggests creating descansos as a spiritual practice; a method for letting go and/or acknowledging a loss; a place to put rage, fear and other feelings or destructive thoughts to rest so we don’t walk forward burdened by unresolved pain and experience.
We know grief has its own timetable. The Celts set aside a year and a day for the proper discharge of grief. Many other cultures have formal mourning periods and practices, during which people are not expected to fully participate in social responsibilities and activities. Many of us try to move away from the anguish of grief as quickly as possible, but there is no shortcut for the grieving process. Sooner or later, we must feel it and walk through it if we are to heal.
Photo by Madison Grooms on Unsplash
Loss is not just about the death of a loved one. As we journey through life we encounter many losses, including the loss of our innocence, which might take many forms; the loss of dreams; the loss of health; the loss of a job, a home, a relationship or some piece of identity. For all of these, we might make a descanso, a place where we have knelt and prayed, wept, planted flowers or a tree and marked with a cairn, a stone, a cross, or some other symbol that has meaning for us. A descanso is a quiet, private place apart from the rest of our lives, a place we can visit when autumn leaves begin to fall and the cooling air crisps with the scent of windfall apples, damp leaves and browning ferns. We pay homage to what has been, to that which we’ve blessed, released and laid to rest. We invite memory and take time to empty our cup of rage, pain or tears again.
I recently wrote about identity. This fall, it occurs to me to spread out all the pieces of my identity, past and present, try them on, one at a time, and notice how they feel. I will make descansos for those aspects of identity that no longer fit me or serve my intention going forward. I want an identity update; to replace the old versions with an identity compatible with my present life and experience, much like going through a clothes closet and culling.
In fact, that is a task I’m undertaking right now as well; going through my clothes. Perhaps that’s why I feel nostalgic and am thinking about descansos. Autumn awakens in me the desire to clean out and lighten up, literally and metaphorically. I discover my difficulty in letting go of clothing I haven’t worn in years and which no longer fits is about the memories of who I was and what I was doing while wearing it rather than the clothing itself.
Photo by eddie howell on Unsplash
Memories can be a heavy burden. Some are precious and we never want to lose them. Other memories haunt us and keep our wounds fresh and bleeding. The remedy for all those imprisoning beliefs, pieces of negative identity, unresolved feelings and painful memories is the practice of descansos, which is to say the practice of grieving and then moving on. That order is essential. We must grieve fully and willingly, and then move on. A graveyard is not a place to pitch a tent and live the rest of our lives. It’s a place to create, visit, honor, care for and meet ourselves when old parts and pieces of our lives enter our dreams and tug at our hearts.
Making descansos is a gentle practice. It is not denial, avoidance or rejection, but rather an open-armed welcome to all our experience, followed by honest assessment and choice-making. Like clothing, identity and memories wear out, no longer fit or become too uncomfortable and outdated to be useful. Making a resting place is an intentional practice, without violence, frenzy or horror. We are not tearing ourselves apart with self-hatred, but allowing change and growth, the same way the trees are beginning to let go of their leaves and a snake sheds its skin. The practice of descansos allows us to clean up, clean out, and create space for new growth and experience. It’s an opportunity to create a place of sacred memory so we do not have to stagger under a jumbled-up load of the past.
Creating descansos is uniquely individual. Some might draw a map of their life’s journey, marking descansos along the way. Artists might paint, make music, write, create, sculpt or dance. Others might seek out a sacred place in nature for ritual, prayer and making a grave or graves.
Photo by Sandy Millar on Unsplash
When I make descansos, I think of putting a baby to bed in a dim nursery, bathed and fed, sleepy and smelling of milk, with a clean blanket and a stuffed toy. Perhaps our most brutal memories and experiences are the ones needing the tenderest descansos we can create. As we would nurture, reassure and protect an infant, we nurture, reassure and protect ourselves with the practice of descansos. We allow ourselves to suffer, release our suffering and move on, honoring the way our experience shapes and enriches us.
It’s autumn in central Maine, a good time to make new descansos and visit old ones. A good time to remember. A good time to walk under the trees and absorb the wisdom of cycles and seasons, growth and change, life and death.
A good time to allow ourselves to rest in peace.
All content on this site ©2018
Jennifer Rose
except where otherwise noted
by Jenny Rose | Aug 2, 2018 | A Flourishing Woman, The Journey
I follow the Neopagan Wheel of the Year. I’ve never felt satisfied by the calendar holidays we currently observe, but when I began to research older, more traditional cultures and found the Wheel of the Year I recognized a spiritual home. Unsurprisingly, the Wheel is built around seasonal cycles and the solstices and equinoxes; all important markers and milestones for people living close to the land and animals.
Photo by Morgan Sessions on Unsplash
August first is Lughnasadh (LOO-neh-seh), the first harvest festival. It marks the halfway point between the summer solstice and fall equinox. The light is decreasing at the same time the harvest is increasing. Traditionally a Gaelic festival, Lughnasadh ushered in weeks of backbreaking work to gather in the harvest, plant as well as animal, and prepare for winter. A good harvest was often the difference between life and death over the winter, and people took advantage of the still lengthy daylight and warm nights to work long hours in the fields.
Each of the eight turns of the Wheel of the Year (about six weeks apart) is an opportunity to pause and reflect on some particular aspect of our lives in the context of the natural world. Lughnasadh is one of my favorites because it is at this time I ask myself how my harvest is.
For me, this is a much deeper and more honest self-inquiry than New Year’s resolutions. I don’t want to try to re-make my life or myself. I want to examine how I’m living the life I have and expressing the person I am. The Wheel of the Year is about spirit, not consumerism.
This time of year, as we prepare for the longer nights and cooler weather, the school year ahead and the fading of this cycle’s growth and abundance, we rural people notice how our gardens and orchards are. We notice the fading flowers and the leaves starting to look dull and tired. We observe the effects of this year’s weather on our fruit, vegetables and herbs. Hunters look forward to hunting season. We count canning jars and pull out our dehydrators to deal with a tidal wave of produce. We consider how the haying season was, if we need to buy more hay to see our animals through the winter, and which animals to cull. In Maine, it’s berry season.
Photo by Bartłomiej Jacak on Unsplash
Rural or urban, this natural and ancient cycle and rhythm can be reflected in our private lives. How is our harvest this year? What did we reap from graduations, weddings, reunions and vacations over the spring and summer? Did our investment of energy, time and love provide abundance? How did our choices work out? Are we happy? Are our needs met? Do we feel connected to ourselves and others?
Did we try to plant too much in an inadequate plot? Have we exhausted our resources in any particular garden or field? Is there land in our soul that needs to lie fallow? Is our spiritual well dry, or sparkling and full? Are we allowing discarded material to compost and break down and returning it to the soil of our life? Does the tree of our life need a good pruning? Have we been lightning-struck, or blighted, or had branches torn off by storms? Do we have enough sun? Enough water? Enough nutrients? Do we need more shelter from wind and storm?
Are we still growing?
Can we bloom where we’re planted, or do we need to grow in another place to nurture the roots of our being?
Photo by Henry Be on Unsplash
This is the time to reflect on seeds, literal and metaphorical, we’ve previously planted. Lughnasadh is a teacher, slightly past middle age, benign, ample of body and experience. She helps us look back at the previous cycle when we prepared and planted for this growing season, evaluate our current harvest, and ready new seeds for the next growing season. It’s now that I begin to form intentions, review my hopes and dreams, and have long conversations with my fear. Where I’ve been is behind me. The next cycle is before me. Here, hip-deep in a field of golden grain and poppies, is this year’s harvest. What do I want to do with it? How do I want it to be different? Do I need more, or less? Will my choices sustain me through the winter?
Lughnasadh is not about mistakes or failures. It’s an honest assessment of needs and feelings, observation about what grew well for us and produced value in our lives and what did not. A bountiful harvest does not occur strictly through the efforts of human beings, but as a happy outcome between favorable external conditions (out of our control) and the choices we make (in our control). Perhaps we have no harvest at all. Perhaps our internal terrain is blasted and scorched and we feel we’ve lost everything. I’ve had years like that.
Maybe the harvest during those times is the most valuable of all — a clean slate. A newly cleared field.
An entirely new cycle.
So what is my harvest, and how do I feel about it? How are my boundaries? Do I experience reciprocity in my close relationships? Do I feel safe in my relationships? Do I express myself authentically, or do I keep secrets? Do I feel my feelings? Am I effectively managing my rightful power?
Am I my own best advocate, parent, lover and friend?
Evaluating my harvest and planning for the next cycle of sowing seed and growth are not social media activities. This kind of self-inquiry is private, shared at most with a trusted partner or friend, or perhaps a big-hearted dog. It can’t be done superficially or quickly. Traditionally, there are three harvests, and this is only the first. The last is on Samhain, which we call Halloween. By January first, I’m resting. The work of harvest is well behind me and spring approaches. I’m watching the light return and feeling the gathering power of the new cycle.
It takes time and courage to look honestly at our lives and evaluate where we are. It takes self-love to celebrate our triumphs and mistakes. The search for teachers, friends and support to improve our harvest next year is a journey in itself. If we recognize we make ourselves small and limited and thus have a small and limited harvest, we’re not going to magically change that on January first. Now is the time to begin to challenge the fears and beliefs keeping us small and silent. Now is the time to begin to run, walk or even crawl away from toxic relationships and situations blighting our harvest.
The Wheel of the Year turns. Fall approaches. Change continues to flow through our lives. Notice it. Feel it. Dance with it.
I wish you the joy of the season, friends. What is your harvest?
Photo by Sven Scheuermeier on Unsplash
All content on this site ©2018
Jennifer Rose
except where otherwise noted
by Jenny Rose | Jul 19, 2018 | A Flourishing Woman, The Journey
In the used bookstore in which I volunteer, I found a slim paperback book of poetry, modestly and plainly bound, entitled A Gypsy’s History of the World, by Kim Robert Stafford. It called to me and I bought it for $4.00.
Photo by Syd Wachs on Unsplash
I had never heard of this poet, but he turns out to be quite well-known and has published several books, which I’ll be looking for now. In the meantime, this book is filled with treasures.
For a couple of days I’ve been groping for this week’s post. Sometimes they come so easily, these posts. Other times I flounder. It seems that the more I have going on, the harder it is to come up with a focused essay. Irritating, but writing can be like that.
When I listen to the sound of my life this week I hear a cacophony. There are the half-excited, half-apprehensive feelings I have as the night approaches on which I’ve scheduled a local venue to once again try to start a dance group. (Will I be a good leader? Will they like me? Will anyone come?) There’s the increasing pressure I feel to find a way to earn a paycheck. There are new friends and our conversations as we strengthen our connections. (Am I talking too much? Am I offensive? Am I too blunt? Do I ask too many questions?) I’m preoccupied with family dynamics and past, present, and future possibilities and fears. (What’s the right thing to do? What’s loving? What’s useful? What will people think about me? How do I take care of everyone’s needs and expectations? How much irreparable damage will I do if I make the wrong choice?) There are my weekly activities and appointments. All the material of my daily reading swirls in my head, awaiting synthesis and integration.
In my creative world, I’m with Pele, the Earth-Shaper, sensual, passionate and angry. This week others will come to dance with her, to make offerings, to propitiate and reconnect. Revolving around her are other characters: Rumpelstiltskin the dwarf; Poseidon, the Greek god of the sea; a little brown bat called Ash and his companion, a bark beetle; the eldest of the twelve dancing princesses, Ginger; an old woman, Heks, apprentice to Baba Yaga; and Persephone, who comes to drum for the dance.
All this, and I can’t come up with a thing to post about.
I know this dynamic. The more pressure I put on myself, the harder I try, the more elusive inspiration will be.
Photo by Pascal Müller on Unsplash
It’s a foggy morning here in Maine. Foggy and oppressive with high humidity and a threat of severe weather this afternoon. I’m planning on meeting a new friend for a walk and then I’ll swim. I decided to stop trying to write a post. I turned off all the lights up here in my little attic space and lit a candle. I picked up A Gypsy’s History of the World and turned back to the beginning of the book.
Duets
A dream flips me into the daylight.
I pry my way back:
a door opens, I enter, never
escape; the jailor sings by morning
duets through the bars with me.
I wake and out my window
by dawn a blackbird sings and
listens, sings and listens.
Listen. Thistledown jumps its dance
in the wind. I’m small and have
no regrets. Yesterday is a temporary
tombstone, a hollow stalk
on the hill. I’m putting my best
ear forward; in the space between songs
I’m travelling. My hands make
whistling wings in the wind.
No things meet without music:
wind and the chimney’s whine, hail’s click
with the pane, breath in a bird’s
throat, rain in my ear when I
sleep in the grass. I miss the
whisper of a swallow’s wings
meeting the thin air somewhere far.
Branches of my voice, come back.
Inside each song
I’m listening.
At once the cacophony in my head faded away, no more than the murmur of the trees and breeze or the ocean’s breath. For a few minutes, I thought about being small and having no regrets, let alone imagining future regrets. Yesterday and yesterday and yesterday, all temporary tombstones. All my yesterdays add up to almost 20,000 hollow stalks on a hill. And yes, activities and schedules, efforts and appointments, hopes and fears, words and information, friends and family, the way the shadowed ceiling looks in a sleepless hour and the path of silent tears on their way to my pillow. All of that. But I forget about the space between all those songs. I forget that I’m traveling through this place, this life, and these landmarks.
Photo by Dakota Roos on Unsplash
Sometimes I forget to just listen to life’s music, just witness, just be present and still. Sometimes I forget to fold my hands in my lap and watch the wavering shadows the candle makes inside the song of my life. The song will not be endless. One day it will be yesterday’s song, held in a hollow stalk on a hill. I can’t reach out my hand and clutch it, pin it down, record it and make sense of it. I don’t need to. I don’t want to.
Today, friends, I’m listening.
My daily crime.
All content on this site ©2018
Jennifer Rose
except where otherwise noted
by Jenny Rose | Dec 21, 2017 | A Flourishing Woman, The Journey
Yule, the winter solstice, is upon us once again. This year, here in the deeps of darkness, I’m thinking about The Fool’s journey.
The Fool, by Emily Balivet
The Fool is an archetype, a recurrent symbol in mythology, folklore and story. Jack of Jack and the Beanstalk is a Fool. The Fool shows up as a simpleton, an innocent, one who is ignorant, inexperienced and silly. Archetypes have two sides, shadow and light. In modern culture The Fool has been reduced to its shadow, its most negative attributes, an insult, a curse and a contemptuous label.
But the old tales hint at a deeper, older meaning of the archetype. In fairy tales, The Fool is often the youngest sibling, the least able and powerful character, who nevertheless becomes the only one to successfully complete the task or quest. Often, The Fool has a good heart, or some extraordinary purity of character that allows him/her to be successful. The Fool has faith in magic, in talking birds and beasts, in the advice of old women, in objects given by peddlers at crossroads. To be a fool is to be held in a circle containing everything and nothing, to be without judgement, rules, expectations, cynicism or fear. The Fool is an archetype of youthful energy, bright, glowing and optimistic, filled with hopes and dreams.
Characters of this archetype set out, sometimes exiled or driven from their home, sometimes volunteering to go, with nothing but their shining confidence, intuition and willingness to do a task or find a solution. They rarely have external resource, but carry a great wealth of internal assets, including, interestingly, a kind of innocent cleverness that arises from authenticity and the simplicity of great integrity. The Fool has everything she or he needs in the form of untapped, chaotic potential.
It seems to me we’ve lost sight of the sacred role of The Fool. We kill foolish behavior with punishment, restriction, control, mocking and tribal shaming. We teach our children to avoid playing The Fool by making “good” choices. We avoid looking or feeling like fools. Foolishness is equated with immaturity, irresponsibility and naiveté. We resist being wrong or admitting we made a mistake. Playfulness is no longer a priority.
I see The Fool as an essential first step in The Hero’s journey. It’s where we all start as we undertake any new experience or endeavor. All Heroes start out as Fools, and perhaps all Fools are also Heroes. The Fool archetype creates space in which we learn resilience, strength, courage and creative problem solving. In the gap between The Fool’s happy hopes and dreams and reality is the place where Self is shaped, and the more fully we embrace this archetype, the more of our own potential we realize.
Photo by Dan Gold on Unsplash
That’s what I believe, when I think carefully about it, but that’s not how I show up in the world.
I hate to feel like a fool. Humiliation is one of the most uncomfortable emotions I experience. I dread appearing irresponsible or naïve. I’ve bought into the cultural definition of foolishness equaling stupidity, and I don’t want to be perceived as stupid. I’ve been warned at the beginning of every Fool’s journey I’ve embarked upon with head shaking, patronizing smiles and dire, ominous warnings: “You have no idea how hard marriage is.” “Boy, is your life going to change!” “You’re going to hate it!” “You’ll find out I was right!” “It won’t last.” “Nothing will ever be the same.”
As a parent, I shook my own head, smiled patronizingly and issued warnings. I wanted to protect my sons from “bad” choices, from danger, from illness and injury and from the pain of disillusionment and disappointment, the very things that help us figure out who we are.
The Fool is an archetype precisely because it’s so persistent and present in our lives. It’s our nature to go into the world and explore, seek, complete tasks and engage in quests. I wonder what it would be like if we all framed The Fool’s journey as sacred space, as a necessary and beautiful rite of passage, filled with potential and promise. In that case, revisiting this archetype throughout our lives at any age could be viewed as a chance to refresh our willingness, consent and curiosity about ourselves and what might be possible, a chance to apply the skills we’ve learned in our previous cycles as The Fool rather than stay frozen in bitterness, shame, regret and fear.
It’s true that every new journey is a risk. None of us could have imagined what it would be like to be an adult, to fall in love, to get married, to have children, to move across the country, to get the perfect job, to battle illness or injury, to age. Dire warnings and ominous predictions are pointless and useless as we navigate in our lives. Sincere and simple congratulations from others; faith in our own intuition, intelligence and strength and the experience of unconditional love and belief in our abilities from friends and family is what we need as we push forward in search of new horizons.
Yule signals the return of the light and new beginnings. We all embark on a new cycle, and none of us knows what it will bring. The Fool is tying together a bundle of food and setting out, following a new road into an unknown place, exploring, perhaps searching for something. Interested, curious, fearless and confident, The Fool walks into the future as the light strengthens once more.
Photo by yatharth roy vibhakar on Unsplash
All content on this site ©2017
Jennifer Rose
except where otherwise noted
