One of my favorite things about life is that changing one subtle thread in the pattern of our behavior and identity can change the whole picture in unexpected but beautiful ways. The overculture promises such a transformation if we buy the right product, but that’s a hollow promise. If we really want change, we have to work internally, which is messy, confusing work, often filled with anguish — much less sexy and fun than buying a new pair of shoes or trying a different hair color.
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As I navigate through the process of submitting my first book manuscript to agents and publishers, the necessity to write a strong and appropriate query letter, synopsis, autobiography, and pitch has forced me to come further out of hiding than I ever have before.
While sitting on the lifeguard stand at work last week, it occurred to me that one word sums up the change spurred by my creative ambitions and rippling into all areas of my life.
Responsibility.
This is an amusing twist of irony because I have always been overly responsible about everyone and everything other than myself. I’ve believed myself responsible for the health and happiness of every person and animal around me since I was a child. When things become challenging or unpleasant, I’ve blamed myself. When accidents and misunderstandings occur, I’ve blamed myself. When others make self-destructive or boneheaded choices, I’ve blamed myself.
It goes without saying I’ve certainly blamed myself for all my own real and imagined flaws, weaknesses, mistakes, blue eyes, wide hips, wild hair, cellulite and countless other things.
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Futility doesn’t begin to describe the kind of life this behavior creates.
The literary submission process was not the only catalyst prompting me to reverse my old pattern of taking on responsibility that doesn’t belong to me and ignoring that which does, but it’s certainly a big one.
I’ve been so uncomfortable with trying to present my creative work in a professional, objective, supportive, respectful manner I haven’t had the time or attention to sit back and view the last two or three weeks with any kind of objectivity, but that particular hour of lifeguarding gave me the pause I needed to see the changing pattern of several different areas in my life.
In my primary relationship I’m gradually becoming more authentic and less concerned about taking responsibility for the needs, wants and preferences of my partner. He’s a grown man, intelligent and able to speak for and take care of himself. He’s also able to adapt, adjust and take his lumps like everyone else. It’s not my job in life to see to it that he (or anyone else) is never uncomfortable. I’m uncomfortable all the time, and I manage to live through it.
Letting go of what I was never responsible for in the first place is an enormous relief, but the truth is I’ve always preferred caring for others to caring for myself. It’s not that I don’t know who I am and what I want. I’m not a bit confused about that. Since I came to Maine, I’ve learned to know and love myself.
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What keeps me caring for others rather than myself is the belief that I’m the only person who can love me. Choosing to be more open and real about my own needs, wants and preferences, even though they might conflict (and often do) with those around me, seems like a life-and-death risk. Even sitting here writing about It gives me a sick feeling in the pit of my stomach. I don’t want to be responsible for myself in this way.
I have a friend who frequently invites me on activities and play dates of all kinds. At least half the time I say no. I cringe when I say it. I worry. I brace myself for the end of our friendship every time. But no is the honest answer — the real me. I’m an introvert. I like nothing so much as a quiet day or evening at home. My few social needs are well met, and I have no desire to be out and about in the world more than I already am. My friend and our relationship deserve my honesty …
See? There it is again. My friend and our relationship deserve my honesty, as do I, and that means I must take responsibility for my truths: knowing them, speaking them, and accepting others will inevitably be affected by them.
I don’t want the responsibility of making anyone uncomfortable or unhappy. Ever. Under any circumstances. (Well, unless I’m really pissed off, like when the fat, white, bigoted, entitled guy at the pool announced during an exercise class that people with tattoos don’t have jobs and he wouldn’t have any such person in his house. Note: I have a tattoo on my left shoulder that’s quite obvious in my bathing suit, which is my work attire (you know, for my job), and I was present at the time. Also, two of my colleagues have tattoos, clearly visible in their bathing suits, not to mention many of our patrons are tattooed. Fortunately, I’m able to be professional and keep my obnoxious opinions to myself in public. Unlike some people I could name.)
One of the greatest gifts of my current relationships is how often I’m forced to be authentic and speak my truth. I’m getting a lot of practice in assuming those I interact with are adults who can deal with their feelings about my choices (I’m talking to you, fat, white, bigoted, entitled guy), just as I deal with my feelings about theirs. If others are not adults and refuse to take responsibility for their own feelings, well that’s not really about me at all, and those are not the kind of relationships I’m available for.
Suddenly, everywhere I look, I’m watching myself openly say yes or no, ask for what I want and/or need, state my feelings and preferences without apology or justification, and present my creative work with pride, love and belief in its value.
When I reread this, I smile. It sounds so smooth! It’s not, though. I feel a lot of anxiety as I come out from under cover. Challenging these old patterns gives me a greasy feeling of imminent doom. How can I expect anyone to love or even tolerate me if I insist on being a real person with needs and preferences? How can I admit openly what I think, feel, need and create?
No, it’s not smooth. It’s terrifying and exhausting.
It’s also exhilarating and freeing. Life is a lot easier when I give up taking care of anyone but myself. One of the great gifts of aging has been my gradual journey from a people-pleasing shell to sensual creativity, warty wisdom and vigorous connection to my own power and intuition.
This week I’m contemplating The Hanged Man, a Major Arcana card in the Tarot deck. The traditional meaning of the card is “life in suspension.” Not coincidentally, The Hanged Man is the title of my first book.
The Hanged Man
The Tarot illustrates archetypes, and archetypes, like stories, have many rich facets and shades. The meaning of such symbols is never cut and dried, and archetypes can always be understood in layers and intuitive connections.
For many years I’ve worked with Tarot cards every six weeks, and at least half the time I pull The Hanged Man out of a deck of 78 cards, thoroughly shuffled and cut, for a 10-card spread. It’s obvious this particular card carries an important message for me.
Life in suspension. What does that mean?
First, I have to decide what “life” means.
Life: Doing, having, being.
For 50 years I believed I had to make up for the fact of my being by doing and having. It’s only recently I’ve begun to support and appreciate my need and desire to just be. Gradually, I’m changing my focus and attention from having and doing to being.
Thinking or talking about just being — feeling, playing, expressing, being in my body, following my interests and desires — seems either ridiculously shallow or criminal, I’m not sure which. Maybe both together.
On the other hand, having and doing can certainly be shallow in the long run, and provide only a brief period of comfort and pleasure, at best.
Life in suspension. Being in suspension? As in I’m too busy doing and having to be?
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That doesn’t sound good.
In my world, doing doesn’t count unless the doing is perfectly done. As perfection is a goal I never achieve, spending most of my time and energy doing seems like a bad investment.
As I explore and adopt minimalism, having is less and less important.
That brings us back to being.
Life in suspension describes those times during which we feel stuck. We might be in a job that doesn’t challenge us, an unhealthy relationship, or an addiction. We might feel trapped in indecision, fear, grief or financial struggles. We can spend years, decades, lifetimes with pieces of our lives in suspension while we wrestle with our demons.
The entirety of our lives is generally not in suspension at the same time. We might be very pleased to have healed a health problem, yet still have struggles with money. We might be happy at work but stuck in our personal relationships, or vice versa. We might function for years with a hidden addiction, or wrestle chronically with our weight.
The thing about being stuck is it doesn’t feel competent, attractive, effective or like success.
It feels like failure.
On the heels of failure are the hounds of guilt, shame and isolation.
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But during those messy periods when our lives are in suspension and our feelings painful, what sort of invisible, underground growth and change is happening? What is hidden in that suspended interval that is regenerative, creative and fertile?
The Hanged Man wears an enigmatic smile in many Tarot decks. He’s hanging from one leg from the branch of a tree. Why does he smile? Why isn’t he thrashing and cursing, trying to get loose? Why is he peaceful? How did he get there, and how long must he hang? What will happen to him after he’s unfettered? Who hung him there in the first place, and why?
Life in suspension sounds like nothing is happening. Everything has stopped. Yet one of the things we can say about life with complete confidence is that it’s always changing.
I realize now my book, The Hanged Man, is at heart an examination of lives in suspension, or at least partly so. What happens to a mother who has murdered her children? That’s a life not so much in suspension as shattered, but what of her grief, her shame and her pain? How does one continue after such an event? What happens to a man who flees his home, his parents and his young wife, and is not able to stop running? What happens after we die? What’s happening while we’re waiting for spring, or for the baby to be born, or for a death?
Times of despair, illness, injury, grief, exile, and failure can make us feel stuck. We can’t seem to fix, change or get away from the tree in which we’re hanging upside down. Nothing seems to be happening and our discomfort goes on and on. Others fear us, or are repelled or uncomfortable because of our trouble. Failure of any sort is contagious. Nobody wants to be infected.
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Yet suspended intervals are common to us all. We might pretend they’re not happening and hide them from others, but who hasn’t been through a time of failure, either one catastrophic event or many smaller ones? Who hasn’t spent time mired in grief, rage, addiction or indecision? Who hasn’t lost themselves in confusion or been paralyzed by fear?
That’s why The Hanged Man is such a powerful archetype.
The suspended interval doesn’t seem like rich ground for stories at first glance, but I’ve always been more attracted to the less popular and less prized side of life. I like the blood, the sweat and the wet spot. I like the harsh realities of bone and ash.
Years ago I started creatively exploring lives in suspension without ever thinking about it in those terms. It was a careless kind of play, inspired by my storytelling material. What happened to the characters from the beautiful old traditional tales I was telling after — or even before — the story I knew? When Rapunzel escaped the tower, where did she go? What did she do? What became of the prince the little mermaid loved?
Why is that rascally hanged man smiling?
In the suspended interval, decades long, of hiding my writing because I felt it was a shameful, unproductive waste of time and it earned no money, I accidentally started writing a book. Or, I should say, a series of books.
It didn’t seem like much was happening while I was living those years, though. I was just hanging on, living my life.
Now that life I was experiencing while nothing much was happening has become nearly two thousand pages of creative work.
Once I lived with an avid outdoorsman who fished and hunted. He frequently spent his weekends camping during spring, summer and fall. I knew how much pleasure he took in this time away from the rest of his life, and always saw him off with some variation of “Have a great time.”
It never failed to make him mad.
He said it “put pressure” on him when people wished him well.
I felt both dumbfounded and amused by his attitude. I couldn’t imagine feeling insulted because someone who loves you wishes you a great time.
I’ve been remembering that man this week because I’ve been thinking about giving and receiving blessings.
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Traditionally a blessing was an important social exchange. If one was lucky enough to meet an incognito god or goddess on the flanks of Mount Olympus or in some other lonely place and received their blessing, they were broken open to receive it fully, their deepest and most private hopes, fears and pain exposed. It took courage, strength and humility to receive such a gift.
The poet David Whyte suggests we must make ourselves large for the exchange of blessings. To give such a favor is an act of generosity. To receive it is an act of growth. In the last several days I’ve thought a lot about making oneself big enough for blessings. I’ve remembered specific words and ways in which I’ve blessed others, including the simple blessing of my love.
Sometimes I’ve felt the love I gave another in words and actions was recognized, appreciated and fully received. Other times I have not, and I’ve always made that about me. My love was unwelcome and had no value. Now I wonder, though. Perhaps it wasn’t me at all. Perhaps they were not big enough in that moment to accept my blessing.
That thought leads me inexorably to wondering how many times I have not been big enough to receive a blessing from someone else. I’m forced to admit there have been plenty of times; probably many more than I’m aware of.
Am I big enough to be loved hugely, or receive a large sum of money or have my creative hopes realized?
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I’m not sure I am. I’m big enough to be loved moderately, but hugely? No, that feels like too much. I can feel myself tensing, rounding, drawing my knees up and wrapping my arms around my body as I imagine someone trying to give me huge love. I’m not worth that. I’ll be sure to disappoint. They’ve mistaken me for someone else.
I’m too small for such abundance. I choose to be too small. I’m afraid to stand up straight, open my arms and heart wide, and accept huge love. I choose to limit what comes in. I’m afraid of the pain of being broken open. I can make myself bigger in spite of my fear, but I usually don’t in order to accommodate a blessing.
Therefore, I impoverish myself. I have people around me who love me. Perhaps they love me as deeply as I love, and they long for me to receive it as I long for my love to be received, but my own inability to be large enough to allow their blessing into my life makes the energy of their love impotent and weakens our connection. My fear and choice to be small, hard and rigid, like a rolled-up porcupine, not only limit me; they limit others as well.
My most frequent prayer on behalf of others is that they might experience the greatest good. I use that specific language because I know I don’t know what the greatest good is for any of us. Sometimes what we want the most in life is not in our best interests. Sometimes the hardest experiences are the most useful to us. Sometimes what we long for is what we most need. I don’t know. I’m not big enough to know. I can’t see far enough down the road to judge the value in any experience. All I can say, along with everyone else, is what feels pleasant and what feels uncomfortable to me in the moment.
Oxford online dictionary defines blessing as “a beneficial thing for which one is grateful; something that brings well-being; a person’s sanction or support.” We all can make a list of crises in our lives that later turned out to be blessings in disguise. Maybe it’s all a blessing – each breath, each heartbeat, each tear, each drop of blood and sweat, each moment, each life and death. Gratitude is a practice encompassing all our experience.
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To receive a blessing is to allow an expression of support, affection and maybe even love touch us. It’s an act of trust in the intention of the one who blesses us, as well as faith in our own worth. We need one another in this life, and healthy reciprocity makes connections stronger. It’s not enough to be the strong one who maintains safety by extending love and support while accepting none; we must also be willing to be down and out, to be lost and confused, and to receive help and encouragement in our turn.
Last weekend two friends and my partner helped me empty out my flooded storage unit, chip ice, sweep water, put down pallets (transported in my friends’ truck), and put everything back again. We were ankle-deep in mud, slipped and slid on ice and splashed around in water as we worked. It needed to be done and I wanted to do it. I know I needed help. Yet from the beginning I was blocking the support and caring around me. I fussed about my friends using their Saturday to undertake such a messy job. I felt bad about using their truck. I was worried somebody would hurt their back heaving my wet mattress and box springs around. At the same time, I was deeply touched and uncomfortable because I could feel their caring and concern and I didn’t know how to take it gracefully. I wanted to be big enough to accept friendship and love from these dear ones, but it was really hard. I know, however, I’m not good at receiving and I want to be better. I also know, had our positions been reversed, I would have greatly enjoyed helping out a friend on a windy spring Saturday morning.
I endured my discomfort. Now that it’s done, what I will remember is not what was damaged and lost, or even the mess. What I’ll remember is the four of us tackled a necessary job, worked together and had a good time doing it.
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It was a blessing. I stretched as wide as I could to receive it.
I need more practice.
When I tell someone I love them, or wish them a great day, or the greatest good, I mean it. It’s not just words. My heart is in it. When I light a candle and reach out with all I am to a loved one who is far away, I’m offering the best I am as a blessing, a candle in dark times, a comfort in distress. I want the gift of my love and support to be received and used.
Probably the best place to start is to learn to receive with more grace myself, to expand, and to humbly accept whatever blessings come my way, whether plainly visible or in disguise.
Have a great day, readers. Greatest good to you. Blessings.
Lately I’ve been thinking about how much living a life resembles writing a story.
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We love our stories, whether they be in the form of songs, film, books (digital or tangible) or spoken language. We love the nonfiction of history and science, memoirs, and fiction. Story has anchored me to life since before I learned to read.
During my writing hours I’m engrossed in creating characters and weaving them together. One scene gives rise to another. There must be action and movement. There must be some kind of story logic. Every word must help drive the story forward. Characters need to be believable and recognizable in their behavior and growth. As an audience, we want to see characters change and learn. We want to commiserate with and applaud our favorite characters. We want them to do well.
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As a writer, I don’t have total control or knowledge of my story. I create a rough outline, create characters, choose a setting, and start writing. If I’ve done well with my characters, the act of writing animates them into becoming collaborators rather than pawns. I’ve learned the characters who remain passive and one-dimensional are weak and need to be reworked. I may have a direction I want my characters to go in, but strong ones frequently refuse to comply with my outline and notes and we wind up sitting glaring at one another with our arms folded, my character looking out from the laptop screen at me at the keyboard. The flow of the writing stops then, until I set aside my rigidity and work with other possibilities.
This is exactly like life. How often have we gone down a blind alley and wound up with our noses against a brick wall but been too stubborn or exhausted or despairing to retrace our steps and choose another direction? How often have we taken a well-worn path of anxiety and wound up in a trackless desert or marsh, floundering, miserable and lost?
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As we journey through the story of our own lives, however, our view is from the bottom of the valley rather than from a high mountain from which we can see the whole thing. We live our stories one moment at a time, losing sight of the beginning and never knowing the end until we reach it. Our lives are filled with things like visits to the bathroom, brushing our teeth, lost car keys, bills, errands, flat tires and dead car batteries, and colds.
But these details, so ubiquitous in what we call “real life” add nothing to a great film or book. They’re not sexy and entertaining. Nobody wants to watch Wonder Woman floss her teeth or cut her toenails. We don’t see our favorite heroes spending hours hunched over their phones, tablets and games.
We can’t tell the sweeping story of our lives while we’re living them. We know when things feel good or bad, but we don’t look beyond that most of the time. We’re more concerned with our discomfort and disappointment than we are with the inherent ebb and flow of life.
We don’t think about what our story requires. We don’t see our most difficult times as turning points essential to our story.
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As a writer, however, I know tension, conflict and obstacles are necessary. They create movement and growth. They create change. They force characters to reveal weaknesses and summon strengths. They teach resilience and test faith.
What would it be like if we could watch our own lives as though watching the next big superhero movie? What if we could revel in the setting we find ourselves in, even if we decide to escape it and find a new one? What if we chose to feel inspired by the unpredictability of our unfolding lives and heartened by the way obstacles shape us?
What if every experience was an essential, beautiful part of our story?
I was recently introduced to Havening. I’d never heard the term before, but I was intrigued by a brief explanation that Havening is a neuroscientific tool to assist in repairing emotional trauma. I looked at a couple of links and was so interested I tried the technique myself, just to see what would happen.
The human brain’s structure, function and capability are still a mystery to us in many ways. The brain does appear to be highly plastic; that is, we learn, we unlearn and we can develop new neural pathways and rehabilitate, to a greater or lesser degree, some kinds of physical traumatic brain injury as well as emotional trauma. We obviously treat some brain-based dysfunctions by pharmacological means, in the form of prescription drugs or self-medication via alcohol, nicotine and illicit substances.
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In our current culture of emotional illiteracy, sometimes the only way we know to mitigate our emotional pain is to numb out or distract. Relieving our symptoms, however, doesn’t address the root cause of our difficulty, it only covers it up for a time. Havening is a tool that allows us to address the source of our trauma and pain without chemical substances or the need for specialized (and expensive) treatment. It empowers us, the experts on our wounds and broken places, to become our own healers.
Nowhere on the Havening website or in the video is there mention of us giving our consent to the possibility that we can change, grow and heal. However, that is in fact the first step. I have observed, in myself and others, that sometimes we become so deeply invested in our pain and limiting beliefs we’re really not willing to heal and change. We say we are. We say we want to feel better, but when it’s time to do the work of exploration, excavation and learning to make different choices in managing our thoughts and feelings, we don’t. We’re not willing to be wrong, let go of our grievances and stories, practice forgiveness and give up the satisfaction of shaming and blaming others.
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I suspect Havening is a waste of time for those who approach it unwillingly, just as more traditional therapies are a waste of time (and money) if we’re only going through the motions.
Assuming we consent to give Havening a chance, the technique requires us to sit with ourselves in a quiet, safe place and deliberately bring to mind a single difficult memory or event. Rather than running away from our feelings, we intentionally recreate and recall them in all their vivid intensity, and as we do so we notice how our bodies process and express our difficult feelings. When we have re-experienced, as fully as possible, the feelings around our memory or event, we begin to lightly stroke or rub our arms, self-soothing with our own touch and presence. Still stroking our arms, we close our eyes and visualize walking along a beach, counting slowly to 20. Still stroking our arms, we open our eyes and, without moving our heads, look to the left, then the right, then the left. We don’t have to do this quickly or with strain. We practice this lateral gaze, combined with stroking our arms, for a minute or two, then close our eyes and visualize walking through a summer meadow, counting slowly to 20 again. We follow that with the lateral gaze for a couple of minutes, all the while still stroking our arms. The third and last visualization is of walking down a staircase, combined with arm stroking and counting slowly to 20. We follow that with practicing the lateral gaze for a couple more minutes.
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At the end of this series of steps, we relax and intentionally probe the memory we started with. We notice how our bodies feel and what our feelings are compared to when we started.
I know from emotional intelligence training experiencing our feelings fully and completely is the best way to allow them to move through us and dissipate, but I frequently feel so overwhelmed by the intensity of my emotions that I’m afraid to do that. Sometimes I think if I start crying, or expressing rage, I’ll never be able to stop; I’ll fall over some invisible edge of self-control into permanent madness and chaos. Havening is enormously useful for me because it gives me a safety net to fall into. No matter how strong my feelings are about a specific memory or event, I know I’m going to be able to successfully help myself calm down and feel better immediately. I don’t need to wince away or try to minimize my feeling experience.
I’ve spent much of my life starved for loving touch. I’m not talking about sex here. I’m talking about skin to skin touch that says “I’m here. I care about you. You’re safe with me.” In times of high stress and upset, I frequently wrap my arms around myself, the closest I can get to getting a hug. Havening provides the physical comfort of touch, which we know can calm stress and produces serotonin, a natural chemical our brains make that gives us a feeling of well-being.
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Anyone who meditates or has done Lamaze breathing for childbirth knows when we focus on breathing or a mantra our minds learn to be quiet. The three visualizations used in Havening, combined with self-touch and counting, immediately distract from the intensity of our emotional pain, as does practicing the lateral gaze. We rarely use our eyes to look laterally without moving our heads, and to intentionally and repetitively do so takes focus.
The purpose of this specific set of steps is to “rewire” a neural pathway caused by emotional damage or trauma. The links in the first paragraph explain the science and neurology behind this better than I can, so I won’t reiterate. What I will say is, somewhat to my astonishment, I noticed a sharp decrease in the emotional pain surrounding a memory the very first time I tried Havening. I didn’t lose the memory, but it was no longer attached to such an intense emotional reaction. I could think of it and remain physically relaxed and centered. I could see it more objectively. I could say, “Yes, that happened. It hurt me, but now it’s over.” Overwhelming unpleasant feelings were no longer connected to the memory.
As I practice Havening, I notice a couple of interesting things. The first is that the memories that give me the most trouble are small. A single phrase that broke my heart and irrevocably changed everything. A memory of no words at all, just someone else’s strong emotion. I use Havening to address my most private mental slideshow, where each slide is a single small period of time; a single scene, rich in sensory detail; a single moment of terrible clarity and revelation. I marvel at the power of these small pieces to shape our lives so profoundly. I never think of Havening around divorce and break-ups or even deaths. Those obvious upheavals are not the events in my life that have had the most power.
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The second thing I notice is how my visualizations are changing. The first time I did Havening, I followed the cues in the video exactly. I had no plan to elaborate on the three visualizations. As I’ve made a practice of the technique, though, my visualizations are becoming more and more vivid and sensual. I imagine walking hand-in-hand with someone. I imagine the feel of the sun, the sound of the sea, the grand sweep of a lovely curving staircase and a crowd of people waiting for me at the bottom. I also note that the unintended elaboration of the visualizations is all positive. I feel safe, protected, loved and joyous. There’s no lingering feeling of pain or discomfort from the memory or event I recalled just a minute before.
Havening is, above all, a flexible tool. Anyone can use it and fit it into his or her particular spiritual, religious or philosophical framework. It’s completely private and open-ended. Havening can be done once a week or three times a day. I can work with a single memory for a week if I need to, or tackle a new one each time I practice. It works equally well with old memories or new upsets.
Havening provides a kind of emotional detox. Since I’ve been doing it I feel lighter, more peaceful and as though I can think more clearly. I’m less easily triggered and hijacked and I respond more and react less. My head and heart are less cluttered. My feelings seem more like allies and less like enemies.
The biggest gift of Havening is the way it supports my intention to be authentic. It seems to me we all suffer some degree of shame about the things that really hurt us. It’s hard to explain, even to ourselves, why a few words or a gesture hurt so much. We tell ourselves and others not to be silly or dramatic or have such a thin skin. Havening provides an open door, an invitation to honestly acknowledge our hurts and take responsibility for soothing them. It gives us permission to feel our honest feelings without the need to minimize, explain or justify. We are fully empowered to respect and address our own pain.
Finally, Havening has become a ritual of self-care. I like essential oils, and I set out a blend from Young Living, a bottle of massage oil and a small hand towel by the chair I practice Havening in. I rubbed a white candle with the essential oil blend, and when I sit down I light the candle, mix the oils and use the mixture on my arms, hands, cuticles, etc. as I practice. Ten or fifteen minutes of deep moisturizing, aromatherapy and massage, in combination with Havening, leaves me feeling calm, strong, centered and cared for.
Havening is a new technique with a lot of promise. I’m interested to watch it evolve and be subject to scientific studies. Several practitioners are expanding Havening for other psychological applications, and I follow the blog with interest. In the meantime, it’s a powerful tool that costs nothing, does no harm, and results in significant benefits.
