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I think of myself as a goal-oriented, disciplined person. Most of the time I know what I want (at least I think I do). Some of the time I’m intentional and present with my choices. I like routine and can be both dogged and stubborn.
Outcomes have always been important to me. I set my sights on what I want to happen and started trying hard to achieve that desired outcome.
I don’t remember ever being taught creating certain outcomes is the way to live successfully and happily, but I structured my choices and behavior around that belief. A desired outcome was success, and therefore good. An outcome I didn’t want was failure, and therefore bad.
I didn’t consciously notice for much of my life that trying to create just the right outcome never worked well for me.
When I came to Maine and learned emotional intelligence, I started thinking about personal power and I finally really looked at how strongly desired outcomes motivated me. I was furious when I first came across the idea of letting go of outcomes. What I heard was invalidation and rejection of my ability to make long-term goals and plans and steadily, a step at a time, work toward them. I also thought I was hearing it was inappropriate to have dreams and desires. How could one navigate through life without caring about outcomes?
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It took time, a lot of exposure and a couple of difficult and painful events, but eventually I understood investment in outcomes was the problematic piece, not having needs and desires or the degree to which we are disciplined and can tolerate delayed gratification.
We do not have complete power in the way things work out because our goals and plans inevitably include others.
By others I mean other people (the job, college or mate we want), whatever our conception of the Divine might be, and influences like the weather, the stock market, the tax return we counted on, the housing market, the weather, our state of health, and a thousand other variables.
Outcomes are as unpredictable as a loose cannon on a rolling deck, yet I based my happiness and sense of worth on them for most of my life.
For the most part I was unhappy, anxious and felt like a failure.
Then, somewhere I read or heard this little phrase: “However it needs to be, it’s okay with me.”
When I first came across it, I felt angry. It was a blatant lie. I was reluctant to think it, let alone say it. On the contrary, I was deeply invested in outcomes.
But I kept noticing it didn’t work well to live that way.
For some time I watched myself using all my energy in the tension of trying to create specific outcomes that eluded me.
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In my usual buttheaded fashion, I hung on grimly. If I wasn’t seeing the outcomes I intended and wanted, it was because I didn’t deserve them. Or I didn’t work hard enough. Or I was so broken and stupid nothing would ever work for me. Or the world was against me.
It was much easier to hate myself, an old habit, than consider the possibility none of us can really control outcomes. It was easier to blame others than change myself.
What we can control – the only place our personal power resides – is what we do with ourselves in terms of our beliefs, choices and behaviors.
Deciding how to think about outcomes is part of our personal power.
I formed a conscious intention of experimenting with letting go of outcomes. One of my very first explorations into that was this blog.
One of the biggest problems with attachment to outcomes for me is the outcome looms so large it overshadows the hundreds of small pleasures in life, as well as my delight and curiosity in the journey I take through each day. I’m too busy trying to get to an outcome to notice or appreciate anything else. Attachment to outcomes means there’s only one very specific way I can feel successful or happy, and in order for that to happen all the stars must align just right and everyone and everything around me must behave exactly as I want them to. Otherwise I’ll be resentful, depressed, discouraged, hurt, or some other kind of miserable.
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Attachment to outcomes is also a relationship killer. Whatever it is we want our children, parents, spouses, colleagues, bosses and friends to do or be (or not do or be), the fact is they are not pawns on our chess board. They are not paper dolls. They are not (hopefully) ours to control.
If we cannot accept our loved ones (or ourselves, for that matter) for who they are, we will lose them.
Attachment to outcomes comes with a heavy burden of fear and anxiety. As long as an outcome is “good” or “bad’ in our minds, both hope and fear attach to it. We invest energy in trying to avoid certain events and foster others. We try to figure out how to manipulate and influence the situation so it turns out the way we want.
We lose sight of the others around us very quickly. If we have our hearts set on a job, for example, even though we’re not well qualified for it, we do whatever it takes to get hired, never considering someone else might be a better fit. Someone else might be more desperate than we are for the job. The organization might need a specific set of skills and talents we do not possess. Another job opening we’re not yet aware of might be the place we’re most needed and will be most happy.
Attachment to outcomes can make us small and rigid, selfish and resentful.
So what does it look like to let go of outcomes?
Change and the unexpected are no longer fearful, but interesting. We make space for them. We have increased room for others because we’re not trying to control them. We take life less personally. We are confident and clear in our own power.
To let go of outcomes is to let go of distractions. It frees up space and energy to consider our own integrity, expression and needs. If we want to give a gift, we do it without worrying about how it will be received, if it will be reciprocated or how it will be judged. We give because it makes us happy and gives us pleasure to do so.
If we are artists, we create because it gives us joy, because it’s what we were born for. We don’t use our talent as a tool to leverage fame and riches. That doesn’t mean fame and riches won’t come or our art is not worth getting paid for, it just means that’s not an outcome that drives us.
Letting go of outcomes means letting go of feeling victimized, resentful and betrayed. We don’t take disappointment personally. Life is not all about us.
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Letting go of outcomes makes room for cooperation and collaboration. We see others more clearly, lovingly and respectfully. We’re a more elegant team player. We enjoy working with others without the need for competition or power and control. We look for ways to share and nurture power. We give up the blame and shame game.
Letting go of outcomes means letting go of regrets. We make space instead for all outcomes, whether intended or not, comfortable or uncomfortable. We go forward with our best, most honest and heartfelt effort and have fun, letting the rest take care of itself. We use our time and energy to cultivate curiosity, wonder and gratitude for whatever happens.
Letting go of outcomes starves our anxiety, depression and insomnia. If we can position ourselves in life with confidence, surrender and acceptance, we build resilience and joy.
Let me hasten to say releasing outcomes is hard work. I find, somewhat to my chagrin, at times I’m invested in my resentment over the way things work out and my sense of betrayal. I don’t want to be soothed, comforted, or challenged to consider my experience from a different perspective. I want to be left alone to suck my thumb and pout, my version of a tantrum. Managing my expectations and attachment to outcomes is a work in progress.
I also do not deprive myself of the pleasure of making and achieving personal goals having to do with exercise, building skills, playing, relaxing or learning new habits. Those kinds of outcomes are well within my power to pursue.
When I feel frustrated and as though nothing ever works out for me, I’ve developed the habit of saying aloud to myself: “How ever this needs to be, it’s okay with me.” If it feels like a lie in my mouth, I start poking at the situation and asking myself why I’m attached to a particular outcome. I put my energy into taking a step back and reevaluating the situation until I really am okay with whatever outcome occurs. I summon my curiosity, warm up my gratitude, invite my sense of humor to awaken and go forward.
It’s the difference between rolling out of bed and telling the day how it must be in order for me to be happy or rolling out of bed wondering what the day will bring and choosing to enjoy whatever that is in advance.
It’s the difference between arguing with what is and acceptance.
It’s the difference between feeling disempowered and standing firmly in my own power.
However I need to be, however you need to be, however this day needs to be, it’s okay with me.
Photo by Dan Gold on Unsplash
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A few weeks ago I wrote about romance and in that post I confessed that at this point in my life I’m not sure what love actually is. A strange admission from a reasonably intelligent, well-educated, middle-aged broad with two marriages and two children in her history.
Writing that post enabled me to clearly separate romance from love; though I suppose love might include a little romance from time to time. I’m convinced romance is not synonymous with love, however. I began to make a mental list of what love is not, as I often approach things from the back door first. Love is not a synonym for:
- A suicide pact
All right. So what is love? My Randall House Collegiate Dictionary says it’s “a profoundly tender, passionate affection for a person” or “a feeling of warm personal attachment or deep affection.” This definition doesn’t satisfy me at all. My rewrite is that love is a feeling of warm, tender connection and deep affection. I don’t think love is always passionate and I don’t like the word attachment. If anything, love implies to me an attitude of nonattachment.
But what about unrequited love? What about failed love or withdrawn love or love as a weapon or a tool? What about the inability to accept love, or feeling unloved though being told we are? What about those who make us feel our love is ugly, twisted, shameful or inadequate?
I’m always playing with words in my head. This week it’s “What is love?” and “What is a crone? and “What are the differences between compassion, empathy and sympathy?” I lie down with those inquiries and wake up with them. I turn them over while I shower, cook bacon, wash dishes, take my morning walk, practice Tai Chi and drive to town. I’m constantly scribbling notes.
I gave a neighbor a lift this morning and asked him to talk to me about compassion, sympathy and empathy. Poor man. He didn’t know what to make of me.
Yesterday, during my frosty morning walk, I dove into a stand of staghorn sumac below the barn and went to visit the spring. This is a daylight spring seeping out of the hill on which the barn and house stand. A long time ago, someone dug a well there, and at one time a pump and tank were installed, along with a system of black plastic outdoor lines to carry water to and from the barn, the garden, and down through the woods to, presumably, crops in the fields below. All the equipment is many decades old now, fallen over and covered with leaves and moss. The well is protected by a round cement cap, much too heavy for me to lift alone (drat!).
This spot is hidden in a thick tangle of vine, briar and trees. We rarely go in there, though it’s in close proximity to the barn.
It’s fall and it’s been dry, but the drainage where the spring emerges is clearly marked by rocks and moss. The ground underfoot felt soft, and when I brushed away the leaves I found moist earth. A yard or two below that is mud, and then a trickle of water and then, at the bottom of the hill, a quiet film of water, barely moving, reflecting the tree-laced sky. Right now It’s full of apples dropped from an apple tree that grows alongside it.
As I slipped and slid, tripping over vines and getting scratched by hawthorn and raspberry bushes, feeling the velvety moss coating the rocks and stepping cautiously on rotting wood, it occurred to me that love is like this spring.
I’ve always thought of love as an action verb, something I do to another in exchange for receiving the same. I thought I knew what I meant when I used the word, though I was never challenged to define it exactly. For me it’s been a catch-all term, synonymous with dozens of other, more specific actions: Want, need, desire, honor, trust, respect, care about, listen to, defend, make excuses for, enable, protect, support, believe in, etc., etc.
But what if love is just being? What if it has no object, but just is?
This little spring is absolutely true to itself. Water drains off the hillside above us and carves a path through the earth and rock until it emerges and runs down the surface at the foot of the hill. We pay no attention to it whatsoever. It’s reliable, predictable and faithful, but not because anyone is looking. Its unobtrusive, quiet presence has created a lush pocket of life, a complex system of plants, fungi, animals and insects, but ten yards away on the open hillside it’s invisible.
What if I make a choice to allow my feeling of love to run through my life in the same way the spring runs through and over the ground? What if I carry within me a wellspring, a hidden cleft, moist, fertile, filled with life, rich in sensuality, simply because it’s an expression of self? If others find their way to it, sit a while, bathe, drink, and allow it to nourish and refresh them, they’re welcome. If others can’t see it, or don’t value it, or dislike the perfume of rotting wood and leaves or the feel of plush moss under their bare foot, it’s nothing to do with me. Not everyone chooses to make their way through raspberry and hawthorn bushes, after all.
What if I don’t need anything in return because I’m giving nothing away? Perhaps the act of love can be a simple state of being, not a totality, not a hurricane of passion and lust, not a romantic fairytale, not a prison and torture chamber, but a spring, a waterway, a shining thread I can share without depletion. Can I allow it to seep quietly up through the roots of my experience, even if no one else ever finds it, wants it, returns it or deems it acceptable?
Our spring is part of a landscape of field and forest, river, pond and stream, rocky hillside and bog. The landscape contains many forms and embraces many systems of life. Birth and death happen on this land. Disease, erosion and flood happen on this land. Prey and predators carry out their sacred dance of balance here. Blood, bone, fur, feather, antler, musk, urine and feces are all here.
I, too, am a complex system of history, memory, belief, thought and feeling. I do not feel love for everyone and everything. My experience of love is that it’s a wild thing; it seeps up where it will and trickles away without warning, taking no account of rules and expectations. I can’t command it and I don’t choose to hold it back. My love doesn’t need anyone’s reception, appreciation, validation or praise.
Love is. I reserve the right to love as I will. I am the keeper of my own wellspring.
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My partner and I have hired a permaculture group called the Resilience Hub out of Portland, Maine, to collaborate with us in the development of a 30-year plan for our 26 acres.
Photo by Gabriel Jimenez on Unsplash
Permaculture, for those of you who didn’t follow the above link, is “the development of agricultural ecosystems intended to be sustainable and self-sufficient.” In other words, it’s a holistic management plan that includes plants, animals (insects, birds and reptiles), people, water and land. The land we live on consists of wetland, a river, a pond, a year-round daylight spring, streams, fields and woodland.
That’s what we tell people, anyway. I’m beginning to understand what permaculture really means to me, though, is a commitment to love.
I’m interested to discover I’ve achieved the ripe old age of 53 and discarded nearly my entire definition of love after two marriages, two long-term non-marriage relationships and raising two children. At this point I know a lot more about what love isn’t than what it is.
Here’s my current working definition: A relationship revolving around what we want others to be is not love. A relationship revolving around the question “Who are you?” is love. Notice sex is not part of the definition. I’m talking about love in the wide sense here, the act of loving another human being, independent of legal or blood ties. For me, this is also the root of self-love. Do we endlessly tell ourselves what we should, must, and have a responsibility to be, or do we allow ourselves to discover who we in fact are?
Creating a permaculture plan for this piece of land is a deliberate and intentional journey into what the land and the life it sustains is, as well as what we are as individuals and as partners. From our most private thoughts and beliefs to the boundary of the 26 acres we live on, we become note takers and observers. We practice surrender and acceptance. We listen and watch with curiosity and attention. We are present every day with ourselves, one another, and the land. We don’t think about imposing our will. We think about collaboration and cooperation, weaknesses and strengths, effectiveness and healing.
The consent to see and be seen is a profound and intimate expression of love rippling from the inside outward. We are not intruders here. We inhabit this land and want to protect and preserve it. The porcupine living in the barn cellar, the owls down by the river, the phoebes nesting in the barn, the passing bear who wiped out our suet feeder, are not intruders, either. The poison ivy, stinging nettle, ticks and mosquitos live here. The snapping turtles in the river and the leeches in the pond call this place home, just as we do. Permaculture is a peace treaty, the practice of appreciation for the variety and complexity of life around us, and the humility to admit much of its elegant mystery is beyond our knowledge or understanding.
Photo by Takahiro Sakamoto on Unsplash
As I walk these acres, alone, with my partner or in a group with the Resilience Hub, I’m learning the land as I would learn a beloved’s body. I’m noticing the animal trails wandering from field to forest to river, lines and wrinkles of use tracing their way along the land’s contours and folds, suggesting where we, too, might make a path, a place to pause, a spiritual resting place.
I map old stone walls like the delicate sculpture of a spine, huge mossy boulders and landmark trees, learning the texture and landscape of this place. I wander in the thin-skinned places where old bones of ancient glacial esker are revealed. I think about bird nesting boxes, bee and pollinator boxes and honeybee hives.
Over the years, my partner has discovered all the delicate veins of water, daylight and underground, seasonal and year round, the lifeblood of the land. Thick forest hides damp, humid hollows and shallow bowls where mosquitoes fill the leaf-dappled air and the turkey and grouse hide. The grassy hair on the open slopes and fields is twined, in this season, with black-eyed Susan, purple vetch, queen Anne’s lace, wild pinks, blooming milkweed, and red clover.
The land shows us where wildflowers thrive, and which type decorate which season. It demonstrates where water runs, so we know exactly where to position a well. The trees inform us of water availability, drought, crowding, disease and age. The raptors flying over us, hunting, help us know where raptor roosts would be welcome in order to protect the woody agriculture we think of introducing against rodent damage.
As we wander this terrain, we look for nothing and try to see everything. This is how the sun falls during each month of the year. This is where the field floods when the river ice dams thaw in the spring. This is where the doe that was hit on the road lay down and died. This is the special spot where I come, early in the morning, to sit by the river and be alive. This is where the wind strokes the exposed slope, and this is where the trees shelter a small clearing that catches the sun. This is the place where a bittern pounced like a cat on some small rodent by the pond one morning. Here the snow drifts, and here it lies late in the season as the bluets bloom in the boggy field. Here was the old fox den.
Trees topple, decay into humus where fungus thrives and new trees reach for the sun. The land stretches, sheds, sloughs away and reconfigures. Species populations rise and fall. We aspire to that resilience and sustainability. We aspire to the harmony and complexity innate in the landscape around us. We don’t want more than we need to eat, to live, to love. We don’t want to be well-groomed, civilized, obedient and sterilized. We want to root the rest of our lives in the color and scent and texture of the primordial wisdom of life and death as naturally and unapologetically as the raven, the fern or the tree.
Who am I? Who is my partner? What is this land? I believe these are questions that open the way to true love; to sustainability; to reciprocity, respect and surrender. As long as we ask and cherish these questions and receive and cherish the answers, hour by hour, day by day, season by season, cycle by cycle, love endures.
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except where otherwise noted
This week I’m exploring the idea of cultural appropriation. In the linked article, cultural appropriation is defined as “Taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without permission. This can include unauthorized use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc.” This definition provides a useful starting point, but it begs a couple of important questions.
I approach cultural appropriation from two different directions. I begin with a story I wrote years ago for oral telling. The story was inspired by the wonderful children’s author and illustrator Eric Carle . He wrote several books, among them Draw Me a Star. As a parent and librarian, I’ve bought, recommended and read aloud his books hundreds of times. You can look at ‘Draw Me a Star’ here .
“Sing me a star …”
And the Artist sang a star.
It was a shining star.
“Color me a sun,” said the star.
And the Artist colored a glowing sun, a golden lion, a hillside of orange poppies, a burning fire, and a feather.
It was a red feather.
“Weave me a tree,” said the feather.
And the Artist wove branches and leaves and pieces of sky into a tree, and She wove fields and forests and deep, invisible roots, and a spider’s web.
“Build me a fence,” said the spider.
And the Artist built a fence and sculpted rocks and ice and sand and snow into a world.
It was a glorious world.
“Tell me a story,” said the world.
And the Artist began, “Once upon a time …”
It was a wonderful story.
“Tell me some more!”
So the Artist made all kinds of people to share all kinds of stories.
They were strong people.
The people said, “Teach us what love is.”
And the Artist said,
“Sing me a star …”
Photo by Leon Liu on Unsplash
Now set your burdens down for an hour and dance with me. Here’s the sound track I made for our community dance last Monday evening.
“Symphony of the Forest and Mysterious Island,” by Kitaro a Japanese artist.
“Maryam,” by Hamza Shakkur, from the soundtrack to the movie Bab’ Aziz , a Tunisian foreign film.
“Aye Lon Lon Vadjro,” by Angelique Kidjo , an African artist.
“Kozuma,” by Professor Trance and the Energizers, who perform multicultural Trance Dance music.
“Stars Align,” by Lindsey Stirling, an American violinist.
“Mwari,” from the album World of Rhythm.
“Pinguli Pinguli Giuvaccinu,” by Savina Yannatou , a Greek artist.
“Barcelona Nights” by Ottmar Liebert, a German guitarist.
“Symphony of Dreams and A Drop of Silence” by Kitaro.
I wouldn’t steal a pencil or a nickel. It’s easy to make a distinction between concrete objects belonging to me and those that don’t. Trying to define intellectual and cultural property, however, is another thing. Part of my integrity as a storyteller includes rigorously reporting the origins of my material to my audience. Part of my integrity as a librarian and a researcher includes investigating roots and versions of old stories and communicating that information to my audience so they get a glimpse of the amazing historical journey of human creativity and experience. Part of my integrity as a writer is to be open to the world of human beings around me in all its rich history, language, symbol, tradition, spirituality, expression, art, ideas and feelings.
Anyone who creates art or delves into old oral traditions realizes cultures are not so easy to distinguish from one another, and the farther back we trace certain artifacts, oral material, symbols and traditions, the more blurred the boundaries between cultures become. Part of my motivation in becoming a storyteller is to become a link in a long, long chain of humanity that reanimates old stories. Oral tradition survives because it speaks to the culture of human beings. Themes of love, birth, death, war, change and power engage everyone. The repeating horrors of colonization, genocide, slavery, plague and pestilence, massacre and religious persecution are embedded in the history of every culture on every continent.
Photo by NASA on Unsplash
It would be convenient to simplify the history of mankind into good/bad, victim/oppressor and black/white literally, as well as figuratively, but that’s an intellectually lazy and ignorant point of view. Science teaches us life is a complex, nonlinear, dynamic, holistic system, and every culture changes every other culture just by existing. Every species impacts every other species. Every organism impacts every other organism. It’s inescapable.
Culture is defined geographically, ethnically, politically, by religious belief, by shared history, by language and by physical types. All these factors and many others weave cultural definition. I define some of my cultural aspects and others also define me, sometimes accurately, sometimes ridiculously. Defining culture is like trying to catch fish with your bare hands.
Who is authorized to speak for their culture, and what gives them that authority? Who controls the sharing or withholding of cultural information? At what point do we qualify for inclusion in a culture? My own ancestry is a polyglot of Irish, Norwegian and German, at least. Am I Irish enough to be allowed to tell an Irish traditional tale? Does the fact that my skin is white prohibit me from dancing to African music and introducing others to artists like Anquelique Kidjo?
We have ample evidence that cultural purity is a fast track to cultural death. It doesn’t work in breeding animals, it doesn’t work in the plant world and it doesn’t work any better with humans. Life is not about maintaining divisions and isolated islands of purity. It never has been about that. Successful life is about biodiversity, cooperation, adaptation and hybridization. The attempt to maintain cultural purity is an attempt to restrain change, which is an attempt to harness life itself. Human beings, thank all the manifestations of divinity, are not that powerful.
Photo by Lukas Budimaier on Unsplash
What human beings are is creative. We are sensual. We thrive on expression and ritual. We hunger for spiritual nourishment. At our best, we’re observers, recorders, problem solvers, explorers and synthesists. We’re curious. As in the old stories, we go out into the world and seek our fortunes, our mates, our place, our families, our passion, our destinies and ourselves. Yes, there are plenty of madmen/women, megalomaniacs, destroyers and other pitiless, power-hungry, dangerous, destructive people out there. Entire human cultures have disappeared, leaving behind nothing but artifacts and fragments of language. Many, many other kinds of life have vanished as well, and many more are at risk. Yes, there are people who steal real property as well as intellectual property. There are people who would gladly wipe out whole groups of humans and other life, given the power. It’s happened before and it will no doubt happen again.
Photo by Jazmin Quaynor on Unsplash
Have you noticed, though? Life — human, animal, plant — goes on. No one can really steal our heritage or our identity, because those things reside within us. Plagiarism and duplication are sterile things. Culture persists. It might go underground for generations in order to survive, but it persists and eventually shows itself to the world again. Stories, music, traditional arts and crafts, religious rites, dance, clothing, jewelry, language and tools are all seeds of culture. When someone with cultural seeds in their pockets reaches across boundaries to another culture, powerful, life-sustaining, magnificent collaboration happens, the kind of collaboration that allows an ordinary person like me to create a multicultural dance track and lead a small group of people (all kinds of people) in dance, which is a human cultural tradition from the dawn of man/womankind. The mingling of cultures creates new cultures, as well as sustaining the original parent cultures. If one person reading this discovers new music to add to their lives and pass on, a long history of cultural tradition goes with it and is preserved. I’ve succeeded as a link in the chain going right back to the first humans.
Eric Carle has had a hand in shaping my life, along with hundreds of other authors and illustrators. His books were read to me when I was a child, and in turn I read him to other children, including my own. He’s a unique and beautiful artist. My appreciation for his work inspired my own creativity. I was also inspired by my brother, who is a gifted musician, and I dedicate ‘The Artist’ to him, out loud, every time I tell it. I take my copy of Draw Me a Star to every telling to pass around. I’ve told ‘The Artist’ dozens and dozens of times to all kinds of audiences, children as well as adults.
Photo by Quino Al on Unsplash
The story tells my truth. The act of creation is an act of love, appreciation and respect. Creation never happens in isolation. It’s never pure. It’s always a maelstrom of conscious and unconscious influence, memory, and inspiration from things seen, heard, read, felt and experienced. Culture is not static. It adapts, adjusts, persists, learns, discards, incorporates, borrows and contributes, or it dies.
Last week I wrote about making ourselves small. Cultural eradication makes the family of man smaller. Plagiarism kills creativity. Appropriation shrivels our souls. The threat of tribal shaming limits our joy in discovery and exploration outside our cultural boundaries. Choosing rigidity, hoarding and withholding our beautiful languages, our nourishing spiritual wisdom, our rapturous music, our skills and traditions, impoverishes us. Refusing to experience, explore and appreciate other cultures and their richness also impoverishes us. Sterility and isolation in, sterility and isolation out.
The greatest honor I can give the countless musicians, authors, artists, dancers, storytellers, photographers, sculptors, weavers, gardeners, mystics, filmmakers and other creators who grace the world is to see, to listen, to be touched, to weep, to laugh, to dance, to receive, to learn from, to be inspired by, and to add my own work to the dynamic, ever-changing culture of humanity.
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except where otherwise noted
I noticed last week’s post on authentic female power quickly became my most read post to date, perhaps confirming my suspicion about how hungry women are to reclaim real power.
This week, my partner shared a short video clip with me that talks about manufactured consent.
This morning, as we cooked breakfast together, My partner informed me about the new trend of buying dirty jeans at $425 a pair.
Photo by Andrew Loke on Unsplash
As usual, I feel painfully out of step with the culture. I feel angry. I feel lonely. I feel flawed in some deep, irrevocable way because of what I want. I grieve for the loss of connection with what I can touch, smell, taste, look at, hear and be held by.
Yet there was a significant response to last week’s post, which indicates to me I’m not as alone as I feel.
It seems to me we’re increasingly distanced from one another, increasingly divided. The culture says we’re more connected and have access to more information than ever, and in a manner of speaking that’s true. We’re more technologically connected than ever. We’re more connected with word and symbol than ever. In fact, our heightened connectivity is creating new languages of emojis, emoticons, like and dislike buttons, and shortcut language that accommodates the limitations of tweets and texts.
Yet we live in technological enclaves that are every bit as rigid as physical neighborhoods and districts in a city. If, like me, we don’t have a cell phone — well, we’re out of the texting conversation. We’re invisible. We don’t count. We’re silenced. Ditto if we don’t have access to Internet or aren’t on social media, or don’t have an email. If we don’t play on the technological playground, we’re depersonalized and disconnected — literally.
But words, pictures, profiles and emoticons can lie. Language includes communication that only occurs with physical presence. Without physical presence, we can’t discern lies from truth. Our power is so damaged we routinely swallow just about everything the culture, media, advertising and our “friends” tells us.
For example, professional women can’t succeed if they don’t adhere to social standards of businesslike attire, clothing and makeup. If you don’t believe me, look it up on any of your tech devices. It’s not hard to find this “fact,” both directly stated and implied. Let me just repeat that, to make sure you got it.
If we’re a woman who doesn’t buy and use makeup, we can’t succeed in the business world. Everybody says so. Everybody believes it. Everybody makes it true by enforcing it each and every day with words, buying choices, advertising, blogs and articles, all courtesy of technological connectivity and manufactured consent. In 2015, the United States was considered the most valuable beauty and personal care market in the world, with a market value of 80 billion dollars.
I’d say that’s pretty successful manufactured consent, wouldn’t you? Pat yourself on the back if you wear makeup, because your hard-earned money is somewhere in that 80 billion dollars. Well done. Do you feel successful and powerful now? Someone does.
If we’re on Facebook, we have friends, a community, a popular vote of “likes.” We don’t have to deal with morning breath, a wet spot on the mattress, different schedules and rhythms, dirty bathrooms, greasy stoves, or any of the small idiosyncrasies and habits real people have. We don’t have to reveal our physical bodies, our insecurities and our wounds. The worst rejection we risk is being blocked or unfriended. We don’t have to learn how to accept, live with and perhaps even appreciate (perish the thought!) different points of view or opinions. We don’t have to be challenged, stretched, or have our dearest beliefs threatened.
Pressing a button is so much easier than all the messy consequences of authentic connection.
Photo by Alessio Lin on Unsplash
We never have to risk being real at a technological remove. No one can blow our cover. We never have to face ourselves; take responsibility for our words, views or choices; or endure the difference between the way we wish to be and the way others actually experience us. Or, alternatively, we can come out of hiding, feel safe behind the screen, and finally allow all our hate and rage off the leash.
Our culture tells us power and success equal carefully constructed pseudo self profiles, the latest technological gadgets, social media accounts, likes, followers and “friends.”
The culture teaches that power and success are achieved by buying things and the possession of money. Now there’s a circular game of empty addiction we can never win and sellers never lose!
Power and success are ours if we participate fully in manufactured consent. Would anyone like to buy a pair of dirty jeans? Guaranteed power and success!
Yet how many of us truly feel powerful and successful? Are we there yet? If we’re not there, we will be after we buy just one more thing, right? Or perhaps we need to make just a little more money, or lose a little more weight, or finally find the “right” mate.
If we’re well connected technologically, our needs are all met, yes? We have a tribe, a community in which to laugh, cry, celebrate, mourn and share our authentic selves. We have physical reassurance and bonding. Our relationships are based on authenticity, reciprocity and respect. We feel seen, heard and known.
Photo by freddie marriage on Unsplash
I don’t think so. I don’t think tech meets all our needs for authentic connection. I think it more often swallows us up and absorbs us. It’s a toxic mimic for the real thing, more controllable and less risky, and we the sheeple have been groomed to buy every toy that’s put in front of us. We’ve forgotten to look up and notice there’s another human being in the room, in the bed or at the table. That’s the power of manufactured consent.
It doesn’t surprise me that Baba Yaga spoke to so many last week. We’ve sterilized what she represents right out of our modern culture. All her outrageous, provocative, profane, rebellious, insubordinate, irreverent, passionate, authentic attributes have been pushed underground, where her spirit lurks, watching, cackling, stirring her cauldron, sucking on bones and waiting for us to remember her and summon authentic power and connection again.
Authentic connection has a scent of living tissue and breath. It’s texture and heartbeat. It communicates with word, action, and the silent language of the body. It doesn’t allow us to shut our eyes, stop our ears or press a button and dismiss uncomfortable tension.
Authentic connection reveals us to ourselves and to others. It isn’t muffled, sterilized or distorted by keyboard or touchpad. It’s defined by visible action and choice. It demands priority and time. It requires real participation, with heart, body and presence. Authentic connection makes us weep. It makes us bleed. It makes us laugh. It awakens our rage. It heals us and makes us whole. It’s messy, unpredictable, confusing, demanding, imperfect, and reminds us at every turn of the limits of our power. It forces us to communicate and then holds us accountable for what we say — and what we don’t.
Most of all, authentic connection is not something we can buy — ever. No one and nothing can give it to us. Our only access to it is through ourselves. We’re a nation of prostitutes, viewing, clicking, scrolling, buying and surfing, but the only ones profiting are the pimps who cash in on our hunger for something real and our addiction to everything not-real.
Yet Baba Yaga is on the move, sowing seeds of divine rebellion into the cancer of manufactured consent and patriarchy, deprogramming one woman at a time. Even now she’s flying on the spring wind in her mortar, using a pestle as a rudder, searching for all those women who long for something real.
Searching for me.
My daily crime.
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