One of my coworkers and his wife had a baby girl yesterday.
I’m thinking about them, and remembering the birth of my own first child.
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Creating something new. What a magical process, and what an anchor to our humanity.
What a terrifying, exhausting, consuming act it is to make oneself into a creative vessel, and then, when the time is right, deliver what we’ve conceived and made into the world.
Creativity, it seems to me, is the ultimate act of faith in the world, faith in the future, faith in ourselves and others.
Faith can be hard for me. Trust is even harder.
Yet I am compelled to create, just as I felt compelled to be a mother.
I forget sometimes that creativity is a journey from conception through patience and labor to, ultimately, delivery.
Except delivery, of course, isn’t the end of the journey, but the beginning of a new one.
About a month ago (I had to look back in my notes – it seems like a year ago!) I suddenly decided I wanted to redesign and uplevel this blog.
Step by step, I’ve been working toward that goal ever since, in a daze of inspiration and creativity. I’ve made sketches and notes, researched other popular and award-winning blogs for design ideas, sorted through hundreds of images, written word lists, created new categories for my content, and worked with a web designer.
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It’s going to be beautiful. I wish I could show you the inside of my head as a preview!
It’s also going to be wider in scope, more ambitious, and more authentically expressive.
Creativity forces us to be bigger, and that’s uncomfortable. Once your belly has stretched over a baby, it’s forever changed. There’s no going back.
In order to create my new website, I need to step beyond my comfort zone in several ways, and stretch, and fall back on patience, trust, faith, and resilience.
It’s a stony road, but the vision in my head is so compelling I don’t always notice.
Today, a day off from my bread-and-butter job, was The Day I was going to finally start building the site. All the pieces are in place, all the elements collected. I’ve watched tutorials on using the software I chose to build with. I could hardly wait to start.
Starting looked like opening everything up and sitting in front of the screen without a clue.
For three hours I struggled with more tutorials, trying to find definitions for terminology, and trying to understand how to use this amazing, beginner-friendly, software!
I paused and emailed my web designer. I’m going to need help. We made an appointment for the end of the month.
I don’t want to wait that long. I dove back in. Surely I can figure this out!
At the point I felt torn between hurling the laptop out the window or bursting into tears (maybe both), I set my notes and the laptop down on my work surface (gently!) and walked away.
Sometimes there’s nothing else to do.
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I went outside and sat in the sun. It’s a gorgeous day, sunny and warm. It’s also the height of black fly season, and I’m half demented and a little sick from several vicious bites incurred earlier in the week. I’ve always had trouble with insect venom, and it’s unbelievable how savage these tiny insects can be. If you’ve never experienced them, you won’t know what I’m talking about, and I can’t adequately explain.
Anyway, right now it doesn’t pay to linger, uncovered, in the sun, but I gave myself a few minutes to enjoy the birds, the new green growth, and the warmth while I struggled with my frustration.
I thought of that new baby, and I sighed.
Creation takes time.
Conception, labor, delivery, and whatever comes after, take time.
Living creatively is a journey, not a destination.
It is, after all, a day off. Am I going to choose to beat my head against this wall or leave it and go on to something else, like writing this post?
The post I wanted to write was the introduction to my new site!
Three weeks ago, I explored ecosystem processes as part of holistic management planning using Allan Savory’s template for decision making.
This week I’m looking at the ecosystem process tools I might use to manage my writing business plan. Savory defines them as human creativity, money and labor, technology, fire, rest, and living organisms.
Leaving aside all this terminology for a minute, how do we manage our lives and environment? I’ve just been housecleaning with a vacuum (requiring electricity), a dust rag, a broom and dustpan, bleach, vinegar, cleanser, rags, Windex and paper towels. These tools don’t represent much money, but I do need to use labor to optimize them.
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Now I’m using my laptop and a wireless Internet connection. These technological tools require money, in addition to my creativity and labor.
Although Savory’s focus is on land management, his model continues to lend itself to virtually any kind of management situation, as though all our human endeavor is only a sidestep away from holistic land management. This, of course, is the case, as there can be no human endeavor if we destroy the planet. Whoever we are and whatever we do, our choices and actions have consequences for Earth.
I’m using the tool of creativity as I work with this model and explore all the levels and pieces. Supporting my own creativity as a writer is at the heart of my purpose.
Savory proposes that holistic management planning will always require at least one of the tools of money and labor. Now we come up against the limitations of our resources. We might have money, but no time, energy, or willingness to labor. Or, we might be working as hard as we can, but have no financial resource. Most of us have a mixture of the two, but how do we know how to use our resources of money, time and energy most effectively? This is one of the questions lying at the core of my own situation.
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I suspect many of us operate out of scarcity rather than abundance, out of a sense of limitation rather than possibility. Our lives are busy and our days full. We have responsibilities and deadlines. We respond to one demand after another. We fight traffic, the clock, and an unending stream of messages, notifications, beeps, rings, and buzzers.
Using rest as a tool seems counterintuitive. If we’re already running as fast as we can and we can’t keep up, the sky will certainly fall if we make a choice to stop and sit still, even for a few minutes. However, I know from my own experience none of our efforts are sustainable without rest. We can’t assess our resources fully on the run. We can’t think intelligently about our measure of money and labor and where to use them most effectively, and we can’t maintain juicy creativity without regular and adequate rest.
Fire is another tool we use to manage land, and I apply it metaphorically to my own situation. Natural creative forces like fire are terrifying, and we usually focus on their destructive aspect, forgetting destruction always opens the door to something new. Sometimes we use such a force deliberately, and sometimes not.
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If we are managing humans rather than land, events such as divorce, death, a spiritual crisis, a health crisis, or a wholly unexpected choice can have the same effect as a force of nature like fire. In a very short time, everything changes and we no longer recognize our landscape and landmarks. We feel terror and loss. We feel disempowered. At some point, we begin to shape a new life, adapt to a new job, put roots down in a new place, or learn how to inhabit a new set of circumstances.
Technology is the tool I’m least comfortable with. Unfortunately, in these days it’s a very important tool for an aspiring writer, maybe even an essential one. As I wrote last week, I’m being inexorably forced to make friends with it and develop some skill in using it. Sigh.
Lastly, and closest to the heart of Savory’s work, is the activity of other organisms as an ecosystem management tool. Collaboration. Cooperation. When organism meets organism, both are impacted. It doesn’t matter how large they are, or if they have a Latin name, or if we understand the full nature of that impact. It doesn’t matter if one organism is a cow and one a forb. It doesn’t matter if one is a human being and the other a virus. Life interacts with life, and both lives change.
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The long tale of evolution is made up of infinite stories of these interactions.
As humans, our cultures, languages, stories, knowledge, artistic expression, and belief systems have given us a social context – many wholes making up the whole of humanity across time. Social context is hugely influential and powerful, as evidenced by the phenomena of social contagion and tribal shaming.
My interaction with all the life around me, past and present, human and nonhuman, is my most powerful and complex tool for managing my business writing plan. Without my social shaping by family and culture, I would have nothing to write about. Without collaborating with others who have skills, knowledge, and power I lack, I cannot succeed. Without the inspiration and support from those around me, I would not be able to fuel my creativity sustainably.
Tools help us shape and manage our lives. We learn to make them, care for them, and wield them effectively. As humans, we have a long history of developing tools to help us master our world, and human endeavor often fails if we don’t have and know how to use the proper tools.
Questions I ask myself: What tools do I need to build a sustainable management plan? Who will teach me to use them effectively? How much money and labor will be necessary in order to use my tools well?
And what about people? People are not tools. How can I most effectively interact, collaborate, and cooperate with the people around me in order to work towards my goal of creating a more secure, sustainable life as a writer?
Is it possible to share our happiness? More specifically, is it possible for me to share the things that make me happy with others? I ask because my immediate answer to the first question is yes, of course. My immediate answer to the second question is no. Well, rarely. Let’s say rarely.
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Martin Seligman makes a statement in his book, Authentic Happiness, I’ve been thinking about for several weeks. He writes that seeking out others to share our happiness with, and telling them how much we value the moment “is the single strongest predictor of level of pleasure.”
I’ve struggled all my life with an intense desire to share my happiness with loved ones and an inability to do so.
It works well the other way. For me, one of the joys of connection is allowing myself to become enlarged by the presence of others. I’ve always loved being exposed to what those around me enjoy: new music, new movies, new books, new ideas and new ways of doing things. All my close relationships have made me bigger and contributed to who I am in this moment, and I’m deeply grateful for it.
But I rarely seem to find reciprocity. Or flexibility. Or curiosity. Or something. I’ve never been able to figure out why. Is it that the things that make me happy are stupid, or inappropriate, or boring? Is it something about me? Is it that some people don’t value sharing emotional experience and joy and I have a genius for wanting to connect with those kinds of people?
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Maybe some people have no happiness to share?
My inability to share my happiness and enjoyment with others has left me with a painful feeling of guilt, as though it’s disloyal or a betrayal if I enjoy something others can’t. Or won’t. Guilt turns me inward; I pursue my happiness in secret, stifling my longing to share it, struggling with feelings of rejection and resentment. I show up in their lives to share. Why don’t they want to with me? Am I needy? Demanding?
Around and around I go as I think about this, getting nowhere useful.
When I encounter a hairball like this in my life, I look at it through the lens of power dynamics. The fact is I know what makes me happy. I value experiencing the happiness and delights of others. Both are entirely within my power. I do long to share my own happiness, but sharing requires the participation of another, and that is not in my power.
Guilt and shame are not useful burdens to carry around. My happiness takes nothing away from anyone else. Making myself unhappy doesn’t ease someone else’s unhappiness. Hiding my happiness doesn’t seem like a useful choice. As for resentment, holding on to that only hurts me.
Another problem with my strong desire to share my own happiness is it reinforces people pleasing. I tie myself into knots thinking about exactly the right timing and approach in order to get someone else to be interested in sharing something I enjoy. Or I tie myself into another kind of knot trying to optimize what I think makes others happy, regardless of the personal cost to myself. If we can’t share happiness, and if something other than what I have to offer gives someone happiness, I disappear as much as I can so there’s maximum room for whatever I think is most wanted.
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It sounds so easy. Find someone to share our happiness with. Tell them what the moment means to us. Enjoy the pleasure.
What am I doing wrong?
As I think about this, I wind up in a familiar place — with myself. Exploring happiness during these last weeks has made me newly conscious of my experience. Over the last couple of decades, I’ve gradually learned to befriend and care for myself, replacing old habits of self-destruction and self-loathing. I see now much of what I’ve done for myself, rather than waiting for someone to read my mind and do it for me, or give me permission to do what gives me pleasure, have been the same things that make me happy. It’s just not a word I’ve felt very friendly with or applied to myself before.
I’ve thought about all this during my Thanksgiving break. I spent hours and hours cutting greens and making holiday decorations. I thoroughly enjoyed it, and it was extremely stressful and uncomfortable. I enjoyed it because I love working with my hands, giving gifts, and sharing (there’s that word again) the glory of our evergreen trees and the spirit of the season. It was stressful and uncomfortable because I feel so much anxiety about sharing those things that give me such pleasure. Would I be making people uncomfortable, imposing a gift return obligation? Were the decorations ugly or inappropriate in some way? Would people already have wreaths and decorations and have no use for them? Were they too much? Too little? People probably can and have made or bought something much better.
This is familiar territory, as it’s always the background to posting on this blog. I push through it when I’m writing, but I usually talk myself out of giving spontaneous creative gifts. I decide whatever I want to do is a dumb idea, a waste of time, and, frankly, it’s too scary to be that vulnerable and risk rejection, misunderstanding, or making someone uncomfortable.
It’s too scary to share the things that make me happy.
Sigh.
Working with Seligman’s book and thinking about happiness has changed things. I decided I was going to do something I love to do, share my enjoyment with others, and damn the consequences, or, better yet, completely let go of outcomes. Even if what I made gets thrown directly into the fireplace, what have I lost? My enjoyment of gathering, making, and giving remains intact. My happiness and expression of love are still free in the world instead of hidden and imprisoned in my own heart.
When I started exploring happiness last week I had no idea how uncomfortable and interesting it was going to be. I told my partner I wish I had never opened this can of worms. He shook his head and said I couldn’t unsee it now. He was right, so here we are, with Halloween, the election, daylight savings and a dark, uncertain winter ahead, and I’m thinking about happy. You gotta appreciate my timing!
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After my last post, I became conscious of some of my attitudes about happiness. One is I view it through the lens of scarcity, a common pattern of mine. I act as though happiness is finite; if I take some, someone else goes short. Furthermore, and I wince as I write this, I don’t think I deserve to be happy.
I’ve written about deserving and not deserving before. The concept of being undeserving has been with me since childhood, and it’s powerfully shaped my attitudes about money, love, and other pleasant things such as happiness. I’m not pleased to find myself wrestling with it again.
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These underground thoughts, that happiness is finite and I don’t deserve it, are at least two reasons why I don’t seek it or think about it much. In fact, it’s hard for me to see its relevance at all, and I’m irritated when asked to define my life in terms of happiness. I’m useful. I’m creative. I’m productive. I’m kind. Isn’t that enough? What does happy have to do with anything? Life is not a fairy tale or a romance. Happily ever after is a fantasy.
As I delve more deeply into Authentic Happiness by Martin Seligman, Ph.D., I’m fascinated to learn the science of positive psychology reveals our level of happiness, as well as depression, anger, etc., has a significant genetic component. That doesn’t mean our genetics lock us into our emotional experience, but heredity does steer us to some degree.
I also learn data indicates positive emotions can have important functions in our lives, just as negative ones do. Anger, we know, is a signal our boundaries have been violated, an important piece of information for survival. Happiness and other positive emotions broaden intellectual, physical, and social resources. We are better creators, better at connection, more productive, more tolerant, more playful, and more open to new ideas when we’re in a state of peace and contentment.
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Happiness, then, is power, but not power-over, as my mental model of a finite quantity suggests. Happiness is the power-with kind of power, a win-win for self and others, because it increases growth and positive development, not only for ourselves but for those around us.
So, if I’m useful now, could I be more useful? More creative? More productive? More kind? Can we actually learn to increase our happiness? Is choosing happiness a credit in the world balance rather than a debit?
Am I willing to change my frame of happiness from self-indulgence to altruism?
She suggests that a practice, whether it be meditation, prayer, or whatever else, is not a pathway to calm, but a pathway to passion. This struck me as a radical idea, and it made me reevaluate my Be Still Now practice completely.
Sitting in silence with nowhere to go, nothing to do, focusing only on my breathing, has been of inestimable value to me in ways I feel deeply but cannot easily put into words. I can talk about the effects in words: less speeding, diminished anxiety, a deeper connection with my intuition and creativity. But the pleasure of the actual practice during those few minutes a day is an experience I can’t share.
I would never have associated it with passion, however. Serenity, yes. I’ve pursued serenity and peace all my life, and that was my destination in creating a Be Still Now practice.
Pinkola Estes suggests I’ve not walked far enough along the path the practice opens up; that beyond the peaceful place where I stop and have my being in those minutes lies something more, some primal power I’ve been trying to control, hide, and even amputate for most of my life.
Passion.
What does passion mean? Passion is a strong or compelling feeling. It comes from a Greek root meaning ‘to suffer’.
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Passion expresses the full power of feeling. It’s a tidal wave, a hurricane, a tornado. It’s the grief we cannot bear, the rage we dare not fully express, the physical desire that overcomes our civilized facades and renders us as natural as wild animals.
Passion is agony and ecstasy. It’s a quality both attractive and repellent. We admire passion in music, on film, and in other artistic expression, but it’s more easily appreciated when we keep it at an arm’s length. Living with our own passionate nature, or that of someone close to us, is an uncomfortably intense experience for most people.
My experience of my own passion is it makes others uncomfortable at best. At worst, it’s a fearful threat, and when I’ve allowed it to bloom it’s been beaten down without mercy. Passion, for all its beauty, is also suffering, and none of us want to get too close to that. It might be catching.
The problem is if we are passionate, to deny deep suffering is to deny all deep feeling, to live in a kind of numb, unchanging twilight. We show a bland, inoffensive face to the world, asking for nothing, needing nothing.
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Creating nothing.
We know much more in this culture about numbing our feelings than we do feeling them. When I view any personal practice from this angle, I can see being present without distraction is a natural first step to presence with our feelings. If we deliberately put aside all our coping mechanisms for pain, all that’s left is to feel it.
I don’t want to feel it. I want to feel peaceful. But my Be Still Now time doesn’t actually take the pain away. It takes my thoughts about the pain away. It allows me space to express and experience pain directly, without a lot of noise around it, but I have to actively consent to enter that space.
Passion is, of course, much more than pain. It’s also incomplete without pain. For me, pain is the top layer of passion, and if I don’t allow it, I can’t get to any other deep feeling.
Which means I can’t write from the fullness of my being.
Which diminishes the core of my life.
But, hey, nobody’s offended or uncomfortable. Nobody’s threatened, so it’s all good, right?
If I use my daily Be Still Now practice to connect wordlessly to passion, what would happen?
Just before I started writing this post, I read this:
Spring Azures
In spring the blue azures bow down at the edges of shallow puddles to drink the black rain water. Then they rise and float away into the fields.
Sometimes the great bones of my life feel so heavy, And all the tricks my body knows— the opposable thumbs, the kneecaps, and the mind clicking and clicking—
don’t seem enough to carry me through this world and I think: how I would like
To have wings— blue ones— ribbons of flame.
How I would like to open them, and rise from the black rain water.
And then I think of Blake, in the dirt and sweat of London – a boy staring through the window, when God came fluttering up.
Of course, he screamed, seeing the bobbin of God’s blue body leaning on the sill, and the thousand-faceted eyes.
Well, who knows. Who knows what hung, fluttering, at the window between him and the darkness.
Anyway, Blake the hosier’s son stood up and turned away from the sooty sill and the dark city— turned away forever from the factories, the personal strivings,
to a life of the imagination.
–Mary Oliver
I wonder if it’s possible for me to endure a fully passionate life now. I am attracted, and I am afraid. If my daily practice might be a doorway to reclaiming and inhabiting my own passion, I’m not sure I dare open it. There are reasons I’ve worked so hard all my life to bury passion.
And yet … to dance. To live in music. To be joyfully in the body. To howl and snarl and know the innocence of joy. To weep without shame. To love again without fear. To turn it all into words that awaken passion in others. Can I ever be truly peaceful without those? Is a life without passion peaceful, or merely numb?
