I recently came across a Dutch word, ‘voorpret‘, in one of the minimalist blogs I follow. It means “joy or pleasure ahead or in anticipation of” an event.
I was charmed with it. I love language and the feeling described by this word has long been an important part of my life, a part I’ve been ashamed of, largely hidden, and never had a term for.
Anticipating pleasure is fraught with the danger of disappointment. We learn that as children, and we keep on learning it. Our fantasies are often much cleaner, simpler, and more beautiful than real life, when it rains, people fight, someone gets sick or hurt, or events and dates get cancelled.
Many people eventually make an unconscious decision not to look forward to anything out of the bitterness of disappointed expectations and anticipation.
I’ve worked a great deal on releasing outcomes. The practice of ‘however it needs to be, it’s okay with me’, has served me well. I enjoy life more, I stay in my power and build resilience, and I’m able to navigate disappointment more comfortably and effectively.
Still, releasing outcomes doesn’t mean giving up on the pleasure I get out of looking forward to something. In fact, most of my pleasure is in the anticipation rather than in the event itself, or the memory of it. According to this article about voorpret, I’m not alone.
Some people, and I’ve lived with a couple of these, don’t plan. They don’t make dates. They talk about being spontaneous. They say they’ll “forget.” They don’t want to be pinned down or commit to something they might not feel like doing when the time comes. They don’t follow through with plans and they break dates. This hurts, as it conveys to me I’m much more eager to spend time with them than they are with me.
I’ve frequently felt I want too much when I’ve asked others to make dates with me. The idea of making dates and commitments is a boundary problem for people who want no limitations on their access to me. Other folks resent being “pinned down.” During my dating years I felt ashamed of the pleasure I took in looking forward having a meal and seeing a movie, as though I was being ridiculous and childish.
My response to my shame (long before I knew about minimalism), has been to conceal and simplify my pleasure in anticipation.
When I began dancing, I learned to dance small. It’s easy to get carried away in the music, in the wordless, entirely physical expression of feelings, especially if our feelings are strong and pent up. Before we know it, we’re clumsy, out of breath, and have a stitch in our side. At that point, in order to stay with the dance and take care of ourselves, we must dance small , come back to our center, return to our breath, re-inhabit our body and reclaim our balance and movement.
The practice of voorpret, for me, is dancing small. It’s not about big, complicated, infrequent occasions in which the outcome is extremely important to me. It’s about life’s small, daily pleasures, the ones we can give to ourselves without anyone else’s permission or participation. We don’t need a lot of money. We don’t need time off work. We don’t need a suitcase, a new wardrobe, or a plane ticket.
Voorpret, for me, is looking forward to a cup of tea and a good book on the front porch in the morning sun.
It’s a ten-hour, noisy, stimulating, busy day at work and looking forward to my feather bed, cotton sheets, and cool, quiet attic where the night air and moonlight mingle on the slanting floor under the open windows.
It’s making a date with myself on my calendar for an early morning walk when the world is still half asleep, watching the night sky pale into dawn.
It’s a plan to take myself out to lunch after a haircut or dentist appointment.
Small pleasures are everywhere in our lives, if we only look and give ourselves permission to experience them. We can offer ourselves these moments or hours every day like gifts. We can write them on our calendars or put them in our phones and look forward to them, fully enjoying and relishing our anticipation and lingering over them when they arrive. Spontaneous joyful moments arise, too, of course, unexpected moments of delight in which we can relax and rest for a moment.
Now more than ever we need to give ourselves stepping stones through and periods of respite inside the chaos and tension of the world. Many of us are suffering from ongoing stress and uncertainty about every aspect of our lives. Many of us feel overwhelmed by fear and anxiety. Voorpret can balance that out. We don’t need to wait. We can schedule a small, simple pleasure for ourselves today, write it down, and start looking forward to it.
For several weeks the depth of snow has limited my ability to walk on our 26 acres. Last week we had a couple of inches of rain that arrived with the scent of the sea and tropical warmth, followed by a hard, fast freeze. The rain melted a great deal of snow and we had flooding. The sudden freeze created a hard crust on the remaining few inches of snow, and as we returned to subzero winter temperatures I decided to see if I could get down to the river.
Photo by Vincent Foret on Unsplash
The crust supported my weight — sometimes! Other times I broke through and floundered up to my knees, the icy rind bruising and scraping my lower legs in spite of long underwear and heavy canvas pants. I saw tracks of deer and moose, rodents and birds in the snow. The river, ice encased, had thawed slightly and flooded during the rain, so the cracked ice was piled in slabs. In some fissures I could see open water. In other places thin new ice had formed and old, yellow ice lay flat but spiderwebbed with cracks.
As I stood next to the river catching my breath and marveling at the power of winter, I could hear the voice of the ice. It’s an odd sound, because it comes from beneath one’s feet rather than the sky or the world around. The ice pops and groans, sings and mutters and snaps. It’s a wild, unearthly voice, a chorus of cold water, cold air and cold crystals, the medley of flowing, living water and rigid winter armor. I wondered what it sounded like to the creatures hibernating in the river bed and the beavers in their dens.
The trees here have voices as well. When the wind blows they creak and groan as they sway, and their branches rub together, making a classic haunted house rusty hinges sound. In the deep winter when it’s very cold, sap freezes, expanding, and the trees explode with a sound like a gun going off. Sometimes they split right through the trunk.
So many voices in this world. Every place has its own special choir, every season its own song. The sound of a beetle chewing bark, the Barred owls calling to each other in the snow-bound January night, the agonized shriek of a vixen calling for a mate on a February midnight of crystal and moon, and the barely discernible high-pitched talk of the bats as they leave their roost at dusk are all familiar voices to me.
I’m a seeker of voice, a listener, partly because I’m a writer and partly because I know what it is to be silenced. Our world contains so much pain and suffering, such unimaginable horror and injustice that my compassion is frequently overwhelmed. I cannot staunch the wounds and wipe the tears of the world.
But I can listen. I can bear witness. I can stand and wonder and marvel at the wild ice, the mating owls, the hunting bats and also the handful of people in my life. For a few minutes, I can encircle another with my presence and attention, allowing their voice to speak freely, truly and fully. I can choose to have no agenda about the voices of others, no expectations or judgements.
I can also give that to myself. It’s only in the last three or four years that I’ve reclaimed my own voice. That, more than anything, is why I began writing this blog. Once a week I sit in front of a blank page and write in my true voice. Blogging, for me, is not about validation or statistics. It’s not about trying to please anyone, creating click bait or competing. It’s about contributing my voice because I am also here, not more important but as important as anyone else.
Using our voice does not require a listener.
Listening to the ice and the world around me has allowed me to realize, for the first time, how deeply I’m committed to appreciating and supporting authentic voice. My appreciation is a thing apart from agreement or disagreement with what I hear. Speaking our truth is not a matter for criticism. It’s an offering of self, and listening without judgement is an acceptance of that offering. I feel no need to annihilate those I disagree with.
Photo by Quino Al on Unsplash
The dark side of voice is the voice that deliberately drowns everyone else out, the voice that silences, controls and distorts our world and our sense of self. The voice that deliberately destroys is an evil thing, a thing afraid and threatened by the power of others. Dark voices throw words like a handful of gravel in our faces.
An essential part of self-care is learning to recognize, minimize and/or eliminate our exposure to voices we experience as destructive or silencing. This is boundary work. Note the difference between appropriate boundaries and dropping an atomic warhead. Healthy boundaries do not disrespect, invalidate or silence others.
I wonder what the world would be like if all criticism, jeering and contempt were replaced with “I hear you. I’m listening. I believe in the truth of your experience. You are not alone.” What would we be like if we gave that gift to ourselves?
Photo by Quino Al on Unsplash
And what of lost voices? I don’t mean unheard or unremarked, but those voices who spoke, faintly, for a moment, and then were silenced so brutally and completely no one but the silencer heard their last cry. Such a person lives, breathes, walks, eats and sleeps, but he or she is a shell mouthing superficial words. Attempts to draw close, to understand, to share authentically and elicit a true voice in return are all in vain. The phone is off the hook. Silence and deflection are the only response. No one is at home. Love and listening count for nothing and behind the mask is only emptiness. Connection is denied.
How many voices can we truly hear? The world is filled with a cacophony of sound made by billions of people. Even here in the heart of Maine the voice of the river is punctuated by traffic noise. We all seem intent on increasing our exposure to voices via social media, 100 TV channels, streaming, downloading and YouTube. Does all this clamor make us better at listening and honoring voices? Can we listen to our child, our mate, the TV, and read Facebook all at the same time?
Some people say they can, and perhaps it’s true. What I know is I can’t. I don’t want to. I don’t feel listened to when I’m competing with other voices. I can’t hear myself when my day is filled with racket and din. I can’t extend the gift of presence to 100 friends on Facebook. I can’t discern between an authentic voice and a dark voice in the middle of uproar.
Voice is precious. It’s sacred. No created character lives in our imagination without voice. Silencing voice is a horrific violation. I have promised myself I’ll never again abdicate my own voice.
Honoring voice, yours, mine, theirs, and the world’s.
In old stories, a crossroad is always a magical place of power and choice. You never know who you might meet at a crossroad. Perhaps a lean, handsome peddler will draw up a cart and spread his wares. Other travelers may appear. Elders may linger there with wisdom under their tongues. Crossroads are not always identified by neat, straightforward lettered signs, but portents, omens and intuitive signs abound. A dismally croaking raven, a snake in the dust or a fleeting glimpse of a fox all have a message at a crossroad.
I rarely miss posting weekly, but last week I did. I succumbed to a virulent upper respiratory virus and for a few days had no choice but to down tools and lie low. Simply breathing occupied all my attention and energy. I cancelled plans and obligations, abandoned my ‘to accomplish’ list and let go of my self-expectations.
This was frustrating, as it was the week in which I intended to transition effortlessly from my old job to new possibilities, witness the smooth closing of the sale of my property in Colorado, and generally navigate these significant endings and beginnings seamlessly, elegantly, confidently and without mess.
Instead, I emptied two boxes of Kleenex, coughed as though ready for an end-stage TB ward, achieved a spectacularly sore and chapped mouth and nose, drank liters of fluid with the inevitable day and night result of continually needing to pee, and tried to sleep in a sitting position to facilitate breathing through my clogged airway.
Instead of transitioning smoothly into new work, I canceled one opportunity and didn’t follow up on others. I worried about money instead.
The sale of my house did occur, but a day late due to unexpected last minute paperwork that needed to be signed and notarized and sent from Maine back to Colorado. My renters have been unable to find a new place, the buyer (now owner) is moving into a trailer because her old house also sold and her new house still has renters in it, and I need urgently to return to Colorado and retrieve the rest of my possessions from the property.
In short, nothing about my internal, physical or external reality has been seamless, elegant, confident or without mess. In fact, there’s been quite a bit of mess, from sodden Kleenex to tangled feelings.
Photo by Jeremy Bishop on Unsplash
None of this really surprised me. I’ve never yet been really miserably ill without a significant emotional event of some kind at the onset. I might not admit my distress intellectually, but the truth will out physically. Unacknowledged feelings eventually reach such proportions they demand my attention, one way or the other. All of my pretty plans didn’t allow for any space in which to pause, reflect, feel and be with how things are.
So, I got sick.
I resigned myself to the inevitable, did what I could for my symptoms, reread all my old Mary Stewart books (so comforting, and no brain required), dozed, and thought about intersections, endings and beginnings, suspended activity and crossroads.
I have a tendency to view my experience through a lens of metaphor and symbol, and suspended activity has been much in my mind for the last five years. The Hanged Man is a Tarot card with just that meaning, and my first book is named after it.
The Hanged Man is a card many people fear, although generally the figure depicted hangs upside down from one leg, apparently perfectly relaxed and comfortable and even smiling, depending on the deck. The card illustrates that place in life we’re all familiar with between one thing and another, just like the crossroad. Events converge and intersect. Meetings and partings take place. We suddenly come to the end of a road and it’s necessary to choose a new one.
I’ve never been good at pausing. I can accept change, but I expect myself to adjust and adapt instantly and effortlessly, no pause required. I don’t want to hang around (if you’ll pardon the pun) and think about what’s over or what I’d like to begin. I want to get a grip and move on. Now!
This is a shame, and all the old stories and archetypes tell us it’s counterproductive. Crossroads are sacred ground, filled with resting places, old altars and tilted gravestones. The leaves on trees growing at crossroads whisper all the prayers and petitions they’ve heard. At crossroads we lay out cards, cast runes and yarrow stalks, interpret dreams, drum, dance and call on our intuition and faith for guidance. A crossroad is a place to linger, honoring where we’ve been and considering a way forward, or sideways, or perhaps even retracing our steps for a second time before we go on.
Photo by Ryan Moreno on Unsplash
A crossroad deserves an offering of our presence and patience. It’s only in suspended activity that we access our deepest intuition and wisdom, only then when we begin to gain full understanding. Loss takes time to put to rest. Hopes and dreams need time to grow. Intuition can’t speak unless we’re quiet, and guidance can’t find us if we’re not still.
I’m writing this out on our deck in the sun. I can hear water running into the pond. The phoebe, back for another summer, is perched in her favorite spot on the barn roof, bobbing her tail and hunting for insects. Wonder of wonders, there’s not a box of Kleenex at my elbow! Not only that, but I’m breathing through my nose. Things are looking up.
Before me is a new week. I’ve sort of given up on the seamless and elegant thing. It hasn’t been fun to be sick, but I’m grateful I was forced to pause. I didn’t feel like I was doing anything except wasting time and blowing my nose, but I see now I needed to hang by one leg and just be for a little while. I needed to consider what’s ending, and how I feel about it, and what direction I want to go now. I needed to spend some time wandering in my graveyard, remembering what’s laid to rest there. It was important to revisit my hopes and dreams, check in with my intuition and take time to wonder what will happen next.
At this point I’ve decided to be content with lingering at this crossroad. When it’s time to go on from here, I’ll know. In the meantime, this is a good place. Maybe a peddler is even now on his way to meet me, or an old crone in a hooded cloak will come in the dark morning hours with an enigmatic message showing me the way forward. Who knows?
Now that this is written, perhaps I’ll go find the tree from which the Hanged Man is suspended and see what’s on his mind today.