by Jenny Rose | Apr 6, 2017 | A Flourishing Woman, Creativity
Walking on our 26 acres, my path winds around open fields and keeps me out of heavy woods and brush, where ticks are waking. It’s grey and overcast, not raw but damp, a combination of snow and rain coming down and turning my already wild hair into a mad woman’s wig. The surface of the snow is glazed hard in most places, but when I get close to the tree line or streams that trickle down to the river, I punch through it and sink. Walking on the thick layer of leaves under and among the trees is like walking on a sopping sponge. My socks are sodden inside my winter boots.
I see thickets where the deer have slept, melting the snow with their warm bodies, lying out of the wind in the shelter of trunk and branch. I imagine them rising to their feet, squatting in their awkward way to leave pellets and a splash of urine, and then stepping away through the snow with those delicate hooves and legs. Their spoor is everywhere.
Photo by Teddy Kelley on Unsplash
The medical transcription business is wildly unpredictable. One seesaws between frantic pleas from supervisors for overtime because of a sudden flood of work and the dreaded “no jobs available” message upon logging in. As I’m paid by production, no work means no money. Since the new year, work has been slow in the company and transcriptionists and supervisors alike are feeling the stress.
I’ve been thinking about my fear of not enough these days, and how small it makes me and my experience of life. One of the reasons I like to go out and walk is because it pushes against my tendency to curl up in corners and play hours of solitaire while I make up stories about living under bridges and berate myself for NOT PULLING MY WEIGHT and WASTING TIME.
The river is still ice covered, the edges yellowish and slushy. I see animal prints in the snow over the ice, but I wouldn’t dare try to walk on it. As I lean against a tree and look down at the ice-bound river, I hear a nesting pair of barred owls calling to each other, though it’s still early afternoon.
Photo by Vincent Foret on Unsplash
The truth is my medical transcription job is nothing more than a means to an end. It’s all about the paycheck. I take some modest pride in my ability to do an accurate, fast job, but I’m just a pair of skilled hands and ears. One day, when the job and I are finished with one another, I’ll leave no remnants of myself, no track, no scent, no spoor. It irritates me that it has so much power in my life when it means so little.
Water drops tremble on bare twigs and tree branches. The pussy willows are beginning to bud. Cloudy light washes the willow buds and water drops the same silvery grey and I have to draw near to tell the difference.
We’ve lately found a local lawyer to help us update our wills and take care of end-of-life paperwork. It’s made me think about all the fragments I’ll leave behind me, the furniture I’ve loved and polished; the mirror I’ve looked in since I was a child; the books I’ve handled and read in cars, in bathtubs, at tables, in beds and chairs and waiting rooms. All these things will be sifted through, separated, sold, passed on. What money there is will be divided and wind up in other bank accounts or hidey holes or cast back into the flow somehow. Perhaps whispers of me will cling to a few objects, but for the most part no one will ever know I passed this way.
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We have an old shed on the land and snow slide off the roof has blocked the door and partially pushed it open. I’m just able to squeeze in over a thick layer of ice on the threshold, formed by melting snow dripping off the roof.
We cleaned out and swept the shed last fall, but I find pages of paper blown all over the floor, pages of the first draft of my book manuscript. Last summer we had visitors who used the shed, and I’d hoped they would read and give me some feedback. They didn’t, and I’d never found the manuscript when I looked for it after they left, but the winter currents and drafts discovered its hiding place. Perhaps the wind read it as it ruffled through the pages with chill fingers.
It’s odd to see those scattered pages on the cold, splintered floor. The sight of them gives me a desolate clarity. Those written words are the most important thing I have. Working or not working, large paycheck or vanishingly small paycheck, all the objects I love and use and call mine — none of that is really who I am. None of it really matters, though it takes up space in my life. None of it contains the smell of my breath, the taste of my pain or the spoor of my love the way my words do. It’s as though it’s me lying there, discarded, damp and wind strewn, unseen, unread, unwanted. It hurts me.
As I gather up pages, I note where the snow has drifted through gaps in corners. Wrinkled beech leaves lie on a discarded futon, whirled in through the broken window above it. I open a ramshackle cupboard and find a roll of shredded toilet paper and evidence of mice at work, making the most of an unexpected bonanza of nesting material.
I find a bottle cap and cigarette butts on a window sill. More leavings. I know who stood there, smoking, looking out the window. I stood where he’d stood and picked up the butts, knowing his lips were around them, his long-fingered hand had carried them from pack to mouth and then stubbed them out in the bottle cap, a tiny ashtray. I wish for the nose of a wild creature so I could search for the cold, lonely ghost of his scent.
He was here. I am here. Deer crisscross this land we call ours. Mice go about the business of ensuring more mice, and the barred owls carry on their early spring conversation about mating, nesting, eggs and all those mice. We are so caught up in jobs and money and things. We give them so much meaning. The days go by and we alternately struggle and dance through them. But one day we’ll be gone, and we’ll all leave spoor behind, a scent or sign or footprint uniquely and simply ours.
These words are my footprints, my scent, my lingering warmth in the places I came to rest, my spoor. They are signs of my passage and the truest things I have to leave behind when I’m gone.
All content on this site ©2017
Jennifer Rose
except where otherwise noted
by Jenny Rose | Aug 4, 2016 | Connection & Community, Emotional Intelligence
Stories. How many stories can you tell about your life?
Story has always been deeply embedded in the human experience. Every piece of art tells a story. We read, watch television, go to movies, listen to the news, fall in love with music. Stories, all.
Stories teach, entertain, connect, inspire and guide us.
Stories are prisons and torture chambers. They brainwash and manipulate. They can be powerfully limiting.
The paradox of story lies in the power we give it.
Think about a story from your own life. Something painful. Likely it’s a story you’ve told yourself many times. It’s important. It’s part of who you are and how you understand yourself. It’s a place from which you look at the world. It’s absolutely True. You know. You were there. It was such a crippling experience you can’t ever, ever forget.
Stories can’t happen in a void, so there’s an event of some kind, an action, a word, a relationship, other characters in your story.
Photo by Takahiro Sakamoto on Unsplash
Let’s say your story is about four people who spend an hour together on a walk. In that hour everybody sees, smells and hears, thinks and feels different things. After that walk, and maybe for years afterward, each of those four people can tell a story about that day, that walk, that experience. Every one of those stories is partly true. Every one of those stories is inadequate and incomplete. The truest story is the one all four people tell together. If one person’s story is refused, denied, disbelieved or lost, all four people have lost something important out of that hour of their lives. They’ve lost an opportunity for understanding, for compassion, for connection and for becoming just a little bit bigger.
The thing about story is that we create it. Something happens. We have an experience. We have feelings, like mad, glad, sad or scared. We have thoughts about our feelings. We make up a story. We tell it to ourselves over and over again as we try to make sense of our experience, or recover from some hurt. We believe our story to the point that we refuse to consider changing it. We behave as if our story is True.
Photo by SHTTEFAN on Unsplash
Now we have a story that imprisons us. The story has all our power. We hurt people, break relationships and viciously defend our story. We will kill people, including ourselves, to maintain our story. Not only that, others must accept our story in its entirety. They must never question it, add to it or take away from it. Our story becomes us. A threat to our story becomes a threat to our life.
We’ve made something up, chosen to believe in it and now it rules us.
A lot of people talk about truth and lies as though one is black and one is white. As a storyteller, a writer and a human being, I question that. What is truth, really? If I was walking with you on that day and I saw a beautiful grass snake and you saw a dangerous serpent, which one of us is lying? What is the truth? I was charmed, you were horrified. So, I must be a sensitive scientist type with big glasses and a mouthful of Latin. And you’re a beautiful, sexy woman with big boobs and brown eyes who needs to be taken care of in the terrifying outdoors.
There. That’s my story. I’m sticking to it. Don’t you dare try to give me a different version.
See what I mean?
Isn’t the truth that two people saw a snake and had two different experiences and sets of feelings around it? Don’t we all have histories, fears, beliefs, prejudices, expectations and filters through which we experience life? Are yours right and mine wrong? Are mine right and yours wrong?
Can’t we allow room for everyone to experience what they experience?
Some people lie, deliberately and with intent. We all know people like that. We learn quickly not to trust them.
Some people distort. They’re caught up in their story about themselves, about the world, about others. They’ve been deeply damaged and wounded, or they struggle with addiction, or they have health problems, or they take medication, or they struggle with mental illness. Am I prepared to call them liars?
No. But I recognize the danger of some of their stories.
Does investment in a distorted story mean the storyteller is not a valuable person worthy of love and compassion? I hope not. I’ve my own set of distorted stories. I think we all have.
Other, very dangerous people deliberately manipulate with story. They invalidate yours in favor of theirs. They tell you you’re wrong, you didn’t understand, you’re too sensitive, you’re too dramatic, you’re too crazy; you’re hateful, bigoted, disloyal, a liar. They tell you your story didn’t happen, that they didn’t hit you, even though there’s blood in your mouth.
So what do we do about story — ours and everyone else’s?
Maybe the most important thing is to be aware that much of what’s happening in our head is a story. It might be partly true. It might not be. It’s certainly part of something larger than our point of view. Our feelings are ours and we need to honor them, but our thoughts about our feelings can become a real problem.
Photo by Toa Heftiba on Unsplash
We could ask others about their stories. We could be open, curious, nonjudgmental, compassionate, respectful and prepared to be enriched by someone’s perceptions and experiences. We could, in short, build healthy connection.
If we’re holding tight to a story that hurts us, angers us, or is otherwise destructive, we could go to other characters in the story, tell them how we feel and ask for help understanding the situation.
We can build trust and respect with ourselves. We can claim the power and dignity to form our own opinions about others, based on our own observations and experience, and decide when to build connection and when to limit it. We can refrain from repeating destructive stories to or about others. We can take responsibility for our own rigidity and blind spots; our intolerance, injustice and poor communication skills, and own that we might make mistakes in judgement.
Photo by James Pond on Unsplash
We can be wary and watchful of people who impose their stories on us. Some people use story like a hammer and chisel, relentlessly splitting connection and relationship. In the end they hurt themselves the most, but many a relationship has been lost because of this kind of behavior.
We can pay attention to red flags such as feeling confused, feeling torn, feeling overwhelmed, feeling exhausted by drama, and feeling dragged down or being asked to keep destructive secrets. Healthy people in our lives who truly love us will never try to split us from others or force us to make a “them or me” choice. Healthy people do not share destructive personal stories about others publicly, nor do they tolerate or enable this kind of behavior. Healthy people communicate honestly, directly and clearly and recognize the ineffectiveness of black-and-white thinking.
In the end, our only power lies within the circumference of our own lives. If we want others to give us a chance to speak when someone tells a distorted story about us, we must do the same for them. If we want to be heard, understood and treated with respect and compassion, we must extend those to others. If we’re hurt and angry, we must find appropriate and effective ways to talk about that, either with a professional or with others in our story. We can’t control what others say and believe about us. We can only live the most authentic lives possible and hope that our actions and words speak for themselves. We can be responsible for our own stories.
For more on the power of story, here’s another blog you might be interested in. Same subject, different writer. It’s titled Who Are You?
Also, here’s a link to a remarkable teacher, Byron Katie, who asks, “Who are you without your story?” I highly recommend her.
Do your stories about yourself limit you? Do your stories about others limit them? Can you consider another version of one of your stories? What needs to happen for you to revise one destructive story you’ve created?
All content on this site ©2016
Jennifer Rose
except where otherwise noted
