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Last night we danced. I’m patiently and persistently attempting to root a dance group into this community. It’s taking time, but I hope in the end to have a healthy core of four or five women with whom to share this sacred practice.
As I danced, I remembered an old friend with whom I danced in Colorado. She used to often say, at the end, as we sat in a circle holding hands, “It’s so good to be in the body.”
Not in the head, where family and other relationships, financial and political complexities, expectations, rules, to-do lists and all our internal voices reside, but in the body, right now.
Our bodies contain a childlike innocence and a wisdom beyond words. They communicate to us the truth about how things are with us via feeling and sensation. Patiently, they carry us through our lives, our most loyal and faithful companions. Persistently, we neglect, abandon and abuse them.
Somewhere along the way, we’ve learned to reject, be ashamed of and hate our physical being and experience. Now we’re to the point where bodily functions tied to being biologically female are a matter of political incorrectness and a hate crime. Social pressure is increasing to eradicate the very words that define female physical experience.
But dance is for everybody in every body, and the spiritual practice of dance has taught me to honor, protect and care for my physical self in new ways. There are no labels in dance, no gaslighting, no power-over that seeks to diminish or limit my physical history or expression. Dance is wordless, so there are no language police. Dance is the freedom to belch, to fart, to wiggle, to jiggle, to giggle, to cry, to shout, to play and to sweat.
Allowing my body to be and joyfully inhabiting it has been a powerful act of self-love. It means allowing my hair to grow as it will, where it will, in the color it is. It means moving with dignity and pride. It means gratitude, for my life is a journey mapped onto my flesh. Every mole, freckle, stretch mark, scar, lump, bump, line, wrinkle and vein holds part of my story, and I honor story.
Being in my body is a powerful act of surrender, not to what the culture says I must be or not be, not to what I think I should embody or not embody, but to what I am. Simply that. The unique, miraculous complex system of genetic material, living tissue, viruses, bacteria and chemical processes that I am.
Allowing my body to be is a peace treaty. My body is not for the pleasure or evaluation of others. It’s not for sale. My body and I owe nothing to anyone, not explanation, apology, conformity, obedience and especially not shame. I refuse to go to war over gender, sexuality or political correctness ideology. I decline to support or participate in self-hatred or hatred of other bodies. The power of my body transcends the judgements, criticisms and opinions of others.
The deepest language I know is of the body. Words are inadequate to my passion, to my love, to my creativity. Spoken and written language fails to convey the richness of my body’s capabilities.
The tick crawling high on the nape of my neck along my hairline, the feel of its tiny claws stirring each hair as it seeks a good place to fasten on, gives me a physical experience so vivid and visceral it cannot possibly be conveyed in words. My skin shrinks, telling me what the sensation is before I examine the cause with my eyes. Undisturbed hair around its path rises, quite automatically, in response to the small but ominous trespass. It feels solid and smooth as an apple-seed between my thumb and finger as I pinch it off. It hurries up and down a bookmark, chestnut colored, as I transport it down the stairs, almost as though it knows it’s been seen, recognized and a death sentence passed.
We come out of our favorite restaurant after a meal on a hot, humid day and find a snake clothed in brown and green, voluptuously twined around our right front tire. My partner stoops and grasps it and it curls and writhes as it dangles from his hand, twisting between the newly-laid black tar and the heavy sky, glaring with sun, humid as a steam bath. My partner takes it into a nearby field and as he comes back he holds out his hand with a rueful expression, showing me beads of bright red blood, dazzling as rubies, on his finger, and two parallel shallow cuts that sting, he says, like paper cuts.
Photo by Leon Liu on Unsplash
Last night I danced with the tick, the snake, the rasp on my knee from falling on the front cement steps, their uneveness hidden by the encroaching hostas, blooming now on thick, fleshy stems, their lavender flowers plundered all day by bumblebees.
I danced with the rattling air conditioner lodged into a window of the recreation center activity room. As usual, we traded the rise in heat and humidity in the room with the lower and quieter fan setting.
I danced with a dead fly on the wood floor, trying to avoid stepping on it with my bare foot. I danced with a living large black ant, bewildered, crawling across what must have seemed like acres of flat, featureless terrain, also not wishing to step on it, but too involved in the flow of the music to stop and take it outside.
I danced with my breasts and belly and thighs, with my feet and elbows and wild hair. I danced with trickles of sweat and a wet upper lip. I danced with my tattoo and swaying earrings and sliding silver bangles. I let myself go. I let myself be. I let myself sink into my body as though sinking into a lover’s arms, for I am my body’s lover, and it is mine.
I danced, and remembered again how good it is to be in the body.
Photo by David Hofmann on Unsplash
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I first began thinking about bones 25 years ago when I was given a copy of Clarissa PInkola Estes’s book, Women Who Run With the Wolves. She writes about discovering stories of bone people in the Southwest. Bone people are old ones who collect bones in a desert between the worlds and bring dead animals and humans back to life.
Reanimation is a common creative and spiritual theme. Bones are like seeds; they are the remnants of life, and thus the base material from which to build new life. Bones are the simple starting point, the hidden scaffold and substance that survives.
Several times in my life I’ve found myself walking in a trackless emotional desert, alone, lost, frightened and injured. Old stories tell us during these times we must seek and gather our discarded, stolen and lost bones in order to call ourselves home.
Bones can be hard to see under layers of clothing, flesh, distraction and scar tissue. Perhaps that’s why it was the desert dwellers who kept bone people stories alive. The desert is clean and uncluttered, and the vast sky and sweep of land hold space for stillness and inward journeying.
Bone collecting is like treasure hunting. The first time I went bone collecting, I traveled backwards and excavated memories of my child self. I compared those memories to my adult life and began to sift for my bones, those indestructible pieces of self that have always been present, come what may, sustaining and shaping me from the beginning.
I discovered I’d thrown a lot of bones away over the years. Some I rejected because I judged them as ugly or misshapen. I refused to claim them. Others I grieved to discard, but I believed they were useless, unworthy and/or unlovable, so I dropped them and walked on without marking the spot where they lay.
The desert between the worlds has become a home to me now. The sands know the scent of the naked sole of my foot and the soaring vultures recognize my figure as I wander below them, insignificant as an ant. I’ve crawled and searched, remembered and listened for my whispered name when my missing bones feel me draw near. Some are broken and stained, incomplete fragments that no longer tell their entire story about me, but I’ve learned patience and persistence, and I save every shard and splinter. I’ve traveled miles in the desert to reclaim all those bones, groping my way through old memories, feelings and bits of conversation, sifting my bones from the garbage dump of words that did not belong to me, expectations, rules, beliefs and storm debris from storms that swept me up, though they were not mine.
Over and over, I’ve felt I’ve come to the end of everything, only to find a whole new horizon just a few steps away, at the top of a hill I didn’t know I was climbing. Each time that happens, I pause and inventory my bones. Bone collection has become an external practice as well as an internal one. I’m less and less interested in obscuring the essentials in my life with distraction, objects and complications.
This summer I have a new dimension of perception in discerning the bones of each day, each week and each season. Living simply as we do, having time to stretch out mentally, spiritually and creatively, I’m experiencing for the first time the joy of casting myself into a day with no list, no agenda, no expectations and lively curiosity.
This is, for me, a summer of wood. We’re clearing a knoll of land in order to build a cabin, thinning a grove of spindly alders and cutting an occasional small tree growing in the field which is our building site. As each tree falls, I haul it into the wall of forest surrounding the clearing. In the sunny field, the growth is waist-high, and as I drag trees through it, the sweet scent of milkweed mingles with the smell of fresh-cut wood. Wild cucumber catches at my feet, invisible in the thick growth, and I fall, and fall again, getting up hastily because, although my clothing is doused in bug repellent, rolling on the ground is a foolish exposure to ticks, not to mention rampant poison ivy.
In Maine in the summer, this kind of work is done in light-colored pants and long sleeves to protect from black flies, mosquitoes, poison ivy, nettles and the inevitable ticks. Five minutes of exertion leaves me sweating heavily under the necessary layer of clothing, breathless in the heavy, humid air.
Stepping from the field into the forest, the air cools and I’m shaded from the sun. Here, the undergrowth diminishes and mainly consists of huge ferns, but I still slip and fall, as the forest floor is littered with rotting tree debris and liberally scattered with moss-covered boulders and stones. I drag the cut trees in under the canopy so they can gradually rot and feed their living brethren and the rest of the forest system.
In the driveway, we are processing enormous piles of tree debris from trimming two live trees and from a fallen maple. The maples we trimmed provide us with welcome shade as we work. I fork wheelbarrow load after wheelbarrow load of twigs, small branches and dead leaves off the driveway and tip them over a steep hill out of sight below the house. My partner works with a chainsaw, and its snarl, along with the smell of cut wood, becomes one of this summer’s bones.
A generous neighbor loaned us his splitter, and once the maple (rock maple, which dulls chainsaws at an alarming rate) is cut into wood stove lengths, we heave the rounds onto the purring splitter, and the smell of the gas engine and sound of the relentless maul cleaving the wood becomes another of summer’s bones.
The healthy wood parts smoothly, revealing ivory, cream, and pinkish-red grain. The diseased wood breaks open, showing honeycombed defects, or crumbling, blackened rot that smells, oddly, like vomit. Heavy, thick bark peels from the wood like scabs as we work. Here in the driveway, I risk working in shorts with bare arms, but the wood is heavy and unwieldy and my legs and arms are bruised and scratched. The way I hold the rake invariably rubs a blister on my left thumb. We sweat through our clothes and I have to keep wiping my forehead and upper lip with my bare forearm and gloved wrist. Hard wood is heavy, especially when still wet, and the inside of my wrist is bruised from supporting two or three pieces as I carry firewood to the wheelbarrow, into the barn or into the cellar for stacking.
Some of this wood has been piled in the driveway for a year. As we work, we uncover an insultingly large woodchuck hole. We find a red salamander, about two inches long. My partner rescues a grass snake from a brush pile and relocates it away from the pitchfork tines. We accidentally lift away a shrew’s roof, and my partner catches the grey velvet covered creature in his gloved hand and releases it over the hill in a safe place. We brush away crickets, earwigs and worms. We split one huge round and little red ants swarm over it, hysterically collecting a broad swathe of exposed white eggs. My gloves are covered with them, and the ones who run fast crawl onto my arms and bite before I can brush them off. We set those pieces of wood aside before splitting them further to give the ants a chance to find a new nursery.
We have birdfeeders along the driveway, and the birds are the backbone of the summer days, stretching from dawn to dusk. As soon as we take a break from work, the woodpeckers gleefully swoop in for uncovered insect tidbits, and the nuthatches scurry up and down the trunks of the standing trees with their fluffy, uncoordinated offspring. The finches and sparrows return to the seed feeders from their observation posts high in the surrounding canopy.
Our resident chipmunk is so curious he can’t stay away, but as we disassemble all his best hidey holes he scolds endlessly, like a shrill and irritated metronome, glaring from under the hostas or the gap in the porch floor.
Strangely, the shy phoebes like best to nest in the barn, in spite of my partner frequently playing music and our wood stacking and other noisy activities. They arrow in and out of several broken windows when the barn is shut, but on days when we’re working, they use the same door we do. Because of them, the cool barn is not only a haven of shade, but free of flies and mosquitoes. We know where the nest is, but we’re careful to ignore it and whichever motionless parent is sitting on the eggs when we happen to be present. Even the nestlings are still and silent as stone when we enter. The phoebes are currently raising their second brood, and their first set of offspring darts all over the place, hunting insects and filling the days with their distinctive cry, which gives them their name.
The bones of summer in this place mingle with my own bones. We are a bruise, a scratch, a sticky film of sweat on the skin, a sly mosquito bite. We are birds strung on the lace of trees; the private life of snake, shrew, salamander and woodchuck; the determined persistence of insects. We are tree and water and moss-covered stone. We are the smell of rotten wood, of sweat, of blossom. We are the breeze in the tree, the sound of the phoebe questing for insects, the tapping woodpecker, the hunting hawk’s cry as it circles, and the clamor of the tools we use to work on our land.
The days saunter through the season, leading me forward by the hand, and I follow, stopping every now and then to collect and record the ravishing experience we call life in words, and each word is a miniscule bone, too, each page a scatter of tiny bony seeds that wait for warmth and light, water and the soil of life and death in order to take root, grow, blossom, fruit and die, again … and again … and again.
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except where otherwise noted
Recently I went back to the little mountain town in the Southern Colorado Rockies I called home for twenty years, and wrapped up the sale of my house. It was an important trip for me, one which I’ve been anticipating ever since I arrived in Maine two and a half years ago. My partner and I drove out and drove back. I didn’t try to blog or write on the road, but I made a lot of notes and I discovered a persistent theme.
Reclamation, according to a quickie internet search, means “the process of claiming something back or of reasserting a right” or “the cultivation of waste land or land formerly under water.” It strikes me there’s an interesting and subtle possibility of conflict in those two definitions. What exactly is waste land, and who has the power to define it? Also, what does cultivation mean? Big Ag? Monocropping? Pesticides and Roundup? Or cultivation by plants, animals and wind?
In any event, I’ve been carrying the word reclamation for some years now like a talisman. It’s a cord linking events and choices of the last years of my life together.
Photo by Tanja Heffner on Unsplash
I remember exactly when it started. I was sitting in a chair in the salon where a friend cut my hair for years. In the mirror, I could see my hair falling over my shoulders and down my back, thick and wavy and beginning to be streaked with grey. I was desolate because of a broken relationship, and I saw a woman who was unwanted in that mirror. I didn’t want to be her anymore. I wanted to be someone else. My friend asked me what I wanted to do and I told her to cut it all off. “Reclamation,” I said. I couldn’t say more because I didn’t want to break into sobs, but she knew exactly what I meant, and she tied a smock around my neck and started cutting.
My ex-boyfriend had loved my hair. I loved it, too. It made me feel sexy and beautiful and feminine. Cutting it was the first step I took on the road leading me to this attic space in central Maine, where I sit this summer morning (with short hair) writing with the windows open and the sound of crickets, frogs and birds flowing in.
I held onto that word, reclamation. It became a boat to sail away in, and then a lifeboat, and then a raft and then a spar of wood in a fathomless sea of floating debris that kept me alive until current and waves took me back to shore.
Photo by Edewaa Foster on Unsplash
The little town I lived in had no claim to fame or big dollar tourism except for a golf course. When I moved there the course was renowned for being one of the most beautiful in the country, and visitors came from all over during the summer to play there, filling the inns and RV parks. Then drought struck that part of Colorado, the golf course was sold to an absentee owner who immediately got crosswise with the town, and gradually, due to a mixture of water problems, politics and general assholery on the part of the owner, the golf course went downhill, people lost jobs, the greens became unkempt and the tourists stopped coming. Then, just about the time I left town, the golf course closed.
I don’t play golf and my living fortunately didn’t depend on the tourist trade, but every morning, just before dawn, I walked on the golf course.
I didn’t do it for exercise or as a discipline. It was my lifeline. It was the one place where I never failed. I was guaranteed solitude and peace. Nobody knew where I was. I knew the course so well I could disappear into it, be absorbed. I had several routes, one for ordinary days, one for days of grief, one for days of rage and the longest one for days of despair. I used some of the cart paths, but mostly I followed the contours and edges of the greens and walked along the river, which was generally only a trickle, if not entirely dry. I often heard owls going to roost as meadowlarks began their morning chorus. I saw bears, foxes, skunks, deer and geese.
In the days of relative plenty, maintenance men worked as early as I was walking, but I was a familiar local figure and we ignored each other. I avoided them and they only saw me at a distance. There was an elaborate sprinkler system, of course, that worked all night every night and made the whole place fresh and green and cool, a stark contrast to my daily reality of hauling or pumping grey water out to my garden because of drought and watering restrictions. I lived a five-minute walk away.
During our recent trip we only spent one night in that little town, but I woke early, slid into my clothes and walked to the golf course. I knew it had been closed altogether for some time. This year the drought momentarily broke in the valley with record amounts of snow and rain, and the river that so often dried up flooded, both on the course and through the town. As I slipped through the gates and passed the “no trespassing” signs in the dark of early dawn, I could hear the river, an amazing, miraculous sound. The scent and chill kiss in the air of running water was very different from the mechanical chik, chik, chik of an automatic sprinkler.
The cart path was rutted, muddy and overgrown. Large tree limbs had fallen and nobody cleared them away. The river actually broke out of its banks and spread across a former green. I’d seen pictures in the local paper, but I still couldn’t believe my eyes. The town sent in machinery to make barriers out of heaped-up debris and mud. Whole trees had toppled, their root balls pathetically exposed to the sky.
Photo by Alejandro Escamilla on Unsplash
Once, I could have walked several paths on the golf course blindfolded. I often was there in the dark. Now my footing was uncertain. The grass grew up to my waist and I kept tripping over hidden windfall branches. Weeds filled the sand traps. The greens were, of course, gone. The groomed contours that once marked my route had vanished, forcing me to slow down and move more cautiously. I strained my eyes to discover familiar slopes and hollows in the dim light.
As I moved deeper into the old course, I thought of all the hundreds of mornings I’ve spent there, praying, weeping, raging, pressing myself against nature in every mood and season. I took my joy there, my hope, my dreams, and my gratitude practice. The golf course was a place of creative inspiration, a place of guidance and comfort, a place in which to staunch wounds enough to carry on another day. I was real there. I didn’t try to hide from myself.
That highly-groomed, herbicide-gagged, shaved, enslaved, money-making piece of land (a waste land) is going wild again. It was captured, bought, and pimped by a businessman in order to create a profit. Now, Mother Nature reclaims her own. The land begins to remember itself. As I walked and the light increased, showing me myriad signs of healing, I felt akin to the land. What is happening there is happening to me. I had a pimp, too — myself. I sold myself for what I thought I was worth in order to get what I needed. Now the land and I reclaim ourselves from a bleak and limited culture that relies on chemicals, profit and power-over rather than natural cycles and cooperation.
Reclamation is not a controlled, civilized process. It’s wild, sometimes catastrophic. The river made a scar where it broke its banks and uprooted trees, but it carved out a new bed for itself. The old bed will fill in. New growth will cover all that exposed earth. The downed limbs and trees will rot and feed the soil and mycelium while native plants and grasses return. Is this what we mean by waste land? Forest fire, flood and storm are acts of nature that reshape the land and environment. Life dies and renews, one act leading to the other. We often experience reclamation as terrifying and tragic. Human beings, for the most part, don’t welcome change unless we control it.
Yet we do change. The world changes. The weather changes. Those around us change. We can neither stop nor control it in any significant way, and I’m entirely grateful for that. The golf course and I are messy. Our hair is disheveled. Our trim, neat lines are blurred. The high unmown grass through which I waded brushed against the hair on my bare legs. The water feeding the land and the water of feeling that feeds me have carved a new, wider path. Bridges and trees sag and unravel, not trash but compost for the next thing. Paths and fences fall into disrepair. Grass and saplings mingle freely, each reaching toward the other at the edges.
Photo by Laterjay Photography on Unsplash
Snakes, rabbits and insects live again in the shelter of the grasses. Does can leave their fawns safely concealed while they browse, and their presence will bring the mountain lions down from the foothills. Owls will find abundant mice, voles and other rodents in what was a carpet of sterile green velvet. The beaver and raccoons will no longer be trapped or shot, lest they disturb the regulated beauty of the water features or annoy the tourists. Over all this complex, creative system, the meadowlark still sings, that king of the high fields and plains, and his song still brings tears to my eyes and an ache to my throat.
That land will always be home to the woman I was. I was glad to return for a brief hour and realize my beloved place has moved on, just as I have. The land and I were both over-civilized into waste land, but now we’re reclaiming ourselves. The golf course and I reassert our right to be what we are. We surrender to change, to mess, and to the transformative edge of chaos.
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except where otherwise noted
For many years, I’ve been a story teller. I’ve told stories in nursing homes, schools, at seasonal events and in women’s circles. I think of stories as medicine, as guidance, as blueprints for living. Old stories from cultures around the world contain information we’ve forgotten or lost about how to live well.
Photo by Syd Wachs on Unsplash
It’s striking how often I share a familiar and oft-told story with an audience that suddenly turns out to be what I most need. Oral stories, if written on a page, look static and lifeless. They’re not. An oral story lives. It twists and turns and wriggles unexpectedly in the mouth. Every time I tell a story it’s a different telling than I’ve ever done before. Every time I tell a story I’m different than I was the last time I told it. Every audience is different.
I’ve discovered blogging is like that. As I blog, I think of the reader. I blog to make an external connection. As I create posts, though, I also discover deepened connection with myself. My writing reveals my truth to me, and shines a light on the places where I’m not living what I know is my truth.
Last week I posted about quitting. In essence, I gave permission to all of us to change, to grow, to seek happiness in our work and in our lives. Ever since I resigned from my job (last day will be Saturday) and wrote that post, I’ve noticed an internal feeling of rediscovery, freedom and fizzing joy.
I only worked 20 hours a week at that job, but the choice to force myself to do it, even though it didn’t make me happy or meet my needs, cast a shadow of apathy over the rest of my life. It dulled my response to my own distress. It fed all those powerful voices that tell us there’s no help for it. We have bills to pay. We have responsibilities, duties and obligations. The most sinister voice of all says this is the best we can hope for or deserve.
I was empowering fear, not love.
All of a sudden, I’m operating with new clarity, the kind of clarity that the right story at the right time brings. This week I’m acutely aware of what’s working well for me and what’s not. I feel my power to choose afresh. I’m not motivating out of fear. Somehow, fear is taking a vacation. I’m motivating out of curiosity, pleasure and the desire to actually be happy.
For me, this is a crime of immense proportions.
I want to be happy. It occurs to me this isn’t a childish pursuit. It’s the pursuit of real personal power.
I follow a blog by Dr. Sharon Blackie, who is a writer, psychologist and mythologist. I’m reading one of her books, The Long Delirious Burning Blue, which has a passionate delicacy I haven’t experienced in a new read for a long time.
Dr. Blackie recently returned to the place she calls home in Connemara, Ireland, and her last couple of blog posts are about taking a walk with her dogs on the land that she loves.
Photo by Takahiro Sakamoto on Unsplash
That’s all. Taking walks. She posts pictures of the lochs, a stream, the bog and the mountain. There are pictures of her dogs, and I imagined wet, muddy paws and soft black and white coats tangled with leaves and stems. I think these posts are among the most joyful and powerful things I’ve ever read, not because Dr. Blackie is an extraordinary scholar and writer, which she is, but because she writes as a woman who’s come home to the place she belongs after a long time away. Her delight and reverence for the land and the life it supports radiate from every word and picture.
That’s how I feel this week, but my homecoming is internal rather than external.
I’m familiar with some of my terrain. Over the years, I’ve learned some of what I am. Always, though, there have been caverns, edges and deep forest I haven’t explored. Perhaps I knew all of myself before my memory in this lifetime begins, but if so, I’ve forgotten.
Photo by Cameron Kirby on Unsplash
This week I’m a wanderer, an explorer, a solitary traveler in my own psyche. I leave my well-worn internal paths to roam under trees. I follow the sound of water. I read my own spoor and run my hands over moss-covered rocks. I hunt in vernal pools for singing frogs the size of my toes. I wade through bogs of memory, getting my feet muddy and losing my shoes.
I’ve found old, abandoned structures smelling of rot and damp where birds nest and bats cluster. I’ve stumbled upon shallow graves where, once upon a time, I discarded and abandoned parts of myself. I’ve tripped over fallen idols, are now covered in a lacy blanket of ferns, found forgotten altars and pulled mats of dead leaves out of fountains I haven’t seen in years so clear water can flow again.
I’ve found shed skins whispering and rustling with memory, nearly invisible overgrown paths, and ruts and scars from old burns, floods and landslides.
I suddenly remember the happy feeling of waking early in the morning and going straight outside. I release myself from the expectation that I’ll work well in the last third of the day, a thing I’ve never in my life been able to pull off. I listen to music I love. I read what interests and moves me. I write lists and journal entries, blog posts and edits for my book.
Photo by Jon Flobrant on Unsplash
Like Dr. Blackie’s dogs, I follow what catches my attention. I move along scent trails, noting the passage of all my selves, spiraling from what I’ve been to what I’ll become and back again. I dance from thought to thought, from word to word, from dream to dream. I cast myself into a wider pattern of life.
It’s not that I don’t want to do anything. On the contrary, I want to do a hundred things. I want to do much more than I did when I was structuring my time and energy around my job. I can hardly wait to get out of bed and see what the day brings. I want to play outside, take care of tasks inside, read, write, watch the birds at the feeders, stretch, dance, swim, listen to music, make a list and check things off, be present in my relationships, make new friends, pursue intriguing new connections, earn money joyfully, and see how much I can want and how gloriously I can dream.
I’ve written about leaving home before, and in that post I wrote that in some counterintuitive way leaving my old external home in Colorado allowed me to begin to finally come home to myself internally and reclaim my power. I’ll never think of home solely as a one-dimensional place in the world again. Home is not just a house, not just a beloved landscape, but the place where my dearest friend, my most passionate lover and my most loyal companion reside, along with my deepest power. Home is my own wide-flung arms, my own pulse and breath, my own joy. Home is me, myself.
Somewhere along the way, we forgot that the most important things are also the simplest. There’s great power in being happy. If happy is missing, life is muted and apathetic at best. This is when the power of boredom and the power to quit come to our aid. This is when choice becomes something we must fight to reclaim as if our lives depend on it … because they do.
Claiming the power of happy. My daily crime.
Photo by Senjuti Kundu on Unsplash
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except where otherwise noted
I came across a prayer to Baba Yaga recently. I’ve spent a lot of time with Baba Yaga, who is a supernatural female figure out of Slavic European folklore. I’ve told stories about her for years, and she’s an important character in my book. She’s a powerful life-death-life-death figure and has many names, among them Storm Raiser, Primal Mother, Lady of Beasts and Mother of Witches. In spite of our long acquaintance, I’ve only lately begun to love her.
Photo by ivan Torres on Unsplash
Sometimes I think the most important thing to understand about life is power. It structures every single relationship, most of all our relationships with ourselves. Power creates wars, cults, murderers, abusers, tyrants, rebels and perhaps angels.
I believe we have a great longing for our individual mislaid power, such a longing that we’ve lost track of what it is or how to recognize it in our hunger and desperation. I don’t know how else to explain our mindless obedience to the media, to our culture, to our religions, to the almighty “they” who instruct us how to live, how to eat, what to believe, how to look, how to buy and how to be.
At this time in my life, and at this time in my country’s history, I cling to Baba Yaga, because she represents sanity in a world becoming more insane by the day. The prayer reminds me of what true female power is — and is not.
True female power wastes no time on despots and bullies who conceal their fear and impotence behind dishonesty and the willingness to use force. It’s not her business to prop them up. They have nothing she needs and they’re not worth her attention, for they shall not endure.
True female power is real. It’s authentic. It’s not bound by chains of political correctness, manners, fear or ideology. A woman in her authentic power is, according to need and whim, a child, a wild woman, a bitch, a seductive temptress, a crone, and a creature of magic. Obedience and compliance are not in her nature.
True female power seeks the hidden thing, within and without. She pares away layers, stories, masks, facades, dreams, visions, expectations, and shoulds. She’s a persistent poker, prier and meddlesome busybody in holey tennis shoes. She opens drawers, boxes and jars, looks behind forbidden doors and never stops asking questions. She refuses to shut up, close her eyes or pretend, and views everything by the stark light of a fiery skull without flinching. She doesn’t need anyone to agree with her, and she doesn’t need everyone to agree with her. She doesn’t argue with what is. The truth cannot escape her.
True female power doesn’t prostitute for love and validation. Baba Yaga eats sulfur to make her farts more momentous and fertilizes her body hair to make it grow more abundant. She’s hairy legs and iron-tipped fingers and teeth sharpened on bones. She takes a lover when she feels like it, but she kicks him out of her bed before dawn and doesn’t offer breakfast. Her body is not for sale, her hair is the color it wants to be, and she has no use for a painted mask over her face.
True female power is a teacher of magic. She teaches the sorting of one thing from another, cleansing, lighting a fire, the alchemy of cooking. She’s the power of the cauldron, the cup, the womb and the growing seed. She’s the wisdom of bone and blood, seed and water, life and death. A woman in her authentic female power learns to feed and nurture the magic of her intuition and creativity. She knows they are the most priceless jewels she will ever have.
True female power feels huge, deep feelings of rage, grief, joy and lust. When fear accosts a woman in her power, she spits in its eye and knocks it down on her way forward. An authentically powerful woman knows how to cause earthquakes with her dance, bring rain with her tears, melt rocks with her passion and sow stars with her joy. She allows no one to make her small.
True female power expresses all her fine feelings. She shrieks, curses, cackles, stomps, grumps, slams and mutters. She will not be silent. She stays up all night drumming and dancing if the mood takes her, and sleeps all day when she wants. She collects secrets, stories, marbles and insults with equal enjoyment. In fact, she says and does exactly what she wants to do and say.
(Yes, I said marbles.)
True female power is ancient and enduring. It’s coarse silver hair, aching bones, pearly stretch marks, lumpy thighs, scars and wrinkles and cracks and crevices. A woman in her power bleeds, first red and then the invisible silver blood of wisdom that arrives when the children of her body have become ghosts living only in her memory. A woman in her full authentic power smiles kindly on the young and beautiful, because they are not yet capable of her wisdom.
Photo by Cristian Newman on Unsplash
True female power knows how to live through the night alone, how to wander in the desert, how to go underground and live in a cave among the roots of life when necessary. She survives the conflagration, the invasion, the prison sentence, the betrayal, the loss, the beating, the chaos, the flood. A woman in her authentic power is rooted in the stars, in the trees, in the mountains, in the sea and in the earth. She welcomes cycles and seasons. Change is her strength. She knows how to bide her time and let die what must, because she knows her power will endure in women who come after her.
A woman in her power is not confused. She knows there’s no authentic power in money or position, youth or beauty or hairless legs. She knows her wellspring of power is internal and if she can’t find it, no one will. True feminine power defines her own success, her own goals, her own agenda, her own spiritual practice, her own beauty and her own rules.
Baba Yaga’s specialty is too-good maidens of all ages. That’s how I met her. When the Baba is finished with such a maiden, she’s either saltier and wiser or dead. Baba Yaga eats the dead ones with vinegar to cut the sweetness.
It’s a good time for prayers. Perhaps it’s always a good time for prayers. Here’s mine:
Baba Yaga, Grandmother, we offer you our sweat, tears, blood, milk and urine. Initiate us into life and death with our own blood and bone. Lead us back into love for ourselves, our bodies and our earth. Help us, your daughters, find our authentic feminine power again.
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