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The Doll

Dolls, like clowns, have a long and powerful history of symbolic meaning for human beings. We think of most dolls now as playthings for children, but dolls have always been much more than toys.

Photo by Aimee Vogelsang on Unsplash

The old word for doll was “poppet,” related to the English word “puppet.” In many cultures, dolls were used for spiritual rituals and magic, and as oracles. They are perhaps most famous as tools of black magic, but were also used for healing, fertility, and romantic and protective spells. From the Far East to Africa to the Americas, dolls have been an important social instrument for centuries.

There exist in the world a small handful of haunted dolls, both in museums and collections and for sale on sites like eBay. Several horror movies have been inspired by famous haunted dolls, such as Robert and Annabelle.

As a child I didn’t have dolls, and didn’t want them. A toy doll to mother and care for was not nearly as much fun as a pet, which we had an abundance, and nothing was as lovely a plaything for me as a book. Some things never change.

No, I didn’t have a doll until I was nearly 50 years old, when I decided I needed a very specific kind of doll for a very specific reason. Most traditional dolls were handmade out of whatever materials were available. As a child of the twentieth century, I went shopping online, trusting I would know her when I found her. I already knew her name.

Photo by Gary Bendig on Unsplash

I wanted a new doll resembling myself. I looked at hundreds of dolls, mostly hideous, plastic and cheap, trying to find good old-fashioned rag dolls or soft dolls. There are some, but they’re few and far between. Alas, there are no dolls depicting (ahem!) maturity. Most of them simper, lowering plastic eyelids over improbably shiny blue or brown eyes. They have equally shiny and synthetic hair and frilly clothes. It was a little like shopping for candy in the candy aisle during Halloween. Slick, artificial, patently synthetic color, all sugar and no substance. Certainly, I found no dolls with even one grey hair or crow’s feet around the eyes. I thought about making a dried apple doll, but it was a fleeting thought. For some reason, that wasn’t quite what I wanted.

I persisted until I found a plain rag doll with brown yarn hair tied into two bunches with ribbons and blue eyes. She wore a yellow dress and white felt shoes on primitive club-shaped feet.

I grew up doing all kinds of embroidery, cross stitch and needlework, but I never learned to use a sewing machine or do practical things like make clothing, so I had to ask for help to get more appropriate clothes made. I found a young woman who sewed and asked her to make my doll a pair of denim jeans and some kind of a top. I told her the doll was for a niece of mine who was something of a tomboy and a mountain kid. I didn’t want to admit the doll was mine.

Dolls are commonly used for therapy for adults and children. In my explorations, I’d run across the idea of working with one’s inner child many times, and I knew making a doll to represent oneself is a common therapeutic activity. As I’d never had any meaningful kind of relationship with dolls, this didn’t attract me.

Until it did. I’m not sure exactly why my interest in dolls changed at that particular point in my life. All I can really say is I was suddenly ready to figure out if I could love myself. A doll seemed an obvious way to externalize the parts of me that felt so chronically unloved and unwanted. Beyond that, I really didn’t think. I just felt the need, and obeyed it.

When the clothes were ready (jeans, a T-shirt and a zippered sweatshirt), I dressed the doll and cut her brown yarn hair short. After spending most of my life with long hair, I’d recently cut mine, more as an act of rebellion and self-mutilation than anything else.

Photo by Rain Wu on Unsplash

I cut the doll’s hair with a mixture of anger, resentment and grief, and a strange thing happened. Instead of looking at her with loathing, I had the completely unexpected and spontaneous thought that the short hair was cute. It wasn’t ugly. It didn’t make her look like an old hag, used up, dried up, sexless and powerless. That’s what I saw when I looked in the mirror at myself, but when I looked at the doll I saw something else entirely. As a child I had begged to be allowed to have long hair. I was eventually allowed to, when I was old enough to care for it. This was reasonable, as my hair is thick, curly and unruly, to put it mildly. For years, though, as a slim, short-haired, active child in the same tough jeans my brother wore, I was taken for a boy.

Somehow, looking down at that helpless rag doll and the short ends of yarn scattered around her, it seemed I was looking at a long-vanished version of myself, and I didn’t hate her. She wasn’t loathsome. She merely had short hair. I’d meant to hurt her, even mutilate her, but her innocence turned a hostile act into a reluctant feeling of wanting to protect her from any who would seek to hurt her, including myself.

This was a powerful moment. It was so powerful I doubted myself. What would people say if they knew I’d bought myself a doll and lied about it in order to get the clothes I wanted for her? What would they think of me? What did it say about me, these feelings of self-hatred mixed up with an uneasy need to protect? Protect the doll from me? Protect the doll from others? Protect myself?

I was confused, embarrassed and compelled. I kept the doll with me as I moved around my little log cabin, not to handle, but just to look at. Occasionally, I talked to her, in the same way I talked to the cat I belonged to at the time.

Then, one day, something distressed me. I was trying to calm down and think more clearly, and I saw the doll, sitting propped on a table. I picked her up and held her against my shoulder, patting her back and swaying on my feet in the age-old motions of comforting a baby. I had worked for years with chronic and terminally ill children and their families as a young woman and then raised two kids of my own. I love and understand children, and the familiarity of holding one again made me weep.

I was also instantly comforted, as though I myself was being held in spite of my age and ugliness. I’ve been aware all my life of the longing to be safe, secure and loved in someone’s arms, a longing I rarely admit, always endeavor to bury deep, and feel much shame about. Something about holding the doll assuaged that longing. In a strange sort of way, I was holding myself, or at least some part of myself.

I can’t explain the neurophysiological effect of being able to hold and comfort my doll. Perhaps a neurologist or a good psychiatrist could. What I do know is it’s been enormously and unexpectedly healing. The gnawing need for nonsexual physical reassurance and affection has been something I’ve learned to live with, never revealing it or expecting to have this need met. If I could not find it as a young, reasonably attractive woman, I’ll surely never find it now. I can’t hold myself, but I can hold my doll. I don’t always treat myself with unconditional love, but I can give it to my doll. In fact, I’m incapable of giving her anything else. I’ve always found it much, much easier to love others than myself. Loving others is a beautiful way to live, but it’s not always reciprocated or even recognized for what it is, and much of the love I’ve given has walked away from me, never to return. With the doll, somehow my love comes back into my own starving skin and heart.

Photo by freestocks.org on Unsplash

I’ve had the doll for about six years now. I’ve turned to her in times of fear, insomnia, emotional pain, panic attacks and PTSD. I’ve wept with her (and perhaps for her), rocked her, kissed her, practiced Havening with her, snuggled her and slept with her in my arms. Until now, I’ve kept her presence in my life a secret from all but one person. She’s been more useful to me than any psychological therapy or pharmaceuticals I’ve ever tried, with the single exception of emotional intelligence coaching.

I’m writing this post now because I thought it would be fun for Halloween, haunted dolls being a thing in our culture. As I write, however, I’m slightly sobered. I’m not prepared to debate whether haunted dolls or haunted anything else are “real.” The belief in such things is what fascinates me, along with the history of such objects, investigation into this kind of phenomena, and the way it captures our imaginations. What I will say is if an object or person can be haunted or possessed, I would assume intense energy or emotion is associated with such possession.

It’s not hard for me to understand why dolls, like clowns, have so captured our imaginations. I’m quite certain my doll is the most intimate object in my life. I would never want to see her in another’s hands. God forbid she ever takes it into her head to talk about my demons and vulnerabilities. I don’t mind if she wants to move around in my attic space, though, or even look out the windows, as other haunted dolls are alleged to have done.

A Specific for Vampires

I’ve never really thought much about vampires. I read Bram Stoker’s Dracula as a teenager, but I didn’t get into Anne Rice and I didn’t watch TV for nearly 20 years. When I came to Maine, my partner immediately set out to correct my cultural deprivation. He introduced me to Buffy the Vampire Slayer, which I fell in love with, which led to Angel. Then there was True Blood and Jace Everett’s sexy song, “I Want to do Bad Things With You,” along with a lot of other sultry Cajun music.

James Marsters as Spike (Buffy the Vampire Slayer)

The aspect of vampires I was familiar with was the archetypal one. We’ve all run into people like this. They’re the ones we walk away from with a feeling of having been drained, no matter how brief, inconsequential or seemingly innocent the interaction was. Sometimes it’s hard to pin down exactly how they manage to suck all the energy out of any given person or situation, but they do. They’re insatiable and dangerous. I suppose they might be sexy, too, but not in the straightforward, I-wanna-do-bad-things-with-you-way where you both get to have fun. They’re all about the fuel, and others are just fuel-dispensing appliances.

These vampire series, characters, actors and writers added a lot of good creative manure to my already robust interest in all things magical, archetypal and mythological. Lately I had an idea for a writing project within the frame of plants and trees with thorns, and I wanted to revisit vampires within that context.

Well! Little did I know what a goldmine I would find.

I have a well-used reference library of witchcraft, folklore, myth, legend, symbology, magic and occult, not to mention the Internet. Any kind of magic intersects with herbs and plants, so I have a lot of reference books covering those subjects as well. I began to think about thorny plants I’m familiar with. The most obvious, as they grow all over our land here in Maine, are brambles. Bramble, it turns out, is a lovely old-fashioned word meaning blackberries or raspberries. I began to research folklore surrounding brambles.

I happily juggled my laptop and handwritten notes. Books piled up on the floor around my chair. I lost track of time.

I discovered brambles are a specific (meaning remedy) for vampires. Who knew? If you are bothered by a vampire, you need only cut some bramble canes and lay them in front of your windows and on your threshold. When the vampire arrives in the dark hours to drink from you, it will be unable to pass the bramble canes until it counts every thorn. This task should keep it well occupied until sunrise, at which point it will be forced to decamp.

I was enchanted by the vision of a sensual, dark, hollow-cheeked vampire, intent on seduction and blood, hunched over outside the window trying to count the thorns on a bramble by the light of the moon. (Do mature (ahem) vampires need reading glasses for close-up work?) Picture his slumbering victim, young, palpitating, curving flesh on tempting display as she sleeps naked amid the tumbled sheets. So delectable! The smell of her flesh! The sweet throbbing pulse at her neck — and other places! Alas! He must stop to count the thorns. The cruelty of life! Or maybe I should say the cruelty of undeath.

How is it I’d never known that vampires had this particular compulsive side to their character? Why does no one ever talk about these important things?

This was too juicy a lure to ignore, so I temporarily abandoned my research on thorns and collected a new pile of books to see what else I didn’t know about vampires.

Photo by Anton Darius | @theSollers on Unsplash

Interestingly, the Christian cross and so-called holy water were not traditionally used to repel vampires. (All due respect to Buffy and Angel.) The vampire is an ancient universal archetype recognized well before Christianity in cultures all over the world.

That being said, there are several plants that assist in vampire protection, one of them being the old stand-by, garlic. This can be used fresh or dried. Another protective plant is peppermint. Presumably, vampires dislike the smell. The Element Encyclopedia of 5000 Spells suggests wearing fresh peppermint leaves around one’s neck in bed, and adds parenthetically that peppermint is an aphrodisiac. Perhaps part of the efficacy of this old spell is that one will not be alone in the bed.

Photo by Kelly Sikkema on Unsplash

Both garlic and peppermint can be used fresh or dried, in combination or singly. If you know from whence the vampire rises, garlic scattered over its grave should keep it firmly underground where it can do no harm. Peppermint oil is also said to be efficacious, applied topically to the skin or pillow (of the intended victim, not the vampire). Surprisingly, lilac oil is also recommended. This is quite hard to find even today, and very expensive. (How was this discovered, and where? How was the oil procured?) The spell clearly specifies it must be essential oil from the lilac, not a chemical perfume. Interestingly, a remedy for psychic vampires, as opposed to the coarser blood drinkers, was infused rosemary taken as a tea or used to bathe in.

Photo by Vincent Foret on Unsplash

Iron is very commonly used as protection against many otherworldly folk, and vampires don’t like it, either. An iron ring set with pearls is said to protect the wearer from vampires. (Why this combination? Where did this belief come from?) Also, if one takes more than 100 iron nails and hammers them into the ground over the vampire’s grave, it will not be able to rise. Similarly, in what is clearly an old bit of women’s witchcraft, if one drives nine wooden spindles into the ground over the grave three days after burial, the vampire will not be able to rise.

I liked all that, but many of these protections are quite similar to other specifics for various spooks, haunts, ghosts and fairy folk. I’ve saved the good stuff for last.

Photo by Manuel Sardo on Unsplash

It turns out everyone used to know vampires are obsessive compulsive! If one doesn’t happen to have brambles, fishing nets can be used at windows and doorways. In this case, the vampire has to stop and count the knots. Or, if you prefer, sieves can be used, because they have to stop and count — you guessed it — the holes. This makes me think about our modern screens. Here was I, thinking it was all about keeping out the bugs. Nobody ever told me we were keeping out vampires as well. Alternatively, one can sprinkle millet in the graveyard where a vampire is buried, and it won’t be able to leave until it counts every millet seed.

This changes things. I wonder if this is the vampires’ dirty little secret. Maybe all the dark brooding looks, swirling cloaks, drama and theater is just distraction from what they don’t want anyone to find out — that they’re compelled to count. It definitely dulls my frisson of erotic fear. I wanna do bad things with you — as soon as I count this. What if the vampire’s prey has freckles? It almost makes me feel sorry for them. Keeping secrets is hard work. Think of the relief when people switched over to Christian crosses and holy water and forgot about brambles, nets, millet and sieves (and freckles).

My absolute favorite vampire remedy, though, has nothing to do with counting. It involves the oldest cleaning and purification tool: running water. For this one, it’s necessary to know exactly where the vampire is buried. One must procure the vampire’s left sock. (The left sock, not the right. Is this further evidence of compulsivity? Do vampires label their socks left and right? Does one ask politely for the left sock, steal it while they sleep, or wrestle the vampire for it?) Fill the sock with dirt from the vampire’s grave and stones from the cemetery in which it’s buried. (What if it’s a sock with holes in it? Do vampires darn their socks?) Throw the sock into water running away from the area to be protected. Now you have banished the vampire from that area.

Finally, for all you peacemakers out there, here’s fokloric advice from the Romani people of Macedonia. Vampires, it transpires, love milk. Romani legend says if one makes regularly scheduled offerings of milk to a troublesome vampire, it will agree to leave a short list of people alone.

(This is beyond fascinating. What other traditions and folklore come from this group of people? Who were they? Do they still live tribally? Were their milking animals cows, sheep or goats? Do they have written or oral records? Why are they the only ones who figured out a peaceful coexistence practice regarding vampires? But no, that’s probably carrying it too far for this post. I can research that another time. Do they have protective spells against werewolves, I wonder? Hmmm …)

There you go. Now you know everything you need to know to protect yourselves from vampires. You’re welcome. I hope you’re half as delighted as I am by this esoteric lore.

Before I leave you this week, I do want to say that I am in no way minimizing or mocking the suffering of those who struggle with obsessive-compulsive disorder and like illnesses. I write this post in the spirit of playfulness and fun. Please accept it as such.

David Boreanaz as Angel (Buffy the Vampire Slayer, Angel)

Hand me that bramble branch, will you? Where are my glasses? Let me see … one, two, three …

How long until sunrise?

All content on this site ©2018
Jennifer Rose
except where otherwise noted

Yule: The Fool’s Journey

Yule, the winter solstice, is upon us once again. This year, here in the deeps of darkness, I’m thinking about The Fool’s journey.

The Fool, by Emily Balivet

The Fool is an archetype, a recurrent symbol in mythology, folklore and story. Jack of Jack and the Beanstalk is a Fool. The Fool shows up as a simpleton, an innocent, one who is ignorant, inexperienced and silly. Archetypes have two sides, shadow and light. In modern culture The Fool has been reduced to its shadow, its most negative attributes, an insult, a curse and a contemptuous label.

But the old tales hint at a deeper, older meaning of the archetype. In fairy tales, The Fool is often the youngest sibling, the least able and powerful character, who nevertheless becomes the only one to successfully complete the task or quest. Often, The Fool has a good heart, or some extraordinary purity of character that allows him/her to be successful. The Fool has faith in magic, in talking birds and beasts, in the advice of old women, in objects given by peddlers at crossroads. To be a fool is to be held in a circle containing everything and nothing, to be without judgement, rules, expectations, cynicism or fear. The Fool is an archetype of youthful energy, bright, glowing and optimistic, filled with hopes and dreams.

Characters of this archetype set out, sometimes exiled or driven from their home, sometimes volunteering to go, with nothing but their shining confidence, intuition and willingness to do a task or find a solution. They rarely have external resource, but carry a great wealth of internal assets, including, interestingly, a kind of innocent cleverness that arises from authenticity and the simplicity of great integrity. The Fool has everything she or he needs in the form of untapped, chaotic potential.

It seems to me we’ve lost sight of the sacred role of The Fool. We kill foolish behavior with punishment, restriction, control, mocking and tribal shaming. We teach our children to avoid playing The Fool by making “good” choices. We avoid looking or feeling like fools. Foolishness is equated with immaturity, irresponsibility and naiveté. We resist being wrong or admitting we made a mistake. Playfulness is no longer a priority.

I see The Fool as an essential first step in The Hero’s journey. It’s where we all start as we undertake any new experience or endeavor. All Heroes start out as Fools, and perhaps all Fools are also Heroes. The Fool archetype creates space in which we learn resilience, strength, courage and creative problem solving. In the gap between The Fool’s happy hopes and dreams and reality is the place where Self is shaped, and the more fully we embrace this archetype, the more of our own potential we realize.

Photo by Dan Gold on Unsplash

That’s what I believe, when I think carefully about it, but that’s not how I show up in the world.

I hate to feel like a fool. Humiliation is one of the most uncomfortable emotions I experience. I dread appearing irresponsible or naïve. I’ve bought into the cultural definition of foolishness equaling stupidity, and I don’t want to be perceived as stupid. I’ve been warned at the beginning of every Fool’s journey I’ve embarked upon with head shaking, patronizing smiles and dire, ominous warnings: “You have no idea how hard marriage is.” “Boy, is your life going to change!” “You’re going to hate it!” “You’ll find out I was right!” “It won’t last.” “Nothing will ever be the same.”

As a parent, I shook my own head, smiled patronizingly and issued warnings. I wanted to protect my sons from “bad” choices, from danger, from illness and injury and from the pain of disillusionment and disappointment, the very things that help us figure out who we are.

The Fool is an archetype precisely because it’s so persistent and present in our lives. It’s our nature to go into the world and explore, seek, complete tasks and engage in quests. I wonder what it would be like if we all framed The Fool’s journey as sacred space, as a necessary and beautiful rite of passage, filled with potential and promise. In that case, revisiting this archetype throughout our lives at any age could be viewed as a chance to refresh our willingness, consent and curiosity about ourselves and what might be possible, a chance to apply the skills we’ve learned in our previous cycles as The Fool rather than stay frozen in bitterness, shame, regret and fear.

It’s true that every new journey is a risk. None of us could have imagined what it would be like to be an adult, to fall in love, to get married, to have children, to move across the country, to get the perfect job, to battle illness or injury, to age. Dire warnings and ominous predictions are pointless and useless as we navigate in our lives. Sincere and simple congratulations from others; faith in our own intuition, intelligence and strength and the experience of unconditional love and belief in our abilities from friends and family is what we need as we push forward in search of new horizons.

Yule signals the return of the light and new beginnings. We all embark on a new cycle, and none of us knows what it will bring. The Fool is tying together a bundle of food and setting out, following a new road into an unknown place, exploring, perhaps searching for something. Interested, curious, fearless and confident, The Fool walks into the future as the light strengthens once more.

Photo by yatharth roy vibhakar on Unsplash

All content on this site ©2017
Jennifer Rose
except where otherwise noted

Scrying the Depths

Scrying is “the practice of looking into a suitable medium in the hope of detecting significant messages or visions.” (Wikipedia)

My laptop has developed the Technical Flu and is in the shop. I’m chagrined to discover how much I depend on it. It’s the only portable device I have, as I still resist the pressure to obtain even a cell phone. Suddenly, my access to music, DVDs and the Internet is restricted. I know, it’s a first world problem, but I’m not complaining. I whined for the first few days, but as I sit down to write this post what I mostly feel is a kind of grateful wonder.

In my laptop’s absence I find a lot of quiet. Without my usual entertainment and distraction, my ears, eyes and attention are freed. As I work on the second book of my series, I’ve picked up a sketch pad and colored pencils in order to create a map of my very complex world where the myth, fairy tale and oral history of several cultures meet and interact. Without access to my one-dimensional outline on my word processor, I recognize the need for a two or even three-dimensional model to truly show all the connections and correspondences of the series. I’ve discovered new depths to my creative vision and work and considered new ways to approach it.

Photo by Ludde Lorentz on Unsplash

Folk and fairy tales often speak of depths. Caves, tunnels, wells and stairways descend to other places, magical underground kingdoms where evil beings lurk and flex their destructive forces and unexpected but powerful animals or crones or fairies save the hero or heroine. Gypsies, oracles, shamans and seers scry crystal balls or pools of water, smoke, fire, mirrors or stones. Runes whisper messages. Tarot cards reveal enigmatic insight.

We are in the depths of seasonal darkness now. In two weeks the light begins to return. Here in Maine the day starts to fade at 3:30 in the afternoon and an hour later it’s full dark. What do the depths of darkness hold? What lies between the stars? What dreams unfold behind our eyelids during the long sleeping hours? What lives, hunts and dies in the winter-bare forests under the moon? What stirs in the dark sea’s deeps?

If we could separate ourselves and all those around us from our tech and toys, if we could all free our eyes from the screen and our ears from the noise and look, clear-eyed and undistracted, at those around us, what would we see in one another? If we were forced to sit quietly at a window with nothing but a chair for company, what might we discover in the world around us? If we stand naked and alone in front of a mirror and look into our own eyes, what looks back at us?

What lies in the depths of longing and loss? What lies denied and amputated in the deeps of a soul? What waits to be rediscovered or reclaimed, healed or released?

Some of the deepest, darkest, coldest and most fearsome depths in my life turned out to be only ankle-deep after all. Ankle deep and unpleasant, but, once challenged and understood, pathetic and sad rather than powerful and terrible. Shallows pretending to be depths. A leech or two instead of a sea monster.

Other shallows are so seductive, so enticing, so shiny, that we joyously bare our feet and run into them, gradually wading farther and farther from shore, our attention captured, our gaze fixed on their captivating surface, and there we stay until we die.

All my life I’ve been told I’m too intense. I’ve never known exactly what that means, and the criticism never fails to both hurt and irritate, especially as I can’t get more information. Asking probing questions is simply an example of my obnoxious intensity, it appears.

I wonder this morning if what people are expressing is discomfort with my love for the depths, for the dark where miracles happen, for the hidden thing, be it dreadful or dazzling. Questioning is falling out of social favor. Political correctness shackles and gags us. The shiny shallows are the place to be, where text messages, emojis and ‘likes’ glitter and frolic and algorithms and ideology teach us what to think, believe, value and buy.

Photo by Ryan Hutton on Unsplash

I can be seduced by the shallows as well as anyone, and have several times been fooled by them, but somewhere inside me resides a wild thing, a female creature that glories in the power of the dark and deep and always returns to passion, emotion, and creativity. I want to dive into the night sky and swim naked among the stars and nebulae. I want to see and be seen, hear and be heard, know and be known. I navigate with a mouthful of questions and an insatiable curiosity. I don’t want life to be pretty and distracting and shiny. I don’t want all my dreams to be sunlit and filled with flowers and kittens.

I want life to be as it is, smelling of musk and blood and starlight, dark and powerful and magnificent beyond my puny imagination. I want the hot eroticism of life and the torn flesh of death. I want to embrace the unknowable, kiss the lips of mystery and reclaim and wield the full power of my fear.

I choose to live in the depths.

Photo by Christopher Campbell on Unsplash

 

All content on this site ©2017
Jennifer Rose
except where otherwise noted

Crossroad

In old stories, a crossroad is always a magical place of power and choice. You never know who you might meet at a crossroad. Perhaps a lean, handsome peddler will draw up a cart and spread his wares. Other travelers may appear. Elders may linger there with wisdom under their tongues. Crossroads are not always identified by neat, straightforward lettered signs, but portents, omens and intuitive signs abound. A dismally croaking raven, a snake in the dust or a fleeting glimpse of a fox all have a message at a crossroad.

I rarely miss posting weekly, but last week I did. I succumbed to a virulent upper respiratory virus and for a few days had no choice but to down tools and lie low. Simply breathing occupied all my attention and energy. I cancelled plans and obligations, abandoned my ‘to accomplish’ list and let go of my self-expectations.

This was frustrating, as it was the week in which I intended to transition effortlessly from my old job to new possibilities, witness the smooth closing of the sale of my property in Colorado, and generally navigate these significant endings and beginnings seamlessly, elegantly, confidently and without mess.

Instead, I emptied two boxes of Kleenex, coughed as though ready for an end-stage TB ward, achieved a spectacularly sore and chapped mouth and nose, drank liters of fluid with the inevitable day and night result of continually needing to pee, and tried to sleep in a sitting position to facilitate breathing through my clogged airway.

Instead of transitioning smoothly into new work, I canceled one opportunity and didn’t follow up on others. I worried about money instead.

The sale of my house did occur, but a day late due to unexpected last minute paperwork that needed to be signed and notarized and sent from Maine back to Colorado. My renters have been unable to find a new place, the buyer (now owner) is moving into a trailer because her old house also sold and her new house still has renters in it, and I need urgently to return to Colorado and retrieve the rest of my possessions from the property.

In short, nothing about my internal, physical or external reality has been seamless, elegant, confident or without mess. In fact, there’s been quite a bit of mess, from sodden Kleenex to tangled feelings.

Photo by Jeremy Bishop on Unsplash

None of this really surprised me. I’ve never yet been really miserably ill without a significant emotional event of some kind at the onset. I might not admit my distress intellectually, but the truth will out physically. Unacknowledged feelings eventually reach such proportions they demand my attention, one way or the other. All of my pretty plans didn’t allow for any space in which to pause, reflect, feel and be with how things are.

So, I got sick.

I resigned myself to the inevitable, did what I could for my symptoms, reread all my old Mary Stewart books (so comforting, and no brain required), dozed, and thought about intersections, endings and beginnings, suspended activity and crossroads.

I have a tendency to view my experience through a lens of metaphor and symbol, and suspended activity has been much in my mind for the last five years. The Hanged Man is a Tarot card with just that meaning, and my first book is named after it.

The Hanged Man is a card many people fear, although generally the figure depicted hangs upside down from one leg, apparently perfectly relaxed and comfortable and even smiling, depending on the deck. The card illustrates that place in life we’re all familiar with between one thing and another, just like the crossroad. Events converge and intersect. Meetings and partings take place. We suddenly come to the end of a road and it’s necessary to choose a new one.

I’ve never been good at pausing. I can accept change, but I expect myself to adjust and adapt instantly and effortlessly, no pause required. I don’t want to hang around (if you’ll pardon the pun) and think about what’s over or what I’d like to begin. I want to get a grip and move on. Now!

This is a shame, and all the old stories and archetypes tell us it’s counterproductive. Crossroads are sacred ground, filled with resting places, old altars and tilted gravestones. The leaves on trees growing at crossroads whisper all the prayers and petitions they’ve heard. At crossroads we lay out cards, cast runes and yarrow stalks, interpret dreams, drum, dance and call on our intuition and faith for guidance. A crossroad is a place to linger, honoring where we’ve been and considering a way forward, or sideways, or perhaps even retracing our steps for a second time before we go on.

Photo by Ryan Moreno on Unsplash

A crossroad deserves an offering of our presence and patience. It’s only in suspended activity that we access our deepest intuition and wisdom, only then when we begin to gain full understanding. Loss takes time to put to rest. Hopes and dreams need time to grow. Intuition can’t speak unless we’re quiet, and guidance can’t find us if we’re not still.

I’m writing this out on our deck in the sun. I can hear water running into the pond. The phoebe, back for another summer, is perched in her favorite spot on the barn roof, bobbing her tail and hunting for insects. Wonder of wonders, there’s not a box of Kleenex at my elbow! Not only that, but I’m breathing through my nose. Things are looking up.

Before me is a new week. I’ve sort of given up on the seamless and elegant thing. It hasn’t been fun to be sick, but I’m grateful I was forced to pause. I didn’t feel like I was doing anything except wasting time and blowing my nose, but I see now I needed to hang by one leg and just be for a little while. I needed to consider what’s ending, and how I feel about it, and what direction I want to go now. I needed to spend some time wandering in my graveyard, remembering what’s laid to rest there. It was important to revisit my hopes and dreams, check in with my intuition and take time to wonder what will happen next.

At this point I’ve decided to be content with lingering at this crossroad. When it’s time to go on from here, I’ll know. In the meantime, this is a good place. Maybe a peddler is even now on his way to meet me, or an old crone in a hooded cloak will come in the dark morning hours with an enigmatic message showing me the way forward. Who knows?

Now that this is written, perhaps I’ll go find the tree from which the Hanged Man is suspended and see what’s on his mind today.

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Jennifer Rose
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