by Jenny Rose | Sep 28, 2017 | Connection & Community, Emotional Intelligence
When I was pregnant with my first son in 1989, I approached parenthood the way I approach every new endeavor. I read whatever I could get my hands on. I had a shelf of books on pregnancy, labor and delivery, breastfeeding and parenting. Like most parents, I wanted to be the best I could possibly be.
Twenty-five years later that I came across the only book I needed, a simple paperback I’d never heard of or seen, a book never mentioned by health professionals, teachers or anyone else. The book was The Continuum Concept by Jean Liedloff. It only took me a couple of days to read, and I cried through the whole thing. I’ve rarely read a book that so completely captured my private longings and sense of being broken.
By then, of course, it was far too late to apply the information as a parent.
As I embark on the second half of my life, I think about the continuum concept every day. I grieve for us all, victims of rape culture, many of us broken and maimed sexually, physically, mentally and emotionally. Few of us have any idea what a healthy human relationship looks like, and fewer still know how to go about creating and participating in one, or are in fact able to because of the damage current parenting practices and other social norms cause.
My own needs for affectionate, nurturing touch and in-arms experience are chronically unmet and over the years I’ve learned to spend time in water, in the sun, with animals and in nature as substitutes for human contact.
The trees and forests here are nothing like the pine and aspen forests I knew growing up in Colorado. The broadleaf forests in Maine are tall and deep and thick, every layer incredibly rich and complex. The trees are a mix of fruit, evergreen and hardwood such as birch, beech, oak, ash and maple, to name but a few.
Over the months, as I’ve walked this place and made friends with it, I notice a thing about this forest.
The trees die in one another’s arms.
Orchard Field
Trees of all ages grow here. Older, damaged or weak trees begin to lean and die. They can remain standing in death, becoming snags for wildlife and insects, or rot from the inside out and the roots up with the help of fungi and moss. These can be pushed over with one hand, and as they fall they collapse wetly into pieces, releasing the woody smell of mushrooms. Smaller trees can sometimes find a way to fall all the way to the ground, especially at the edges of forested areas or along the river, but the huge old trees away from the edges have no room to fall entirely. They might drop branches or break at various points up the trunk, but the whole tree can’t come down at once.
Die in my arms 09/27/17
All over this 26 acres old trees are leaning, dying or dead, held in the arms of their healthy, living neighbors. Some neighbors of the same species are no doubt family members, but it doesn’t matter. A tall, strong ash might hold an old beech, or a maple support the skeleton of a pine.
This is not a dutiful, quick, can’t-wait-to-get-it-over-with embrace, but a years-long in-arms relationship while the dead tree rots and breaks down, feeding its patient supporter and the rest of the forest, until the moment comes when the last of its body decays enough to fully rest on the ground where it was born.
The forest grows together, lives together and dies together.
Die in my arms 09/27/17
Yesterday morning I went out to clear around an old shed we plan to put a foundation under and use. At one time there was an arbor along the south side of the building that supported a grapevine. The arbor is long gone now, and the sprawling grapevine is as thick as my wrist in some places and has spread over an area of about 50 square feet. I went to work, lopping saplings and woody growth and pruning the rest. The vine had produced some purple grapes as it crawled up the shed wall. I’ve never tasted a grape with such intense flavor, but there weren’t many. I wondered if we built a temporary trellis and I gave it some attention we might be able to take cuttings and save it. If it can survive years of neglect and still fruit, it seems to me it’s happy here.
Apple and grapevine 09/27/17
I worked away until I came to the foot of an old apple. This tree is gnarled and twisted, as they often are, and the entire trunk is hollow from below eye level to my highest reach with several entrances and exits. This particular apple is early, and the fruit has mostly dropped and been eaten by wildlife. As I knelt under the tree, cutting back woody undergrowth, I looked up.
The grapevine, having no trellis to climb on, had over the years climbed the tree instead, and pounds and pounds of purple grapes hung down from the apple tree canopy, invisible unless you stand right under the tree.
Die in my arms, I thought, looking up in wonder. Live in my arms. Flourish, shelter and fruit in my arms.
Photo by Edu Lauton on Unsplash
Trees are not people. Clearly, people are not trees. We have demonized the continuum concept. We have civilized ourselves into cities of concrete and steel, hospitals, institutions and prisons. Touch in our culture is about rape, violence, abuse, capitalism and control. The need and desire to give and receive touch is viewed as inappropriate and dangerous. We’re addicts, homeless, outcast, broken, sick and lonely. We’re divided from one another, competitors and enemies. Few of us will die in anyone’s arms.
No, people are most certainly not trees.
All content on this site ©2017
Jennifer Rose
except where otherwise noted
by Jenny Rose | Sep 14, 2017 | Connection & Community, Emotional Intelligence, Shadows
Power lies beneath the layers at the center, the heart, the core. All avenues of thought, all paths of inquiry lead back to power. What is it? Who controls it? How do we manage and maintain it? Power is the fuel of life. Every relationship is rooted in power. Managing our power is the key to managing our lives at every level, physical, emotional, creative, sexual, spiritual and intellectual.
Narcissists stalk emotional power. They seek it, they lust for it, their voracious hunger and need drive them to control it. They are a yawning abyss that can never be filled because they lack the ability to generate their own emotional power. They will never cease hunting for prey.
Photo by Rain Wu on Unsplash
The prey of the narcissist is carefully addicted and programmed with romance, charisma, and sex into becoming emotional power machines, set and calibrated to take full advantage of finely-gauged specifications of the prey’s need and vulnerability, so as to provide an unending stream of high-quality emotional power on which the narcissist gorges at will: The fine wine of our love, the exotic spices of our passion, the honey of our confusion, the refreshing tang of our jealousy, the nectar of our anguish and the bitter dark chocolate of our despair. Eagerly, we spread our longings, hopes, fears and fantasies before the icy coruscating mirror concealing the narcissist’s true nature. Narcissists manufacture networks of emotional power machines and pit us against one another in order to obtain ever more abundant, complex and complicated fuel. We are not released until we malfunction, and then we’re contemptuously eliminated (but not freed) to make room for a shiny new machine, and we languish until called for again.
Photo by Gary Bendig on Unsplash
The only hope of escape and healing lies in power, the center, the heart, the core beneath the layers. We must cease to hoard, deny, silence, or give away our emotional power. We must claim it, excavate it, call it by name, learn the flavor and scent of it. We must weep with it, rage with it, release it in righteous orgasm, create with it, fight with it. We must look through its unclouded eyes and follow it, wherever it takes us. We must pray with it, surrender to it and adore it. We must soar within its rapturous fiery wings and plunge into its healing green water. We must build a cosmos out of our emotional power and fill it with galaxies, adorn it with jeweled planets and sow it with shooting stars.
We must defend our emotional power with our lives, for without it we cannot live. We must seduce and enchant ourselves with the rapture of our own emotional power so we cannot be captivated by the scintillating mirrored eyes of the narcissist, for if we’re captured by those mirrors we’ll find nothing but our enslavement and performance as emotional power machines reflected back to us, and the stench of the charnel house will invade our souls.
Photo by Aimee Vogelsang on Unsplash
We must look in those glittering mirror eyes, look deeply, look well, and say, “Ah, here is my own reflection, my ravishing emotional self, entirely naked and unashamed.” We must say, “No, I will not be your emotional power machine, no, you can give me nothing that wasn’t already mine, no, I name you Narcissist and I know your terrible secret: You are powerless without your prey,” and turn away, dance away with our bountiful bared breasts and strong hips, pressing our lips to our own shoulders with love because we have everything we need, everything we want, as we embrace our own emotional power beneath the layers in our center, in our heart, in our core.
For more information on recognizing, understanding and managing narcissists and their behaviors, explore narcsite dot com, created and written by a narcissist. If you suspect you have had or now have a narcissist in your life, read ‘The Prime Aims’ on that site for clarification. If you are now or have been entangled with a narcissist, seek help and support immediately if you have not already done so. Your life is at risk.
All content on this site ©2017
Jennifer Rose
except where otherwise noted
by Jenny Rose | Sep 7, 2017 | Connection & Community, Emotional Intelligence
I read a blog post a few days ago titled ‘Romance Ruins Real Love’.
The post reminded me of a conversation I had with an old friend some years ago. She said her favorite part of relationship was the first weeks, when everything is romantic anticipation and excitement. I remember how violently I disagreed with that view, though I didn’t say so to my friend at the time.
I never trust romance, because I don’t equate it with love. Even as a child, I was suspicious of princes on white horses. As an adult, I want a relationship that survives the flu, a broken toilet, a week-long power outage, job loss, poverty, a car accident, a road trip, moving house and painting a room together. Anyone can dress up, buy flowers and make a reservation, given adequate time, money and motivation. Anyone can make love with words. Many can show up for a great night between the sheets. Most of life, however, consists of day-to-day challenges, tasks and unexpected stuff that no one can prepare for, and that’s when we find out what we’re made of, as well as what those around us are made of.
Photo by Jan Phoenix on Unsplash
In spite of all that, I hunger for romance in my life. I always have.
I realized this week I couldn’t come up with a succinct definition of romance. I could write lists of what I find romantic, sensual or sexy, but how do those categories overlap into a central core of what romance actually is? As I sat down to begin this post, I grabbed my Random House College Dictionary and was absolutely shocked at what I found.
Romance: A baseless, fanciful story; a love affair.
Wait, what? What about palpitating bosoms and muscled, shirtless heroes and wine and roses and diamonds? What about bikini waxes and lingerie, high heels, flowers, poetry, songs, movies and messages of love via social media? What about sex?
Is the whole world searching desperately for something that’s not even defined as real? I always thought it was real and attainable. I’ve thought of it as a rare phenomenon, a kind of shining miracle that can’t be bought or captured, coming only to certain remarkable, young, beautiful and deserving people.
I’m ashamed to want romance. It’s not for someone like me, someone flawed, broken, aging, unbeautiful and in many ways unlovable (another of my stories). To dream of romance, to yearn for it, is pitiable and pathetic, and I keep such dreams well hidden, releasing them only in my writing.
I notice all of these thoughts and feelings about romance, all the shame, futility and bitterness associated with one word that means a baseless, fanciful story. Wow.
I paused in writing this post and thought about Random House’s definition for a day. I decided the thing I find most disturbing about this definition is it’s purely subjective. Do we each have a unique baseless, fanciful ideal we’re searching for or trying to create? I’ve written about stories before. If my idea of romance is nothing but a baseless, fanciful story inside my head, it’s not about anybody else. It’s only about me. It’s not something I’ll ever discover out in the real world.
No wonder I haven’t been able to find it!
Huh.
If romance is just another of my stories, then it’s pointless to carry shame around because nobody will participate in my ideal. I’m the only one who can be responsible for my story. Nobody else even knows it, unless I tell it, and this is a private story I’m unwilling to reveal. My story of romance is part of who I am, a piece of vivid and passionate authenticity. It’s what I dance with and write with. I need it. It’s an aspect of myself to be nurtured and cherished, not ignored and denied.
Romance is not about them at all. It never has been. It’s about me.
Photo by Ryan Moreno on Unsplash
This is a place I’ve been before, although this time I’ve followed a different road to get here. When I lived alone in my own home in my old life, I became romantically self-reliant, as it were. I was lonely, but I realize now I was probably the most satisfied romantically I’ve ever been. I burned candles and incense. I bought flowers for myself. I took myself to the movies, to breakfast, out for pizza. I took long, luxurious baths with music and essential oils. I bought my favorite sexy underwear and wore it for my own enjoyment. I gave myself weekends away and night walks to watch the moonrise. I danced naked. I bought art cards I loved and mailed them to myself to mark special anniversaries and days.
Then I came to Maine and began life with my partner, and because I had a man in my life again, I gave up romancing myself. I realized my new relationship is deeper and stronger than romance. I no longer feel lonely. Many of my needs are being met now that have never been met before. Life in central Maine in a 100+-year-old falling-down and leaky farmhouse with very little money is not romantic, however, and my partner is a pragmatic Yankee. He’s about as romantic as a rock. He loves me. I don’t want him to be different, and I recognize he is not equipped to satisfy my hunger for romance.
Well, no. But given the above definition, is anyone? Has my search for romance been in vain because what I long for isn’t out there at all, it’s in here? Was it my responsibility all along?
I say again: Huh!
If I decide to be the best romantic partner I’ve ever had, is that hilarious or creepy?
One thing’s for sure. I won’t have to work very hard to be the best romantic partner I’ve ever had!
Wait, I already am the best romantic partner I ever had, I just took some time off. And now I miss me.
Photo by Roman Kraft on Unsplash
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Jennifer Rose
except where otherwise noted
by Jenny Rose | Jul 20, 2017 | A Flourishing Woman, Body
Photo by Leon Liu on Unsplash
Last night we danced. I’m patiently and persistently attempting to root a dance group into this community. It’s taking time, but I hope in the end to have a healthy core of four or five women with whom to share this sacred practice.
As I danced, I remembered an old friend with whom I danced in Colorado. She used to often say, at the end, as we sat in a circle holding hands, “It’s so good to be in the body.”
Not in the head, where family and other relationships, financial and political complexities, expectations, rules, to-do lists and all our internal voices reside, but in the body, right now.
Our bodies contain a childlike innocence and a wisdom beyond words. They communicate to us the truth about how things are with us via feeling and sensation. Patiently, they carry us through our lives, our most loyal and faithful companions. Persistently, we neglect, abandon and abuse them.
Somewhere along the way, we’ve learned to reject, be ashamed of and hate our physical being and experience. Now we’re to the point where bodily functions tied to being biologically female are a matter of political incorrectness and a hate crime. Social pressure is increasing to eradicate the very words that define female physical experience.
But dance is for everybody in every body, and the spiritual practice of dance has taught me to honor, protect and care for my physical self in new ways. There are no labels in dance, no gaslighting, no power-over that seeks to diminish or limit my physical history or expression. Dance is wordless, so there are no language police. Dance is the freedom to belch, to fart, to wiggle, to jiggle, to giggle, to cry, to shout, to play and to sweat.
Allowing my body to be and joyfully inhabiting it has been a powerful act of self-love. It means allowing my hair to grow as it will, where it will, in the color it is. It means moving with dignity and pride. It means gratitude, for my life is a journey mapped onto my flesh. Every mole, freckle, stretch mark, scar, lump, bump, line, wrinkle and vein holds part of my story, and I honor story.
Being in my body is a powerful act of surrender, not to what the culture says I must be or not be, not to what I think I should embody or not embody, but to what I am. Simply that. The unique, miraculous complex system of genetic material, living tissue, viruses, bacteria and chemical processes that I am.
Allowing my body to be is a peace treaty. My body is not for the pleasure or evaluation of others. It’s not for sale. My body and I owe nothing to anyone, not explanation, apology, conformity, obedience and especially not shame. I refuse to go to war over gender, sexuality or political correctness ideology. I decline to support or participate in self-hatred or hatred of other bodies. The power of my body transcends the judgements, criticisms and opinions of others.
The deepest language I know is of the body. Words are inadequate to my passion, to my love, to my creativity. Spoken and written language fails to convey the richness of my body’s capabilities.
The tick crawling high on the nape of my neck along my hairline, the feel of its tiny claws stirring each hair as it seeks a good place to fasten on, gives me a physical experience so vivid and visceral it cannot possibly be conveyed in words. My skin shrinks, telling me what the sensation is before I examine the cause with my eyes. Undisturbed hair around its path rises, quite automatically, in response to the small but ominous trespass. It feels solid and smooth as an apple-seed between my thumb and finger as I pinch it off. It hurries up and down a bookmark, chestnut colored, as I transport it down the stairs, almost as though it knows it’s been seen, recognized and a death sentence passed.
We come out of our favorite restaurant after a meal on a hot, humid day and find a snake clothed in brown and green, voluptuously twined around our right front tire. My partner stoops and grasps it and it curls and writhes as it dangles from his hand, twisting between the newly-laid black tar and the heavy sky, glaring with sun, humid as a steam bath. My partner takes it into a nearby field and as he comes back he holds out his hand with a rueful expression, showing me beads of bright red blood, dazzling as rubies, on his finger, and two parallel shallow cuts that sting, he says, like paper cuts.
Photo by Leon Liu on Unsplash
Last night I danced with the tick, the snake, the rasp on my knee from falling on the front cement steps, their uneveness hidden by the encroaching hostas, blooming now on thick, fleshy stems, their lavender flowers plundered all day by bumblebees.
I danced with the rattling air conditioner lodged into a window of the recreation center activity room. As usual, we traded the rise in heat and humidity in the room with the lower and quieter fan setting.
I danced with a dead fly on the wood floor, trying to avoid stepping on it with my bare foot. I danced with a living large black ant, bewildered, crawling across what must have seemed like acres of flat, featureless terrain, also not wishing to step on it, but too involved in the flow of the music to stop and take it outside.
I danced with my breasts and belly and thighs, with my feet and elbows and wild hair. I danced with trickles of sweat and a wet upper lip. I danced with my tattoo and swaying earrings and sliding silver bangles. I let myself go. I let myself be. I let myself sink into my body as though sinking into a lover’s arms, for I am my body’s lover, and it is mine.
I danced, and remembered again how good it is to be in the body.
Photo by David Hofmann on Unsplash
All content on this site ©2017
Jennifer Rose
except where otherwise noted
by Jenny Rose | Jun 22, 2017 | A Flourishing Woman, Self-Love
Recently I went back to the little mountain town in the Southern Colorado Rockies I called home for twenty years, and wrapped up the sale of my house. It was an important trip for me, one which I’ve been anticipating ever since I arrived in Maine two and a half years ago. My partner and I drove out and drove back. I didn’t try to blog or write on the road, but I made a lot of notes and I discovered a persistent theme.
Reclamation, according to a quickie internet search, means “the process of claiming something back or of reasserting a right” or “the cultivation of waste land or land formerly under water.” It strikes me there’s an interesting and subtle possibility of conflict in those two definitions. What exactly is waste land, and who has the power to define it? Also, what does cultivation mean? Big Ag? Monocropping? Pesticides and Roundup? Or cultivation by plants, animals and wind?
In any event, I’ve been carrying the word reclamation for some years now like a talisman. It’s a cord linking events and choices of the last years of my life together.
Photo by Tanja Heffner on Unsplash
I remember exactly when it started. I was sitting in a chair in the salon where a friend cut my hair for years. In the mirror, I could see my hair falling over my shoulders and down my back, thick and wavy and beginning to be streaked with grey. I was desolate because of a broken relationship, and I saw a woman who was unwanted in that mirror. I didn’t want to be her anymore. I wanted to be someone else. My friend asked me what I wanted to do and I told her to cut it all off. “Reclamation,” I said. I couldn’t say more because I didn’t want to break into sobs, but she knew exactly what I meant, and she tied a smock around my neck and started cutting.
My ex-boyfriend had loved my hair. I loved it, too. It made me feel sexy and beautiful and feminine. Cutting it was the first step I took on the road leading me to this attic space in central Maine, where I sit this summer morning (with short hair) writing with the windows open and the sound of crickets, frogs and birds flowing in.
I held onto that word, reclamation. It became a boat to sail away in, and then a lifeboat, and then a raft and then a spar of wood in a fathomless sea of floating debris that kept me alive until current and waves took me back to shore.
Photo by Edewaa Foster on Unsplash
The little town I lived in had no claim to fame or big dollar tourism except for a golf course. When I moved there the course was renowned for being one of the most beautiful in the country, and visitors came from all over during the summer to play there, filling the inns and RV parks. Then drought struck that part of Colorado, the golf course was sold to an absentee owner who immediately got crosswise with the town, and gradually, due to a mixture of water problems, politics and general assholery on the part of the owner, the golf course went downhill, people lost jobs, the greens became unkempt and the tourists stopped coming. Then, just about the time I left town, the golf course closed.
I don’t play golf and my living fortunately didn’t depend on the tourist trade, but every morning, just before dawn, I walked on the golf course.
I didn’t do it for exercise or as a discipline. It was my lifeline. It was the one place where I never failed. I was guaranteed solitude and peace. Nobody knew where I was. I knew the course so well I could disappear into it, be absorbed. I had several routes, one for ordinary days, one for days of grief, one for days of rage and the longest one for days of despair. I used some of the cart paths, but mostly I followed the contours and edges of the greens and walked along the river, which was generally only a trickle, if not entirely dry. I often heard owls going to roost as meadowlarks began their morning chorus. I saw bears, foxes, skunks, deer and geese.
In the days of relative plenty, maintenance men worked as early as I was walking, but I was a familiar local figure and we ignored each other. I avoided them and they only saw me at a distance. There was an elaborate sprinkler system, of course, that worked all night every night and made the whole place fresh and green and cool, a stark contrast to my daily reality of hauling or pumping grey water out to my garden because of drought and watering restrictions. I lived a five-minute walk away.
During our recent trip we only spent one night in that little town, but I woke early, slid into my clothes and walked to the golf course. I knew it had been closed altogether for some time. This year the drought momentarily broke in the valley with record amounts of snow and rain, and the river that so often dried up flooded, both on the course and through the town. As I slipped through the gates and passed the “no trespassing” signs in the dark of early dawn, I could hear the river, an amazing, miraculous sound. The scent and chill kiss in the air of running water was very different from the mechanical chik, chik, chik of an automatic sprinkler.
The cart path was rutted, muddy and overgrown. Large tree limbs had fallen and nobody cleared them away. The river actually broke out of its banks and spread across a former green. I’d seen pictures in the local paper, but I still couldn’t believe my eyes. The town sent in machinery to make barriers out of heaped-up debris and mud. Whole trees had toppled, their root balls pathetically exposed to the sky.
Photo by Alejandro Escamilla on Unsplash
Once, I could have walked several paths on the golf course blindfolded. I often was there in the dark. Now my footing was uncertain. The grass grew up to my waist and I kept tripping over hidden windfall branches. Weeds filled the sand traps. The greens were, of course, gone. The groomed contours that once marked my route had vanished, forcing me to slow down and move more cautiously. I strained my eyes to discover familiar slopes and hollows in the dim light.
As I moved deeper into the old course, I thought of all the hundreds of mornings I’ve spent there, praying, weeping, raging, pressing myself against nature in every mood and season. I took my joy there, my hope, my dreams, and my gratitude practice. The golf course was a place of creative inspiration, a place of guidance and comfort, a place in which to staunch wounds enough to carry on another day. I was real there. I didn’t try to hide from myself.
That highly-groomed, herbicide-gagged, shaved, enslaved, money-making piece of land (a waste land) is going wild again. It was captured, bought, and pimped by a businessman in order to create a profit. Now, Mother Nature reclaims her own. The land begins to remember itself. As I walked and the light increased, showing me myriad signs of healing, I felt akin to the land. What is happening there is happening to me. I had a pimp, too — myself. I sold myself for what I thought I was worth in order to get what I needed. Now the land and I reclaim ourselves from a bleak and limited culture that relies on chemicals, profit and power-over rather than natural cycles and cooperation.
Reclamation is not a controlled, civilized process. It’s wild, sometimes catastrophic. The river made a scar where it broke its banks and uprooted trees, but it carved out a new bed for itself. The old bed will fill in. New growth will cover all that exposed earth. The downed limbs and trees will rot and feed the soil and mycelium while native plants and grasses return. Is this what we mean by waste land? Forest fire, flood and storm are acts of nature that reshape the land and environment. Life dies and renews, one act leading to the other. We often experience reclamation as terrifying and tragic. Human beings, for the most part, don’t welcome change unless we control it.
Yet we do change. The world changes. The weather changes. Those around us change. We can neither stop nor control it in any significant way, and I’m entirely grateful for that. The golf course and I are messy. Our hair is disheveled. Our trim, neat lines are blurred. The high unmown grass through which I waded brushed against the hair on my bare legs. The water feeding the land and the water of feeling that feeds me have carved a new, wider path. Bridges and trees sag and unravel, not trash but compost for the next thing. Paths and fences fall into disrepair. Grass and saplings mingle freely, each reaching toward the other at the edges.
Photo by Laterjay Photography on Unsplash
Snakes, rabbits and insects live again in the shelter of the grasses. Does can leave their fawns safely concealed while they browse, and their presence will bring the mountain lions down from the foothills. Owls will find abundant mice, voles and other rodents in what was a carpet of sterile green velvet. The beaver and raccoons will no longer be trapped or shot, lest they disturb the regulated beauty of the water features or annoy the tourists. Over all this complex, creative system, the meadowlark still sings, that king of the high fields and plains, and his song still brings tears to my eyes and an ache to my throat.
That land will always be home to the woman I was. I was glad to return for a brief hour and realize my beloved place has moved on, just as I have. The land and I were both over-civilized into waste land, but now we’re reclaiming ourselves. The golf course and I reassert our right to be what we are. We surrender to change, to mess, and to the transformative edge of chaos.
All content on this site ©2017
Jennifer Rose
except where otherwise noted
