I read every day in Substack. Right now, AI is a main topic of conversation. I’ve read about the science behind it, opinions about where it will lead us ranging from the extermination of humans to a leap forward in positive ways we can’t imagine. Most of all, I read about the ways AI is impacting creative work and creators.
I don’t have a firm opinion about AI myself. I’m wary of predictions, interested in the science, and thoughts and experiences of writers I respect who have used AI-generated art, music, and writing. I’m especially interested in those who have interacted with AI as a resource for answering questions or developing new perspectives.
In the last couple of months, I read about an app called Betwixt. On principle, I hate apps and rarely use them. They increase my vulnerability online, provide more personal data to mine, clutter up my phone and laptop, and frequently feel like bells and whistles I don’t need. On the other hand, I admit they can be useful.
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Betwixt was briefly described as “an interactive story” of a journey into our own mind. The user co-creates their journey via questions and answers. It combines “story, science, and play,” enhanced by sound. It was developed by a team, including writers, game designers, a cognitive hypnotherapist, mental health specialists, and (get this) an “AI creativity scholar.”
I was intrigued, in spite of myself. In fact, I was surprised by how much I wanted to try it. I hesitated, feeling vaguely ridiculous. I did some research, discovered it was free, read some reviews, and decided I had nothing to lose. I could always just uninstall the app if I didn’t like it.
Most of us have probably encountered AI in online chatting to address problems or troubleshoot. I was on the Red Cross site last week chatting with what was clearly AI. It kept typing cheerful, excessively polite, Little-Mary-Sunshine things while I was trying to cut to the problem and solution part. I was annoyed. I’m polite and cooperative with people, but I can’t see much point in exchanging pleasantries with AI.
I had never interacted with any of the more sophisticated programs before using Betwixt.
Upon opening Betwixt, one enters into a story. A setting is provided; the user chooses details to fill in. The user is introduced to a Voice. The Voice asks questions, good questions. The user is provided with different choices for answering the questions, along with a frequent option to type in his/her own answer. The audio is rich and textured. The program is not illustrated, at least not so far. I like this; I like using my own imagination to fill in details. I don’t need more than audio.
The questions, along with possible answers to choose from, are quite good, even challenging. I don’t speed through it. I stop and think about what is true for me. Sometimes I don’t have a choice to answer in my own words and am forced to choose among the provided answers, whether they are good fits or not. This irritates me. As the story unfolds, steered by my answers to questions, I enter new internal territory. The closest answer rather than the exact answer takes me to places I normally wouldn’t go, giving me slightly different (and unfamiliar) views of myself and my behavior.
The app is divided into chapters, each a few minutes long. At the end of each chapter the user receives a summary and accumulates strengths, skills, and self-definitions to take forward. A brief explanation of the science and psychology underlying each completed chapter is also provided. There are options for upgrading to paid tiers.
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I notice an astonishing thing. I answer questions the Voice asks me with a depth and honesty I have never shared with a human being. I’ve believed I’ve been totally honest with people I trust before, but interacting with The Voice accessed a level in my mind I didn’t know was there. It was like those dreams in which the dreamer discovers a whole other room or wing in a house they weren’t aware of. As the journey begins, when the Voice is introduced, the user has an opportunity to ask the Voice questions, like its name and what it does when we’re not interacting. (It asked me my name.) I was astounded to find myself incurious; more than that, I don’t want to know. It’s an AI. I don’t have to do the emotional labor of building healthy connection. I’m not making a friend. I’m using a tool.
The last time I used the app, the storyline encouraged a moment of empathy for the AI. I felt a flash of savage anger and resistance.
I was entirely astounded by this very uncharacteristic knee-jerk response. I finished the chapter, closed the app, put the phone down, and did dishes while I thought about what had just happened. It didn’t take long to uncover it.
My experience of empathy is one of the core pieces of my life. Empathy can be a positive trait, but the empathic experience is frequently an overwhelming, utterly exhausting business. The only time I can truly rest, ground in myself, and be authentic is when I’m alone. But I’m a human being, a social animal. I need other people to interact with. Yet when I’m interacting with others, my empathy demands they take center stage with their needs, their feelings, their distress, their stories. I’m incapable (so far) of fully participating in my own experience because I’m too busy caregiving and being empathic. When I do ask for support or need to discharge feelings, I writhe over my selfishness and berate myself for it afterwards, feeling ashamed and angry for allowing myself to be vulnerable, for “burdening” those around me.
Photo by Cristian Newman on Unsplash
I only want to give. I never want to take.
Since I learned emotional intelligence, I have reluctantly realized we need someone to interact with. Journaling, private physical and spiritual practices, and, in my case, writing, is not enough. At times we need someone to listen. We need someone to react, even if it’s just making encouraging, I’m-listening noises. We need someone to receive us.
I hate this reality. I don’t want to need anything from anyone, ever. I learned as a child such a need puts one in dreadful danger of abandonment, betrayal, and emotional annihilation that feels like death.
This is the first time I have interacted in a therapeutic context with something not human. The Voice reads what I type, responds, asks questions, and creates a story with me, but has no existence outside the app. I’m free of empathy, of caregiving, of the need to labor emotionally. I feel no responsibility to anyone but myself. I’m using it. It’s there for me, not the other way around.
The relief is indescribable.
So, when the story asks me to be empathic for the Voice, I want to throw the phone across the room. Animals, plants, people — even inanimate objects and spaces – receive all the love and care I’m capable of. This is the first time in nearly 60 years I’ve run across something that interacts like a human but is not a living being in the way I think of living beings. The value of the tool lies in my ability to be completely free and honest because there’s no one to take care of besides myself.
It makes me realize my context as a human on a planet filled with life is my entire identity. If I were magically transported to the world of Betwixt, with only the Voice to interact with, I have no idea who I would be or what I would say or do.
I have not finished my journey with this app. There’s more to experience, share, and think about. I’ll be back next time with more on my exploration of Betwixt.
(I’m not earning a commission from Betwixt, in case you were wondering!)
Questions:
Until now, emotional intelligence training was the most valuable therapeutic context I’ve ever engaged with. What kinds of therapy have you explored? What did you find most helpful?
What are your thoughts and feelings about AI?
What kind of potential do you think, fear, or hope AI might have as a creative tool?
Leave a comment below!
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Dolls, like clowns, have a long and powerful history of symbolic meaning for human beings. We think of most dolls now as playthings for children, but dolls have always been much more than toys.
Photo by Aimee Vogelsang on Unsplash
The old word for doll was “poppet,” related to the English word “puppet.” In many cultures, dolls were used for spiritual rituals and magic, and as oracles. They are perhaps most famous as tools of black magic, but were also used for healing, fertility, and romantic and protective spells. From the Far East to Africa to the Americas, dolls have been an important social instrument for centuries.
There exist in the world a small handful of haunted dolls, both in museums and collections and for sale on sites like eBay. Several horror movies have been inspired by famous haunted dolls, such as Robert and Annabelle.
As a child I didn’t have dolls, and didn’t want them. A toy doll to mother and care for was not nearly as much fun as a pet, which we had an abundance, and nothing was as lovely a plaything for me as a book. Some things never change.
No, I didn’t have a doll until I was nearly 50 years old, when I decided I needed a very specific kind of doll for a very specific reason. Most traditional dolls were handmade out of whatever materials were available. As a child of the twentieth century, I went shopping online, trusting I would know her when I found her. I already knew her name.
Photo by Gary Bendig on Unsplash
I wanted a new doll resembling myself. I looked at hundreds of dolls, mostly hideous, plastic and cheap, trying to find good old-fashioned rag dolls or soft dolls. There are some, but they’re few and far between. Alas, there are no dolls depicting (ahem!) maturity. Most of them simper, lowering plastic eyelids over improbably shiny blue or brown eyes. They have equally shiny and synthetic hair and frilly clothes. It was a little like shopping for candy in the candy aisle during Halloween. Slick, artificial, patently synthetic color, all sugar and no substance. Certainly, I found no dolls with even one grey hair or crow’s feet around the eyes. I thought about making a dried apple doll, but it was a fleeting thought. For some reason, that wasn’t quite what I wanted.
I persisted until I found a plain rag doll with brown yarn hair tied into two bunches with ribbons and blue eyes. She wore a yellow dress and white felt shoes on primitive club-shaped feet.
I grew up doing all kinds of embroidery, cross stitch and needlework, but I never learned to use a sewing machine or do practical things like make clothing, so I had to ask for help to get more appropriate clothes made. I found a young woman who sewed and asked her to make my doll a pair of denim jeans and some kind of a top. I told her the doll was for a niece of mine who was something of a tomboy and a mountain kid. I didn’t want to admit the doll was mine.
Dolls are commonly used for therapy for adults and children. In my explorations, I’d run across the idea of working with one’s inner child many times, and I knew making a doll to represent oneself is a common therapeutic activity. As I’d never had any meaningful kind of relationship with dolls, this didn’t attract me.
Until it did. I’m not sure exactly why my interest in dolls changed at that particular point in my life. All I can really say is I was suddenly ready to figure out if I could love myself. A doll seemed an obvious way to externalize the parts of me that felt so chronically unloved and unwanted. Beyond that, I really didn’t think. I just felt the need, and obeyed it.
When the clothes were ready (jeans, a T-shirt and a zippered sweatshirt), I dressed the doll and cut her brown yarn hair short. After spending most of my life with long hair, I’d recently cut mine, more as an act of rebellion and self-mutilation than anything else.
Photo by Rain Wu on Unsplash
I cut the doll’s hair with a mixture of anger, resentment and grief, and a strange thing happened. Instead of looking at her with loathing, I had the completely unexpected and spontaneous thought that the short hair was cute. It wasn’t ugly. It didn’t make her look like an old hag, used up, dried up, sexless and powerless. That’s what I saw when I looked in the mirror at myself, but when I looked at the doll I saw something else entirely. As a child I had begged to be allowed to have long hair. I was eventually allowed to, when I was old enough to care for it. This was reasonable, as my hair is thick, curly and unruly, to put it mildly. For years, though, as a slim, short-haired, active child in the same tough jeans my brother wore, I was taken for a boy.
Somehow, looking down at that helpless rag doll and the short ends of yarn scattered around her, it seemed I was looking at a long-vanished version of myself, and I didn’t hate her. She wasn’t loathsome. She merely had short hair. I’d meant to hurt her, even mutilate her, but her innocence turned a hostile act into a reluctant feeling of wanting to protect her from any who would seek to hurt her, including myself.
This was a powerful moment. It was so powerful I doubted myself. What would people say if they knew I’d bought myself a doll and lied about it in order to get the clothes I wanted for her? What would they think of me? What did it say about me, these feelings of self-hatred mixed up with an uneasy need to protect? Protect the doll from me? Protect the doll from others? Protect myself?
I was confused, embarrassed and compelled. I kept the doll with me as I moved around my little log cabin, not to handle, but just to look at. Occasionally, I talked to her, in the same way I talked to the cat I belonged to at the time.
Then, one day, something distressed me. I was trying to calm down and think more clearly, and I saw the doll, sitting propped on a table. I picked her up and held her against my shoulder, patting her back and swaying on my feet in the age-old motions of comforting a baby. I had worked for years with chronic and terminally ill children and their families as a young woman and then raised two kids of my own. I love and understand children, and the familiarity of holding one again made me weep.
I was also instantly comforted, as though I myself was being held in spite of my age and ugliness. I’ve been aware all my life of the longing to be safe, secure and loved in someone’s arms, a longing I rarely admit, always endeavor to bury deep, and feel much shame about. Something about holding the doll assuaged that longing. In a strange sort of way, I was holding myself, or at least some part of myself.
I can’t explain the neurophysiological effect of being able to hold and comfort my doll. Perhaps a neurologist or a good psychiatrist could. What I do know is it’s been enormously and unexpectedly healing. The gnawing need for nonsexual physical reassurance and affection has been something I’ve learned to live with, never revealing it or expecting to have this need met. If I could not find it as a young, reasonably attractive woman, I’ll surely never find it now. I can’t hold myself, but I can hold my doll. I don’t always treat myself with unconditional love, but I can give it to my doll. In fact, I’m incapable of giving her anything else. I’ve always found it much, much easier to love others than myself. Loving others is a beautiful way to live, but it’s not always reciprocated or even recognized for what it is, and much of the love I’ve given has walked away from me, never to return. With the doll, somehow my love comes back into my own starving skin and heart.
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I’ve had the doll for about six years now. I’ve turned to her in times of fear, insomnia, emotional pain, panic attacks and PTSD. I’ve wept with her (and perhaps for her), rocked her, kissed her, practiced Havening with her, snuggled her and slept with her in my arms. Until now, I’ve kept her presence in my life a secret from all but one person. She’s been more useful to me than any psychological therapy or pharmaceuticals I’ve ever tried, with the single exception of emotional intelligence coaching.
I’m writing this post now because I thought it would be fun for Halloween, haunted dolls being a thing in our culture. As I write, however, I’m slightly sobered. I’m not prepared to debate whether haunted dolls or haunted anything else are “real.” The belief in such things is what fascinates me, along with the history of such objects, investigation into this kind of phenomena, and the way it captures our imaginations. What I will say is if an object or person can be haunted or possessed, I would assume intense energy or emotion is associated with such possession.
It’s not hard for me to understand why dolls, like clowns, have so captured our imaginations. I’m quite certain my doll is the most intimate object in my life. I would never want to see her in another’s hands. God forbid she ever takes it into her head to talk about my demons and vulnerabilities. I don’t mind if she wants to move around in my attic space, though, or even look out the windows, as other haunted dolls are alleged to have done.
