Romance

I read a blog post a few days ago titled ‘Romance Ruins Real Love’.

The post reminded me of a conversation I had with an old friend some years ago. She said her favorite part of relationship was the first weeks, when everything is romantic anticipation and excitement. I remember how violently I disagreed with that view, though I didn’t say so to my friend at the time.

I never trust romance, because I don’t equate it with love. Even as a child, I was suspicious of princes on white horses. As an adult, I want a relationship that survives the flu, a broken toilet, a week-long power outage, job loss, poverty, a car accident, a road trip, moving house and painting a room together. Anyone can dress up, buy flowers and make a reservation, given adequate time, money and motivation. Anyone can make love with words. Many can show up for a great night between the sheets. Most of life, however, consists of day-to-day challenges, tasks and unexpected stuff that no one can prepare for, and that’s when we find out what we’re made of, as well as what those around us are made of.

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In spite of all that, I hunger for romance in my life. I always have.

I realized this week I couldn’t come up with a succinct definition of romance. I could write lists of what I find romantic, sensual or sexy, but how do those categories overlap into a central core of what romance actually is? As I sat down to begin this post, I grabbed my Random House College Dictionary and was absolutely shocked at what I found.

Romance: A baseless, fanciful story; a love affair.

Wait, what? What about palpitating bosoms and muscled, shirtless heroes and wine and roses and diamonds? What about bikini waxes and lingerie, high heels, flowers, poetry, songs, movies and messages of love via social media? What about sex?

Is the whole world searching desperately for something that’s not even defined as real? I always thought it was real and attainable. I’ve thought of it as a rare phenomenon, a kind of shining miracle that can’t be bought or captured, coming only to certain remarkable, young, beautiful and deserving people.

I’m ashamed to want romance. It’s not for someone like me, someone flawed, broken, aging, unbeautiful and in many ways unlovable (another of my stories). To dream of romance, to yearn for it, is pitiable and pathetic, and I keep such dreams well hidden, releasing them only in my writing.

I notice all of these thoughts and feelings about romance, all the shame, futility and bitterness associated with one word that means a baseless, fanciful story. Wow.

I paused in writing this post and thought about Random House’s definition for a day. I decided the thing I find most disturbing about this definition is it’s purely subjective. Do we each have a unique baseless, fanciful ideal we’re searching for or trying to create? I’ve written about stories before. If my idea of romance is nothing but a baseless, fanciful story inside my head, it’s not about anybody else. It’s only about me. It’s not something I’ll ever discover out in the real world.

No wonder I haven’t been able to find it!

Huh.

If romance is just another of my stories, then it’s pointless to carry shame around because nobody will participate in my ideal. I’m the only one who can be responsible for my story. Nobody else even knows it, unless I tell it, and this is a private story I’m unwilling to reveal. My story of romance is part of who I am, a piece of vivid and passionate authenticity. It’s what I dance with and write with. I need it. It’s an aspect of myself to be nurtured and cherished, not ignored and denied.

Romance is not about them at all. It never has been. It’s about me.

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This is a place I’ve been before, although this time I’ve followed a different road to get here. When I lived alone in my own home in my old life, I became romantically self-reliant, as it were. I was lonely, but I realize now I was probably the most satisfied romantically I’ve ever been. I burned candles and incense. I bought flowers for myself. I took myself to the movies, to breakfast, out for pizza. I took long, luxurious baths with music and essential oils. I bought my favorite sexy underwear and wore it for my own enjoyment. I gave myself weekends away and night walks to watch the moonrise. I danced naked. I bought art cards I loved and mailed them to myself to mark special anniversaries and days.

Then I came to Maine and began life with my partner, and because I had a man in my life again, I gave up romancing myself. I realized my new relationship is deeper and stronger than romance. I no longer feel lonely. Many of my needs are being met now that have never been met before. Life in central Maine in a 100+-year-old falling-down and leaky farmhouse with very little money is not romantic, however, and my partner is a pragmatic Yankee. He’s about as romantic as a rock. He loves me. I don’t want him to be different, and I recognize he is not equipped to satisfy my hunger for romance.

Well, no. But given the above definition, is anyone? Has my search for romance been in vain because what I long for isn’t out there at all, it’s in here? Was it my responsibility all along?

I say again: Huh!

If I decide to be the best romantic partner I’ve ever had, is that hilarious or creepy?

One thing’s for sure. I won’t have to work very hard to be the best romantic partner I’ve ever had!

Wait, I already am the best romantic partner I ever had, I just took some time off. And now I miss me.

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All content on this site ©2017
Jennifer Rose
except where otherwise noted

Make Yourself Small

I’m getting ready to turn over the manuscript of my first book to a developmental editor. Getting ready means I’m doing one final read through and combing out overused words and phrases using the search (and destroy) feature in my word processor. Over the months and years I’ve been working with my book and mastering the mechanics of writing, I’ve learned a lot about language and my own personal tics and patterns. The biggest problem I’ve found in my writing is unconsciously using passive voice.

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On the face of it, the process of cleaning up a manuscript is straightforward and occasionally mind-numbingly tedious. Looking at 4000 plus occurrences of the word ‘was’ throughout 1000 plus pages is not filled with giggles and takes a long time. I entertain myself with battleship noises every time I eliminate ‘was’, ‘were’, ‘had’, or ‘have’. I also come up with amusing similes for the process. My favorite is that editing is like combing nits out of a child’s hair.

On the plus side, this practice opens up a lot of time in which to notice my unconscious language patterns and think about how word choice reflects my choices in every other aspect of life. Editing word by word in this way is also a great habit breaker. When I write ‘had’ or ‘have’ now I notice it.

In the past, I’ve also overused ‘gently’, ‘lightly’, ‘quietly’, ‘a little’, ‘went’ (that’s a common one), and ‘softly’. As these patterns become visible to me, I ask myself with some annoyance, why not ‘fiercely’, ‘loudly’, ‘a LOT’ or ‘strode, galloped or dashed’?

I’ll tell you why not. Because I’m female and my culture has successfully taught me to make myself small. That lesson is so central and ubiquitous I’ve only recently been able to identify it and organize resistance. The message is impossible to see until you see it, and then you can’t unsee it.

Do you know the old French fairy tale of Bluebeard? A serial wife killer instructs his latest victim to refrain from opening a door in his castle, the door a particular little key opens. Then he leaves her alone with his keys (of course). In his absence, Bluebeard’s young wife and her sisters explore the castle, opening every door, and (naturally) the wife is persuaded there’s no harm in just peeking behind that last forbidden locked door. In the room they discover a row of headless bodies and a pile of heads belonging to Bluebeard’s previous wives. They exit the room (as you might imagine) and conspire to pretend they never unlocked the door. The only problem is the little key that unlocked the door begins weeping drops of blood and nothing they can do makes it stop. Bluebeard returns, discovers the infraction, and … I won’t tell you what happens, because different versions of the story end differently. This fairy tale is embedded in my own book. The point is, once some things are understood and seen, they can’t be unseen. There is no going back.

So, consider this commandment with me: Make Yourself Small.

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  • Adhere to the arbitrary cultural ideal of acceptable attractiveness. If you can’t, hate your body, torture it, starve it, distort it, color it, shave it and beat it into compliance. Make yourself conform.
  • Let media, social media, experts, professionals, your favorite news channel or radio host, your religious leader, your parents, or the men in your life tell you what to believe and what to think. Don’t you bother your pretty little head trying to understand anything.
  • Make your sexuality, passion and lust small. In fact, make them invisible (you slut).
  • Make your intelligence nonthreatening.
  • Tame your creativity.
  • Don’t ask questions. Don’t search for clarity and truth. Don’t do your own research. Restrain your curiosity.
  • If you must have needs, make them as infinitesimal as possible. Your needs are dust in the wind compared to the convenience, habits and preferences of others.
  • Be silent! You are disqualified from having an opinion. Don’t tell your truth. Others are speaking. Censor your voice. Don’t make anyone uncomfortable.
  • Capture, restrain, cage, shackle, chain and abandon your dreams. Who do you think you are?
  • Deny, belittle, smother and minimize your feelings. Control yourself!
  • Shame on you! Cringe, cower, hide your head! You’re bad and wrong!
  • Be self-contained. Be self-sufficient. Don’t take up too much space. Move lightly. Don’t spend too much money. Don’t be too dramatic. Don’t be too sensitive. Don’t order dessert. Don’t attract attention. Don’t breathe too much air. MAKE YOURSELF SMALL!

You get the idea, I’m sure. This list goes on and on. The message is everywhere, and we’re all affected. It cuts across social, racial, economic, political and gender divides. Failure to toe the line, whatever that line is, results in harsh social and professional consequences, up to and including death. Show me a headline and I’ll pick out this theme. I trip over it a dozen times a day in my own life. Spend five minutes on Facebook reading any thread on any subject and you’ll find this underlying message.

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The surrounding cultural mandate to make ourselves small is toxic, but it’s not the heart of the problem. The heart of the problem is our internalization of the mandate before we’re even aware of it, and then it becomes so woven into the fabric of our experience we no longer discern it.

Ironically, stubbornly pursuing my passion for writing and my determination to be bigger is what reveals to me the outlines of my own self-sabotage. My habit of making myself small has trickled all the way down to the words I choose. Editing my manuscript has become editing my thoughts and choices, and noticing the words I write and think in helps me notice my feelings.

My feelings contain a lot of fury and a lot of rebellion, far more than I was aware of when I created this blog last summer. Minor friction with my partner about planning a day or how we utilize counter space taps into a deep vein of lifelong rage and pain about allowing and participating in my own repression and oppression. I have systematically colluded in my own erasure. I’ve agreed to make myself small. I’ve agreed to abdicate my power.

No more. I opened Bluebeard’s chamber, and saw what it contained. The key that unlocked the door was writing, and I’m deleting all the blood-stained words that make my art small. If I fail as a writer, I’m not going to do it softly, gently, lightly or a little. I’m going to do it thunderously, monumentally and profoundly.

It’s time to make myself big.

Photo by Stephen Leonardi on Unsplash

All content on this site ©2017
Jennifer Rose
except where otherwise noted

The Power of Happy

For many years, I’ve been a story teller. I’ve told stories in nursing homes, schools, at seasonal events and in women’s circles. I think of stories as medicine, as guidance, as blueprints for living. Old stories from cultures around the world contain information we’ve forgotten or lost about how to live well.

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It’s striking how often I share a familiar and oft-told story with an audience that suddenly turns out to be what I most need. Oral stories, if written on a page, look static and lifeless. They’re not. An oral story lives. It twists and turns and wriggles unexpectedly in the mouth. Every time I tell a story it’s a different telling than I’ve ever done before. Every time I tell a story I’m different than I was the last time I told it. Every audience is different.

I’ve discovered blogging is like that. As I blog, I think of the reader. I blog to make an external connection. As I create posts, though, I also discover deepened connection with myself. My writing reveals my truth to me, and shines a light on the places where I’m not living what I know is my truth.

Last week I posted about quitting. In essence, I gave permission to all of us to change, to grow, to seek happiness in our work and in our lives. Ever since I resigned from my job (last day will be Saturday) and wrote that post, I’ve noticed an internal feeling of rediscovery, freedom and fizzing joy.

I only worked 20 hours a week at that job, but the choice to force myself to do it, even though it didn’t make me happy or meet my needs, cast a shadow of apathy over the rest of my life. It dulled my response to my own distress. It fed all those powerful voices that tell us there’s no help for it. We have bills to pay. We have responsibilities, duties and obligations. The most sinister voice of all says this is the best we can hope for or deserve.

I was empowering fear, not love.

All of a sudden, I’m operating with new clarity, the kind of clarity that the right story at the right time brings. This week I’m acutely aware of what’s working well for me and what’s not. I feel my power to choose afresh. I’m not motivating out of fear. Somehow, fear is taking a vacation. I’m motivating out of curiosity, pleasure and the desire to actually be happy.

For me, this is a crime of immense proportions.

I want to be happy. It occurs to me this isn’t a childish pursuit. It’s the pursuit of real personal power.

I follow a blog by Dr. Sharon Blackie, who is a writer, psychologist and mythologist. I’m reading one of her books, The Long Delirious Burning Blue, which has a passionate delicacy I haven’t experienced in a new read for a long time.

Dr. Blackie recently returned to the place she calls home in Connemara, Ireland, and her last couple of blog posts are about taking a walk with her dogs on the land that she loves.

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That’s all. Taking walks. She posts pictures of the lochs, a stream, the bog and the mountain. There are pictures of her dogs, and I imagined wet, muddy paws and soft black and white coats tangled with leaves and stems. I think these posts are among the most joyful and powerful things I’ve ever read, not because Dr. Blackie is an extraordinary scholar and writer, which she is, but because she writes as a woman who’s come home to the place she belongs after a long time away. Her delight and reverence for the land and the life it supports radiate from every word and picture.

That’s how I feel this week, but my homecoming is internal rather than external.

I’m familiar with some of my terrain. Over the years, I’ve learned some of what I am. Always, though, there have been caverns, edges and deep forest I haven’t explored. Perhaps I knew all of myself before my memory in this lifetime begins, but if so, I’ve forgotten.

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This week I’m a wanderer, an explorer, a solitary traveler in my own psyche. I leave my well-worn internal paths to roam under trees. I follow the sound of water. I read my own spoor and run my hands over moss-covered rocks. I hunt in vernal pools for singing frogs the size of my toes. I wade through bogs of memory, getting my feet muddy and losing my shoes.

I’ve found old, abandoned structures smelling of rot and damp where birds nest and bats cluster. I’ve stumbled upon shallow graves where, once upon a time, I discarded and abandoned parts of myself. I’ve tripped over fallen idols, are now covered in a lacy blanket of ferns, found forgotten altars and pulled mats of dead leaves out of fountains I haven’t seen in years so clear water can flow again.

I’ve found shed skins whispering and rustling with memory, nearly invisible overgrown paths, and ruts and scars from old burns, floods and landslides.

I suddenly remember the happy feeling of waking early in the morning and going straight outside. I release myself from the expectation that I’ll work well in the last third of the day, a thing I’ve never in my life been able to pull off. I listen to music I love. I read what interests and moves me. I write lists and journal entries, blog posts and edits for my book.

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Like Dr. Blackie’s dogs, I follow what catches my attention. I move along scent trails, noting the passage of all my selves, spiraling from what I’ve been to what I’ll become and back again. I dance from thought to thought, from word to word, from dream to dream. I cast myself into a wider pattern of life.

It’s not that I don’t want to do anything. On the contrary, I want to do a hundred things. I want to do much more than I did when I was structuring my time and energy around my job. I can hardly wait to get out of bed and see what the day brings. I want to play outside, take care of tasks inside, read, write, watch the birds at the feeders, stretch, dance, swim, listen to music, make a list and check things off, be present in my relationships, make new friends, pursue intriguing new connections, earn money joyfully, and see how much I can want and how gloriously I can dream.

I’ve written about leaving home before, and in that post I wrote that in some counterintuitive way leaving my old external home in Colorado allowed me to begin to finally come home to myself internally and reclaim my power. I’ll never think of home solely as a one-dimensional place in the world again. Home is not just a house, not just a beloved landscape, but the place where my dearest friend, my most passionate lover and my most loyal companion reside, along with my deepest power. Home is my own wide-flung arms, my own pulse and breath, my own joy. Home is me, myself.

Somewhere along the way, we forgot that the most important things are also the simplest. There’s great power in being happy. If happy is missing, life is muted and apathetic at best. This is when the power of boredom and the power to quit come to our aid. This is when choice becomes something we must fight to reclaim as if our lives depend on it … because they do.

Claiming the power of happy. My daily crime.

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All content on this site ©2017
Jennifer Rose
except where otherwise noted

Nothing for Fear

Last week I came down the steep stairs from my little attic aerie, sat in a chair in the living room and cried while I asked my partner if he thought I would ever have a less effortful experience of life.

It’s not that anything was really wrong. What I was feeling was an old, familiar feeling of trying to manage my life and myself as efficiently as possible and feeling worn out and unsuccessful.

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Trying. Manage. Efficiently. What am I, a machine?

I was tired that evening, and worried about diminished workflow and subsequent diminished paycheck. I wasn’t seeing a way out of my work/income situation, which is a place I’ve been in for several years.

One of the things I did last week during a work shift devoid of work was join She Writes, an online community for, obviously, women writers. I’d been procrastinating about doing so for a long time.

For years, I’ve been trying to find a writing community, both locally and online. I’ve joined a professional local organization, but their programs are rarely offered up here in Central Maine, as Portland is their headquarters. I’ve tried, unsuccessfully, to find beta readers for my first book. I put up an invitation to start a writer’s group at the local library and didn’t get a single call. I tried a give and take partnership with another writer so we could read one another’s work and provide feedback, but my partner had other priorities and needed to drop out.

And, of course, I need to work for that paycheck, so my time and energy are largely gobbled up by my financial needs rather than the joyful work of my life. This produces a chronic background tension that grinds away at my soul.

Anyway, I decided the time had come and I was ready to join She Writes and see what possibilities might open up through that community. I had to apply to join.

I knew they wouldn’t take me.

They accepted me (probably some kind of mistake) and the day after I sat in the chair and cried, I had another shift with no work and began exploring She Writes. I came across a blog post titled “The Only Reason to do Anything is Love,” by Bella Mahaya Carter, and had an epiphany.

Engaging with life from a place of love rather than fear is not a new idea for me, or probably for anyone reading this. It’s the kind of thing we hear and read all the time. I would have said I do that. It’s always my intention to show up in the world with love, which is to say kindness, compassion and respect.

The wording of Carter’s post, however, indicates motivation, an internal thing, not external action. Make choices with love, not fear. Decide what to do based on love. Do nothing for fear.

Right, I thought. I treat others and myself well. Of course.

Why?

I treat others well because I think it’s effective and I’m afraid of violence, hatefulness, rejection and just plain crazy.

I treat myself well because I’m afraid to be unhealthy, unable to earn a living and/or unable to be independent.

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It’s all for fear. It’s not for love.

Furthermore, treating myself well doesn’t equal loving myself. I caretake my physical form like a good property manager takes care of a rental. I exercise, eat well, brush my teeth, wash my body and take care of injuries.

What I think about myself is that I disappointed my parents, drove my brother nuts (not literally!), failed two marriages and made unforgiveable mistakes as a parent. I think I’ve never made a successful career or had a good enough job. I think I’m ridiculously hard to live with. I think I eat too much, use too much hot water in the shower, like obnoxious music, try too hard and am too sensitive. I think I’m unattractive and few people want to hug or touch me. I think I’ve spent years writing a 300,000-word book that, for all I know, has less value in the world than a roll of cheap toilet paper. On sale.

Those are some of the things I’m conscious of. When I look at my fear-based choice making, it appears I also think if I don’t hold my own feet to the fire at all times I’ll become a lazy, irresponsible, selfish slacker; demanding, mean, dishonest and greedy.

Carter’s post made me realize I could hardly think of a choice, any choice, whether important or mundane, that I haven’t made based on some kind of fear. Ever. From earliest memory.

The greatest motivator in my life is and has always been fear.

Not only that, but I’ve created a whole pantheon of idols I obsessively and ceaselessly worship in order to avoid the vengeful, punitive God I’ve made out of fear. I make daily bloody and brutal sacrifices of time, energy and life to appease them, but insatiable fear just gets more and more powerful. Here are some of the idols:

I read that post on Friday. There and then I decided to start making choices based on loving and believing in myself rather than fear of consequences and see what happened.

Without leaving the chair, I asked myself what the hell I was doing messing around with a job that wasn’t meeting my needs and I was unhappy in.

On Saturday I applied and tested for a job as an independent contractor to do transcription for an online company.

On Sunday I applied and tested for a job as an independent contractor to do transcription for a second online company and was hired on the spot. I also wrote the publisher of She Writes Press and asked for help with the next step for my book manuscript.

On Monday, when I ran out of work, I began getting qualified (via testing) to do various kinds of transcription through my new job and looked up the resignation process from my current medical transcription job.

Yesterday the second online business hired me.

This morning She Writes Press wrote me back with support, suggestions, a recommended professional who might read the manuscript, and what it would cost.

The fear is not gone. In fact, it’s louder than ever because I’m challenging it on so many fronts at once. The difference is I’m not standing nose to nose with it right now. Playing with the new toy of making choices based on what’s loving for myself gives me another option, which means now I can make a real choice.

Fear is not a bad feeling. We need it to survive. It’s just that mine has grown bloated and swollen on all the power I’ve given it over the years. The bigger it gets, the more space it takes. At this point I’ve become its thing. It thinks it can do as it likes with me.

It’s wrong.

I’ve had a belly full of life based on doing things out of fear. It’s exhausting, demoralizing, joyless and hag-ridden. It doesn’t work well and I’m sick of it. When I think about it rationally, I know I don’t need to beat myself with a stick through every day for fear I’ll become lazy, selfish, etc., etc. If I was going to turn into any of those things I would have done it long ago.

How would it be if I used regard for myself as a motivator and refused to do or not do out of fear? What might a life based on doing things out of thinking well of myself look like? What if I stopped giving anything to fear?

The funny thing is life looks much the same. The difference is largely in the outwardly invisible motivation behind my choices. Am I going to relax with music or a video and stretch because that’s the right and responsible way to treat my tiresome physical needs after a long day sitting in which I earned inadequate money, or am I going to do it because I love the way it feels after a tiring day in which I worked hard, whether I earned money or not?

Life is crazy right now. Everything feels like it’s in transition. I hardly know what to concentrate on in any given moment, there’s so much on the table. Even so, now when I run out of energy in the afternoon I spend a few minutes writhing between making a choice between demanding more from myself out of fear or doing something pleasurable and relaxing. So far, every day I’ve managed to choose rest and relaxation after another wild day.

It appears I’ve begun a new practice. I didn’t know that evening I sat in the chair and cried I was standing on an important threshold. I didn’t know by the end of the week I’d have not one but two new jobs. I didn’t know I was going to finally get serious about putting my manuscript into a professional’s hands and risk failure and rejection. I didn’t know in just a couple of days I was going to begin making a habit out of rolling out of bed and stepping into the day’s embrace with curiosity and a resolve to think well of myself as I navigate, rather than wondering fearfully what would happen next and whether I would manage it adequately.

So far, so good.

Nothing more for fear.

Photo by Stephen Leonardi on Unsplash

All content on this site ©2017
Jennifer Rose
except where otherwise noted

Spoor

Walking on our 26 acres, my path winds around open fields and keeps me out of heavy woods and brush, where ticks are waking. It’s grey and overcast, not raw but damp, a combination of snow and rain coming down and turning my already wild hair into a mad woman’s wig. The surface of the snow is glazed hard in most places, but when I get close to the tree line or streams that trickle down to the river, I punch through it and sink. Walking on the thick layer of leaves under and among the trees is like walking on a sopping sponge. My socks are sodden inside my winter boots.

I see thickets where the deer have slept, melting the snow with their warm bodies, lying out of the wind in the shelter of trunk and branch. I imagine them rising to their feet, squatting in their awkward way to leave pellets and a splash of urine, and then stepping away through the snow with those delicate hooves and legs. Their spoor is everywhere.

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The medical transcription business is wildly unpredictable. One seesaws between frantic pleas from supervisors for overtime because of a sudden flood of work and the dreaded “no jobs available” message upon logging in. As I’m paid by production, no work means no money. Since the new year, work has been slow in the company and transcriptionists and supervisors alike are feeling the stress.

I’ve been thinking about my fear of not enough these days, and how small it makes me and my experience of life. One of the reasons I like to go out and walk is because it pushes against my tendency to curl up in corners and play hours of solitaire while I make up stories about living under bridges and berate myself for NOT PULLING MY WEIGHT and WASTING TIME.

The river is still ice covered, the edges yellowish and slushy. I see animal prints in the snow over the ice, but I wouldn’t dare try to walk on it. As I lean against a tree and look down at the ice-bound river, I hear a nesting pair of barred owls calling to each other, though it’s still early afternoon.

Photo by Vincent Foret on Unsplash

The truth is my medical transcription job is nothing more than a means to an end. It’s all about the paycheck. I take some modest pride in my ability to do an accurate, fast job, but I’m just a pair of skilled hands and ears. One day, when the job and I are finished with one another, I’ll leave no remnants of myself, no track, no scent, no spoor. It irritates me that it has so much power in my life when it means so little.

Water drops tremble on bare twigs and tree branches. The pussy willows are beginning to bud. Cloudy light washes the willow buds and water drops the same silvery grey and I have to draw near to tell the difference.

We’ve lately found a local lawyer to help us update our wills and take care of end-of-life paperwork. It’s made me think about all the fragments I’ll leave behind me, the furniture I’ve loved and polished; the mirror I’ve looked in since I was a child; the books I’ve handled and read in cars, in bathtubs, at tables, in beds and chairs and waiting rooms. All these things will be sifted through, separated, sold, passed on. What money there is will be divided and wind up in other bank accounts or hidey holes or cast back into the flow somehow. Perhaps whispers of me will cling to a few objects, but for the most part no one will ever know I passed this way.

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We have an old shed on the land and snow slide off the roof has blocked the door and partially pushed it open. I’m just able to squeeze in over a thick layer of ice on the threshold, formed by melting snow dripping off the roof.

We cleaned out and swept the shed last fall, but I find pages of paper blown all over the floor, pages of the first draft of my book manuscript. Last summer we had visitors who used the shed, and I’d hoped they would read and give me some feedback. They didn’t, and I’d never found the manuscript when I looked for it after they left, but the winter currents and drafts discovered its hiding place. Perhaps the wind read it as it ruffled through the pages with chill fingers.

It’s odd to see those scattered pages on the cold, splintered floor. The sight of them gives me a desolate clarity. Those written words are the most important thing I have. Working or not working, large paycheck or vanishingly small paycheck, all the objects I love and use and call mine — none of that is really who I am. None of it really matters, though it takes up space in my life. None of it contains the smell of my breath, the taste of my pain or the spoor of my love the way my words do. It’s as though it’s me lying there, discarded, damp and wind strewn, unseen, unread, unwanted. It hurts me.

As I gather up pages, I note where the snow has drifted through gaps in corners. Wrinkled beech leaves lie on a discarded futon, whirled in through the broken window above it. I open a ramshackle cupboard and find a roll of shredded toilet paper and evidence of mice at work, making the most of an unexpected bonanza of nesting material.

I find a bottle cap and cigarette butts on a window sill. More leavings. I know who stood there, smoking, looking out the window. I stood where he’d stood and picked up the butts, knowing his lips were around them, his long-fingered hand had carried them from pack to mouth and then stubbed them out in the bottle cap, a tiny ashtray. I wish for the nose of a wild creature so I could search for the cold, lonely ghost of his scent.

He was here. I am here. Deer crisscross this land we call ours. Mice go about the business of ensuring more mice, and the barred owls carry on their early spring conversation about mating, nesting, eggs and all those mice. We are so caught up in jobs and money and things. We give them so much meaning. The days go by and we alternately struggle and dance through them. But one day we’ll be gone, and we’ll all leave spoor behind, a scent or sign or footprint uniquely and simply ours.

These words are my footprints, my scent, my lingering warmth in the places I came to rest, my spoor. They are signs of my passage and the truest things I have to leave behind when I’m gone.

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Jennifer Rose
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