Today is the Autumn Equinox. It’s cool, cloudy, and damp here in central Maine. My attic windows are open and I can hear acorns falling from our oak tree and cars going by, tires hissing on the wet road.
I’ve been reading The Enchanted Life by Dr. Sharon Blackie, and yesterday I laid the book in my lap as I sat outside in the bright sun and boisterous breeze and cried.
Dr. Blackie’s book is about reclaiming our relationship to the natural world. This process necessarily begins with reclaiming our relationship to our bodies and physical experience. We can’t feel at home in the world if we don’t feel at home in our own skins.
Blackie suggests that each of us is a part of the world, just like a flower, a tree, a bird, or a cricket. I’ve probably read something like this a thousand times in my life, worded a thousand different ways, but I’ve never read it without an automatic unconscious resistance. Others might be part of the world, but not me. I’ve never believed I had anything worthy to offer.
My lifelong feeling of being an intruder has kept me slightly divided from people as well as the natural world. A sense of pure belonging is so rare for me I can count the experience of it on one hand. The water. My children. A crippled cat, long gone. My dance group, also far away and long ago.
As I read about belonging to the world yesterday and relished the beautiful autumn day and the waning September sun, my resistance was unexpectedly absent. The words arrowed straight into my heart. For the first time, I seriously considered that maybe I am not just a tourist, a spectator, someone passing through. Maybe I belong in the world as much as any other form of life.
I realized then I’ve lived most of my life as a sort of apology for existing. I’ve felt gratitude, appreciation, even awe in the presence of the natural world, which I love and cling to. Most of my life I’ve lived in rural areas and revered the landscape, the plants, the animals. Yet I always felt ashamed to be intruding on the loveliness of the natural cycles and seasons and the wild places. As a member of the human race, I felt like a destroyer, a besmircher, part of what’s wrong with the world rather than what’s good and beautiful and natural.
Blackie writes of reciprocity; of listening to the voices of the leaves rustling on the trees and responding with our own voice. She writes about a woman who sings to the jungle, joining in with the myriad songs already there as a rightful part of the ecosystem.
When I touch a tree in reverence, is it touching me back? Is the feel of my hand as sacred to it as the feel of its bark and body are to me?
Healthy relationship is about reciprocity. I know that from my study of emotional intelligence. Communication is reciprocal, which is to say it moves in both directions. Moving fully into belonging, then, would mean not only learning and marveling at the liquid notes of the wood thrush, but sharing my own voice with him. He is in my world, and I’m in his. His song and my song are both part of the chorus of this place. We are, perhaps, woven together.
Could it possibly be that the world is richer for my presence, rather than burdened by it? Might my step, my breath, my voice, my touch, and my prayers be to others what the coyotes’ night song, the morning mist over the river, or the falling leaves and browning ferns are to me?
This shift in perspective is staggering. I don’t quite know what to do with it. It assuages a longing within me to belong, to be more than just tolerated.
When I look around from this perspective, I see gardens existing because of me. A variety of mushrooms grow in and around the compost pit because of me. Herbs, flowers, and vegetables thrive together, feeding insects and birds, creating habitat for snakes, amphibians, and rodents, because of me. There is greater plant diversity in the landscape because of me.
The most remarkable thing about this new perspective is that it lies at the heart of my fiction trilogy. I have a firm intellectual grasp of interconnection; I’ve just never included myself. I’ve been an outsider looking in. I haven’t seen myself as worthy enough to be part of the web.
Writing can be an exercise is discovering intuitive or unconscious truths we have not yet fully integrated. To date, I’ve written 700,000 words about interconnection, but not until yesterday did my heart accept that I’m part of it too, not as a stain but as a uniquely beautiful organism within a tapestry of uncountable other uniquely beautiful organisms. As I touch, hear, see, and smell the presence of others, they touch, hear, see, and smell me. As I communicate with others, they communicate with me, though I may not know it.
Life, the weather, the COVID virus are not happening to me. They are in relationship with me. We are woven together in a changing, dynamic dance of becoming, minute by minute. We belong to each other. I am neither alien nor separate.
I recently came across a Dutch word, ‘voorpret‘, in one of the minimalist blogs I follow. It means “joy or pleasure ahead or in anticipation of” an event.
I was charmed with it. I love language and the feeling described by this word has long been an important part of my life, a part I’ve been ashamed of, largely hidden, and never had a term for.
Anticipating pleasure is fraught with the danger of disappointment. We learn that as children, and we keep on learning it. Our fantasies are often much cleaner, simpler, and more beautiful than real life, when it rains, people fight, someone gets sick or hurt, or events and dates get cancelled.
Many people eventually make an unconscious decision not to look forward to anything out of the bitterness of disappointed expectations and anticipation.
I’ve worked a great deal on releasing outcomes. The practice of ‘however it needs to be, it’s okay with me’, has served me well. I enjoy life more, I stay in my power and build resilience, and I’m able to navigate disappointment more comfortably and effectively.
Still, releasing outcomes doesn’t mean giving up on the pleasure I get out of looking forward to something. In fact, most of my pleasure is in the anticipation rather than in the event itself, or the memory of it. According to this article about voorpret, I’m not alone.
Some people, and I’ve lived with a couple of these, don’t plan. They don’t make dates. They talk about being spontaneous. They say they’ll “forget.” They don’t want to be pinned down or commit to something they might not feel like doing when the time comes. They don’t follow through with plans and they break dates. This hurts, as it conveys to me I’m much more eager to spend time with them than they are with me.
I’ve frequently felt I want too much when I’ve asked others to make dates with me. The idea of making dates and commitments is a boundary problem for people who want no limitations on their access to me. Other folks resent being “pinned down.” During my dating years I felt ashamed of the pleasure I took in looking forward having a meal and seeing a movie, as though I was being ridiculous and childish.
My response to my shame (long before I knew about minimalism), has been to conceal and simplify my pleasure in anticipation.
When I began dancing, I learned to dance small. It’s easy to get carried away in the music, in the wordless, entirely physical expression of feelings, especially if our feelings are strong and pent up. Before we know it, we’re clumsy, out of breath, and have a stitch in our side. At that point, in order to stay with the dance and take care of ourselves, we must dance small , come back to our center, return to our breath, re-inhabit our body and reclaim our balance and movement.
The practice of voorpret, for me, is dancing small. It’s not about big, complicated, infrequent occasions in which the outcome is extremely important to me. It’s about life’s small, daily pleasures, the ones we can give to ourselves without anyone else’s permission or participation. We don’t need a lot of money. We don’t need time off work. We don’t need a suitcase, a new wardrobe, or a plane ticket.
Voorpret, for me, is looking forward to a cup of tea and a good book on the front porch in the morning sun.
It’s a ten-hour, noisy, stimulating, busy day at work and looking forward to my feather bed, cotton sheets, and cool, quiet attic where the night air and moonlight mingle on the slanting floor under the open windows.
It’s making a date with myself on my calendar for an early morning walk when the world is still half asleep, watching the night sky pale into dawn.
It’s a plan to take myself out to lunch after a haircut or dentist appointment.
Small pleasures are everywhere in our lives, if we only look and give ourselves permission to experience them. We can offer ourselves these moments or hours every day like gifts. We can write them on our calendars or put them in our phones and look forward to them, fully enjoying and relishing our anticipation and lingering over them when they arrive. Spontaneous joyful moments arise, too, of course, unexpected moments of delight in which we can relax and rest for a moment.
Now more than ever we need to give ourselves stepping stones through and periods of respite inside the chaos and tension of the world. Many of us are suffering from ongoing stress and uncertainty about every aspect of our lives. Many of us feel overwhelmed by fear and anxiety. Voorpret can balance that out. We don’t need to wait. We can schedule a small, simple pleasure for ourselves today, write it down, and start looking forward to it.
Four years ago someone said to me “women and children should be behind the shield.” The impact of that statement was like a kick in the gut. I was shocked by the way the words made me feel; a tidal wave of fury, grief and despair. It was so overwhelming I didn’t poke at it right away, but ever since then I’ve been playing around with the idea of shields, my version of circling around a potentially dangerous object with twitching tail and ears pricked, curious but wary.
Photo by Bogdan Kupriets on Unsplash
A shield is a piece of personal armor used to actively intercept specific attacks. Traditionally, shields varied in size, shape and thickness and were made of wood, animal hide, woven reeds or wicker. Shields have probably been around as long as we have.
A shield implies protection.
I think my initial reaction to the phrase “behind the shield” was painful because of my fierce, primitive longing for the kind of protection and safety that image implies to me. I’ve always been hypervigilant and concerned with identifying safe places. I know where the exits are, physical and emotional. I maintain bolt holes, if-the-sky-falls plans and a high degree of independence and self-sufficiency.
Because my own anxiety and fear have been such sources of private and mostly hidden anguish, I’m extremely sensitive to others who suffer in the same ways, either specifically or generally. In the days when I was doing volunteer fire and rescue work, I frequently took the role of lying on the highway in the glass, spilled gas and ruins of a vehicle calming and reassuring a trapped victim, monitoring a pulse if I could get to a pulse point, explaining what was happening as we tried to extricate, establishing responsiveness and orientation and taking a history while the fire department deconstructed the car around us and the EMTs and paramedics passed me pressure bandages, a blanket or anything else that was needed and we had room to use.
Photo by Jordan Whitt on Unsplash
In short, I give others, animals and human, the kind of calm reassurance and protection I’ve always craved myself.
It might be this longing is buried within all of us, a kind of deep and primitive desire to return to the ultimate safety of the womb or a longing for the in-arms experience every baby needs and has a right to receive. Except that the womb is not always safe, and many of us do not get sufficient in-arms experience as babies. It might be that I’m uniquely broken in this, but I doubt it. I suspect much of our irrational and destructive behavior has to do with trying to feel safe, sheltered and loved, including sexual and behavioral acting out and addiction.
In any event, my desperation to be shielded motivated me to become a willing shield for others. This adaptation was greatly assisted by being female and then further strengthened when I became a mother.
Photo by James Pond on Unsplash
I never thought of myself as a shield. It never occurred to me such a role was a choice. I defined myself as a protector, a nurterer, a figure of maternal and female strength, a life-giver and a peace maker. I thought of myself as a good woman. I automatically placed myself between the harsh edges of the world and those I loved. I protected my husbands and partners from the necessity to deal with anyone else’s needs (including my own) and threats to their egos (including me). I protected my sons from the immaturity and selfishness of my husbands and partners. I tried to protect people from their mental and physical pain, from the consequences of their choices, from their own feelings and from any other irritation, hurt or harm.
Shields were originally made to protect from specific kinds of attack, but I tried to shield others from all kinds of danger: blade, arrow, blunt weapon, words, pain, consequences, inconvenience, feelings and worry. I was determined to be a perfect shield for all my loved ones.
Predictably, I failed, and nobody likes a shield that fails. I regularly heard about my inadequacy.
No one ever suggested to me that I protect myself, and no one invited me behind their shield, even for a rest. I approached every relationship with a craving to be taken care of, to be held, to be loved. I believed in romance and part of romance certainly included being taken behind the shield of some kind, competent man. If you’re thinking this was needy and dangerous behavior, you’re right. Somehow, I always ended up with one more person in my life I needed to shield, instead of the other way around.
The inability to trust and the craving to be protected and cared for can tear a woman apart. I’m certain there have been people in my life over the years who wanted to give me safety and security, but I refused to let anyone get that close. I don’t want to rely on anyone. I’ll go to great lengths to avoid asking for help. At the same time, I’ve spent much of my life working happily with children, animals, in hospice and as a first responder.
For a long time I thought if I could get a good enough job and earn or save enough money I’d be safe, but I was wrong about that. We live well below the poverty line, but I feel safer now than during any other time in my life. I’m also less concerned about money than I’ve ever been before. Money is not safety. I also thought if I could just find the right home I’d be safe. I found the right home and discovered that wasn’t the solution, either. Wrong again.
Since I came to Maine, everything has changed. Now I live in a situation that does not require constant emotional labor. I live with an adult who does not need or expect me to protect him. I have found reciprocal relationships.
This morning, as I went about my daily breakfast routine, it occurred to me that I’m no longer looking for a shield to crawl behind. The need for safety doesn’t drive me now. I’m not even sure I know what I mean by safety. What is the threat I’m trying to protect myself from? Aging? Poverty? Being unloved? Abuse? Getting my feelings hurt? A blow to my pride? Abandonment? Betrayal? Internet trolls? Loneliness? Crazy people with guns? Illness? Death?
Yes. All these and more. And most of these have already happened, some more than once, or are happening right now.
In spite of that, I’m okay. I’m better than okay. I’m great. I’m resilient. I believe in my ability to survive and thrive. I don’t mind aging and I’m not afraid of death. I’m emotionally intelligent and I understand power dynamics. I’m as safe as anyone, and a lot safer than millions.
Photo by Miranda Wipperfurth on Unsplash
I have my own shield now. I made it (without knowing what I was doing) out of dragonfly wings, cobwebs, stardust and the sound of bats flitting around my head in the dusky barn on their way out to hunt. I made it out of integrity, passion, dance, laughter, creativity, ritual and spirit. There’s room behind my shield for others to rest, breathe and make shields for themselves, but I’m not spending my days searching for those in need of such a shelter. I can’t make a shield for you or even my most beloved to carry. I can’t keep everyone or anyone safe. I can’t shelter the world.
The only person in charge of my safety is me. The only person I have a responsibility to keep safe is me.
I am not a shield. I don’t have to take the blows or go to war. I don’t have to buffer, neutralize or ameliorate the experience of life for others. I don’t have to prostitute and beg in order to be dragged behind someone else’s shield. I made exactly what I need for myself, and no one can take it away from me.
Knowing I have what I need, I’m no longer approaching interactions with others from such desperation to be cared for. I still don’t like to ask for help, but I’m practicing doing it anyway. I’m much better at taking care of myself and no longer put the needs of others before my own. I’ve developed useful coping mechanisms that help me feel safe.
Photo by Robert Zunikoff on Unsplash
We all construct shields emotionally, intellectually, behaviorally and with our choices. None of them really protect us from our fears or the experience of life. There is no way to shield against generalized fear and anxiety. It’s counterintuitive, but the best path I’ve found to feeling safer and more secure is to drop my armor and open my arms to my fears. I don’t know why that works, but it does. Monsters are ten times larger when I’m running away from them. When I run toward them they shrink before my eyes, and sometimes they even run away from me. That’s why I build my shield from things like iridescent hummingbird feathers and milkweed fluff. It won’t stop a harsh word or a bullet, but I carry with me joy, wonder, awe, mystery and beauty. My shield is a story of love and a story about what makes life worth living. It reminds me to stand tall and unafraid, looking life in the eye, confident in my ability to endure, heal, laugh and learn.
In the used bookstore in which I volunteer, I found a slim paperback book of poetry, modestly and plainly bound, entitled A Gypsy’s History of the World, by Kim Robert Stafford. It called to me and I bought it for $4.00.
Photo by Syd Wachs on Unsplash
I had never heard of this poet, but he turns out to be quite well-known and has published several books, which I’ll be looking for now. In the meantime, this book is filled with treasures.
For a couple of days I’ve been groping for this week’s post. Sometimes they come so easily, these posts. Other times I flounder. It seems that the more I have going on, the harder it is to come up with a focused essay. Irritating, but writing can be like that.
When I listen to the sound of my life this week I hear a cacophony. There are the half-excited, half-apprehensive feelings I have as the night approaches on which I’ve scheduled a local venue to once again try to start a dance group. (Will I be a good leader? Will they like me? Will anyone come?) There’s the increasing pressure I feel to find a way to earn a paycheck. There are new friends and our conversations as we strengthen our connections. (Am I talking too much? Am I offensive? Am I too blunt? Do I ask too many questions?) I’m preoccupied with family dynamics and past, present, and future possibilities and fears. (What’s the right thing to do? What’s loving? What’s useful? What will people think about me? How do I take care of everyone’s needs and expectations? How much irreparable damage will I do if I make the wrong choice?) There are my weekly activities and appointments. All the material of my daily reading swirls in my head, awaiting synthesis and integration.
In my creative world, I’m with Pele, the Earth-Shaper, sensual, passionate and angry. This week others will come to dance with her, to make offerings, to propitiate and reconnect. Revolving around her are other characters: Rumpelstiltskin the dwarf; Poseidon, the Greek god of the sea; a little brown bat called Ash and his companion, a bark beetle; the eldest of the twelve dancing princesses, Ginger; an old woman, Heks, apprentice to Baba Yaga; and Persephone, who comes to drum for the dance.
All this, and I can’t come up with a thing to post about.
I know this dynamic. The more pressure I put on myself, the harder I try, the more elusive inspiration will be.
Photo by Pascal Müller on Unsplash
It’s a foggy morning here in Maine. Foggy and oppressive with high humidity and a threat of severe weather this afternoon. I’m planning on meeting a new friend for a walk and then I’ll swim. I decided to stop trying to write a post. I turned off all the lights up here in my little attic space and lit a candle. I picked up A Gypsy’s History of the World and turned back to the beginning of the book.
A dream flips me into the daylight. I pry my way back: a door opens, I enter, never escape; the jailor sings by morning duets through the bars with me. I wake and out my window by dawn a blackbird sings and listens, sings and listens.
Listen. Thistledown jumps its dance in the wind. I’m small and have no regrets. Yesterday is a temporary tombstone, a hollow stalk on the hill. I’m putting my best ear forward; in the space between songs I’m travelling. My hands make whistling wings in the wind.
No things meet without music: wind and the chimney’s whine, hail’s click with the pane, breath in a bird’s throat, rain in my ear when I sleep in the grass. I miss the whisper of a swallow’s wings meeting the thin air somewhere far. Branches of my voice, come back. Inside each song I’m listening.
At once the cacophony in my head faded away, no more than the murmur of the trees and breeze or the ocean’s breath. For a few minutes, I thought about being small and having no regrets, let alone imagining future regrets. Yesterday and yesterday and yesterday, all temporary tombstones. All my yesterdays add up to almost 20,000 hollow stalks on a hill. And yes, activities and schedules, efforts and appointments, hopes and fears, words and information, friends and family, the way the shadowed ceiling looks in a sleepless hour and the path of silent tears on their way to my pillow. All of that. But I forget about the space between all those songs. I forget that I’m traveling through this place, this life, and these landmarks.
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Sometimes I forget to just listen to life’s music, just witness, just be present and still. Sometimes I forget to fold my hands in my lap and watch the wavering shadows the candle makes inside the song of my life. The song will not be endless. One day it will be yesterday’s song, held in a hollow stalk on a hill. I can’t reach out my hand and clutch it, pin it down, record it and make sense of it. I don’t need to. I don’t want to.
After years of interest, last autumn I finally found a Tai Chi teacher. I approached learning Tai Chi with hopes and expectations about the benefits it could provide, but I was unprepared for the power of the practice and how important it would become in my life.
Photo by Mark So on Unsplash
Tai Chi is a form of Chinese martial art intended to teach defense and support health. It’s a multilayered practice, elegantly complex. Learning the gross motor movements is only the first baby step. One layer is connected to and leads to the next. Tai Chi is not a linear activity to learn from beginner to master, but a dynamic, fluid practice best approached with humility every time. It’s constantly challenging in new ways, depending on what my state of mind, body and spirit is on any given day.
The Tai Chi I practice is called 24 forms, all of which gradually blend into one smooth, flowing whole with practice. The forms have delightful, poetic names like The Crane, Windmills and Clouds.
Tai Chi is about finding one’s center, physically and emotionally, and building on the strength and balance residing there. In order to facilitate this, one crouches slightly with bent knees throughout the whole routine. This is obviously quite challenging, and for some people impossible. However, with proper foot position, body dynamics and a crouched stance, we can immediately feel the solid, stable center at the core of every Tai Chi form. Crouching for long periods of time immediately informs us about the strength of our ankles, knees, hips, hamstrings and quadriceps, information we might not otherwise receive as we move upright through the world.
Crouching assists with balance because it lowers the center of gravity. Many people take up Tai Chi to support balance issues, in fact. Several forms require balancing on one foot or another with the supporting knee bent. This, too, can be unexpectedly challenging. Once again, our body has a story to tell we might not otherwise hear as we move normally. I’ve always been aware I have sloppy posture, but I’ve been habitually lazy about doing much about it. Tai Chi demands I stack my bones on top of one another and tuck in my tailbone. If I don’t do that, I can’t balance. I notice I now move through the rest of my life standing tall, with more grace and confidence and better posture. I don’t slump, crowding my lungs and abdominal organs. I don’t tilt or lean. I know where my pelvis is and I stay over it. My back is happier. I feel better.
Every movement counts in this practice. Each foot is placed just so in order to support a fully centered crouched stance. Shoulders, wrists and elbows stay in line with several of the forms, which necessitates holding arms straight out from the shoulder. My arms ached for months as I built strength, and I’m a strong swimmer who works out in the pool once a week. One form requires placing toes down and heel up, and another the heel down. At times we turn on our heel, and at other times our toe. In one form we turn one foot on the heel and the other on the toe at the same time. Everything about Tai Chi leads me inward on a spiraling journey of deeper focus and mindfulness.
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It’s amazing to practice over time and begin to feel the forms smoothing out into a cohesive routine with some kind of elegance and grace. Such fun and so rewarding. Then, however, the instructor started to talk to us about our eyes. It turns out every form requires a very specific eye gaze, often on our hand movements. I was doing well with balance, but when I took my gaze off the middle distance and looked at my hand in front of my face, I lost my balance. This was advanced balance. I added in the appropriate eye gaze and started all over again with balance.
Then, the teacher began to talk about breathing. Crap. I hadn’t even thought about my breathing! Breathing is connected to energy, and Tai Chi was originally a practice for working with energy as well as defense. All the forms have to do with pushing, pulling, deflecting or defending. Now that we had some mastery of the physical challenges, we began to work on feeling our field of energy and moving it with our bodies and breath. A push is an exhalation. A pull is an inhalation.
Breathing then leads to pace and rhythm. We practice Tai Chi to meditation music — very slow. Balancing on one leg is not so hard when you do it for two or three seconds. Balancing for sustained periods of time, especially with a bent knee, requires a lot more strength and, well, balance! Every movement takes far more concentration when slowed down. This is one of the few activities I’ve ever done where the goal is to slow down. We seem to be running faster all the time, overstimulated, overscheduled, multitasking, trying to earn more money, perpetually on call via technology. We’re all in pursuit of … something. What? Does anyone ever find it? Is it worth the cost of the chase?
Photo by Chris Ensey on Unsplash
Tai Chi demands we slow down. In that slowness we discover our fatigue, our aches and pains, our half-healed injuries, our distractions and our distress and unmanaged feelings. We remember our center. We recover our balance. We make time to breathe.
Some people call Tai Chi a moving meditation, and I now understand why. When I’m practicing Tai Chi, I’m not doing anything else. When I’m walking or swimming my mind goes right on with whatever it’s busy with. Those activities are good for creative inspiration, prayer and processing feelings. Tai Chi, though, takes me to a deep, restful, quiet place of no thought, focus and present mindfulness, so rich and so empty. It opens the door for awareness, too, of the degree to which I’m captive to distraction. The instant I’m distracted by a sound or a stray thought, I lose my balance and center, I lose my breath, I lose the flow and I don’t know where I am in the forms. I think of myself as fairly focused, but I’m just as susceptible to distraction as anyone else, and I don’t want my life to become an uncontrolled blur of noise and stimulation in which I forget there’s anything but distraction. Tai Chi brings a precious and necessary balance into my days.
All these layers have brought health and healing into my life, but the greatest grace Tai Chi brings me is the opportunity to be in the body. I’m saddened by the ever-more strident body politics in our culture. I don’t remember a time in my life when it seemed so many people were locked in self-hatred and hatred of others based on some kind of physical characteristic. It reflects in our suicide and addiction rates, and it touches each one of us. We no longer honor the sacred feminine and masculine, we have few invitations to fully inhabit ourselves physically, and no one encourages us to honor and respect our physical form as it is.
Just like dance, Tai Chi calls us home to ourselves. My home is not nipped, tucked, plucked, lipo-suctioned, dyed, shaved, made-up, compressed, surgically reconstructed or uplifted. My home is my oldest friend, my most loyal companion, the loyal record keeper and diary of childbirth, breast-feeding, menopause, a lifetime of Colorado sun, slipped kitchen knives and barbed wire fence. My home is lines and wrinkles, lumpy thighs, softened breasts, grey hairs and thinning skin. This amazing, adaptable, resilient, hard-working body is the shelter and haven for my spirit.
I often move a chair aside, open the windows, take up the sheepskin rugs lying on the wide plank floor in my attic space, shut the door at the bottom of the stairs, turn on music and take off my clothes to practice Tai Chi. I like to look down at my bare toes and toe ring on the sloping grey-painted floorboards. I like to glance at my strong knees and make sure they’re in line with my heavy ankles. I like the gentle slope of my belly, cross-hatched with silver stretch marks, under which two children grew into life. I like to stack my bones carefully, tuck in my tailbone and feel the subtle realignment that opens up my center and my balance. I like the clench, pull, stretch and relaxation of my muscles. I like the combination of strength and loosening skin and flesh as I move my arms. I’m grateful for the ability to breath deeply, and the ability to sweat. I relish the air coming in the windows and touching my bared breasts.
We started with a large Tai Chi class, and over the weeks and months people dropped out, one by one. I suppose for some it wasn’t a good fit. For others it wasn’t a priority. Still others were discouraged by their physical limitations, in spite of the fact that the instructor was and is eager to modify the practice to accommodate anyone. One lady had trouble with balance but was unwilling to stand next to a chair for safety and support. Others were ashamed of their weight, their muscle weakness and/or learning a new thing in public. It made me sad. I think many would have benefitted if they could have moved past their shame and self-consciousness, and if they’d been willing to work with their physical reality instead of resenting and arguing with it.
Our Tai Chi group is small now, but we’re good friends. We laugh a lot. We learn from one another. We greet and part with hugs and affection. We enjoy the music; share our distractions, worries, aches and pains and support one another in centering, grounding, calming and mindfulness.