Have you ever had a dream of finding an undiscovered room in a familiar house? I have, several times. I like those dreams. A large piece of furniture moves aside, or I walk into a room I know well and find a new door in it.
Last weekend, my partner and I went to our small local theater and I saw Book Club while he went happily off to Deadpool. (Honestly, I’m so tired of comics, superheroes, space adventures, special effects and unending battles and chases. Whew. It felt good to say that.)
The movie was a relief. I didn’t have to spend most of it with my eyes shut trying to filter out the entirely overstimulating and, at the same time, boring hyperactivity, and it wasn’t excellent. It didn’t require anything from me except to sit back and relax.
No spoilers and this is not a movie review, but Jane Fonda tries way too hard. Instead of marveling at her artificial youthfulness, I felt rather sorry for her. There was also a lot of unnecessary drinking. It didn’t add anything to the story. Some of the humor was more of a wince than a chuckle, but there were some truly funny moments. The writing was a little inconsistent. It’s a movie about connection and being an aging woman.
Overall, I could relate to these four women and I found the movie oddly touching in an unexpected way. I’ve been thinking about it ever since, in fact, trying to understand why it made me feel so bittersweet.
It has to do with giving up. Well, not really. Not giving up, exactly, but settling. No, that’s not quite right, either.
It has to do with gradually forgetting to entertain possibility.
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We inhabit our lives like a house. It’s a finite space, and we’re intimately familiar with the floorplan, the closets, the windows and the doors. Our house is defined by ourselves and the way we live, and it’s also defined by the external world and people around us. Outside our house is a world where all kinds of potential physical and emotional harm crouches, waiting for us to take a risk and leave our shelter. Outside our house is a wilderness of Unknown.
When we’re young the house of our life is new and exciting. We experiment using the space in different ways. We begin to figure out what we like and don’t like, what works well in our lives and what doesn’t, who we can live with and who we can’t live with. We gradually accumulate furniture in the forms of memories, scar tissue, hand-me-downs, beliefs, and new stuff we find all by ourselves.
The years go by and we learn a lot (hopefully) about the way the world works and who we are. We notice an ever-enlarging population of people younger than we are.
Then, one day, we’re in our fifties. Then our sixties. Then our parents are old. Not older. Old. How did that happen? Then our kids are as old as we were when we had them. It’s entirely disconcerting. We begin to think of ourselves as middle-aged and secretly feel older than that a lot of the time. Then, if you’re a woman, comes menopause, which, just as the onset of menstruation changed everything in the beginning of our lives, remodels our house.
For one thing, we need to tear out the heating system and replace it with cooling and fans.
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By this point in my own life, I’ve made a lot of choices and taken notes on how they worked out. I’ve made decisions about what I will and won’t do, and about what I am and am not interested in. I’ve decided what dreams to discard and interests to drop, because I’m out of time, energy or both. I’ve decided I know exactly who I am, what I’m capable of and what I need and want. I have an entirely private (because it’s shameful) list of things I’ve given up on.
Book Club speaks to the ways in which we begin to limit possibility as we age. In my case, it has nothing to do with age, though. I’ve been slamming doors behind me my whole life. When I was 18, I turned my back on high school. When I was 20, I left residential college, never to return. When I was 21 and got married, I gave up on dating or looking for love. When I was 27 and had my first child, I stopped dreaming of freedom and adventure.
And so on.
Of course deciding we’re never going to do something ever again practically guarantees the Gods will throw it back to us sooner or later, giggling. Now when I hear myself say, “Never again…” I can smile.
An even darker aspect of refusing possibility has to do with the dreams and desires we’ve never fulfilled. I’ve always struggled with financial scarcity. I tell myself nearly every day I’ll never be financially successful, and it doesn’t matter, because I have a good life, I have what I need, I’d rather have my self-respect and integrity than be rich (note the belief one can’t have both), and it’s not a big deal. I say all those things to myself because I don’t see any possibility of financial security. If I haven’t found it following all the rules and working so hard, then maybe I don’t deserve it, or it’s just not something I can earn or have. I don’t want to live the rest of my life hoping for something that never happens.
The story I tell myself is I’d love to find a great job where I could contribute my talents, do meaningful work, be part of a team and get adequately paid. I’m always watching and listening for that job. But I know I’m too old, the things I love to do will never pay well, the kind of thing I’m looking for wouldn’t be here in rural Maine, and I’ll struggle to maintain adequate housing and feed myself forever.
If there’s no possibility, I can work on accepting what is and try to be peaceful.
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Book Club was redemptive. It reminded me possibility still exists for me. I’ve done things in the last five years I never imagined doing in my wildest dreams. Why do I think it’s all over now? Why do I make so many iron-clad assumptions about the size and shape of my house? Why am I deliberately trying to ditch my dreams? Why do I think of myself as a food item on the pantry shelf with an expired sell-by date?
Am I too old and jaded to invite miracles? Am I too worn out to move a piece of furniture (a bookcase, what else?) and discover a door behind it I never saw before? I know I’ve yet to discover my highest potential.
Maybe I’m just not very brave. I don’t want to fail anymore. I don’t want to be disappointed or feel I’m a disappointment, ever again. I don’t want to be let down, or hurt, or stood up or rejected. I don’t want to look like a fool. (I don’t mind being a fool, but I don’t want to look like one.) I don’t want to be scared.
I don’t want to play power games with people.
Perhaps this is the crust of old age, this gradual accumulation of weariness, scar tissue, limiting beliefs, and physical changes that keeps us sitting in our familiar, safe house, where the edges and boundaries are well-defined and unchanging and we control the dangers of possibility.
Some people successfully shut out life, or shut themselves away from it. I’m never (there I go again) going to be able to pull that off, though. I’m too curious and too interested. An overheard remark, a movie, a conversation, a book or even a song lyric invariably comes along and kicks me back into motion when I’m threatening to lock myself permanently in the predictability and safety of my house. Then I begin to write, and the walls waver and shimmer, new doors and windows appear, a corner of the roof peels away to show me the sky, and I remember I’m still alive, still kicking, still wanting and needing and still, in spite of my best efforts, dreaming of possibilities.
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Selchie: A mystical creature who takes the form of a seal in the sea and a human on land.
I have a picture book from my childhood called Greyling, by Jane Yolen. It’s one of my favorite stories, by one of my favorite authors, and I’ve told it as an oral storyteller for many years. When I began doing storytelling, I sought out all the selchie stories I could find and incorporated them into my programs.
I rarely tell a selchie story without fighting back tears.
I’ve lately revisited this wonderful material for the second book in my Webbd Wheel series, and it occurred to me to explore why these stories touch me so painfully and deeply.
Selchie stories appear in the Hebrides, Iceland, Orkney, Scotland, Ireland and the Faroe and Shetland Islands. Like all lasting oral traditions, they contain blueprints for navigating loneliness, exile, love, loss, competition, compassion, trust and power. A good story has many facets.
A common thread in selchie stories is that a seal comes to land, takes off its skin, and becomes human, usually a beautiful young woman. Subsequently, the skin is stolen by a man and the woman entrapped. In many of the tales, she marries the man who has her skin (always a fisherman) and bears his children. Sometimes her husband promises after a certain number of years he’ll allow her access to her skin again, but he doesn’t follow through for fear of losing her. Inevitably, the skin is found, often by a child, and returned to the selchie, who must then face a choice between her life with her family and her life in the sea.
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It is this choice that makes me weep. I know the agonized longing for what we are made of but can’t ever quite find.
As I observe the world and people around me, I think many of us feel in some way exiled from who we were born to be, from a place, from a tribal connection, from some integral expression of self. I believe this exile creates such an unbearable hunger we grasp at anything within our reach in order to appease it, becoming addicts, developing eating disorders and body dysmorphism, and struggling with anxiety and depression. We live in a culture of distraction and entertainment. We’re busy, noisy, exhausted, and inundated with information, stimulation, propaganda, manipulation and demands.
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We want what we are made of, but how do we find what that is? Why is it taken away or withheld from us? Why are we so often forced to choose between one thing we’re made of and another? This all lies at the heart of selchie stories, for the selchie is a creature torn between two worlds and two tribes, and we instinctively recognize this conflict.
Choice is so often grief. If a selchie re-dons her skin and goes back to the sea, she cannot return, for she already knows the terrible cost of losing her skin, and though she may love her children and even have grown to love the fisherman she’s with, she cannot trust him. In returning to the sea, she is joyous, but now the grief of leaving her children and the life she made on the land replaces her longing for the sea.
I was with a man who avoided choice. He said he didn’t like to choose one thing in case something better came along. My experience of this was that he didn’t want to commit. It meant we couldn’t plan a date, a weekly ritual or even a walk. If we did, he frequently cancelled at the last minute. It was painful for me, and it frayed our connection considerably as I vacillated between hurt and anger. Eventually, I gave up and made my own plans. I told him that his maybe-I-will and maybe-I-won’t approach didn’t avoid a choice but was a choice. He refused to take responsibility for that, and he was bitter about the choices I made subsequent to his.
I’ve also been with partners who believe we can have it all. One man walked away from any situation in which he couldn’t have his cake and eat it too. It was a point of pride with him. He didn’t see why he shouldn’t have it all, and, as far as he was concerned, the world (and I) owed him that. Looking back, I see this as just another evasion of the heartbreak and consequences of having to make choices.
I think very few of us have the luxury of having it all. We come together and move apart, searching, fleeing and climbing ladders we hope end in success. Many of us feel rootless in terms of place and tribe. We don’t really feel we belong anywhere on a map, and we have no rightful place in a human circle. We do the best we can, a choice at a time, and over the years those choices and their consequences teach us who we are and turn us into adults.
What we’re made of is not necessarily what we’re born into. What we’re made of is not necessarily the place we live in, the people surrounding us, the job we have, the clothes we wear, the car we drive or the color we dye our hair. What we’re made of is not always who we want to be, who we insist we are or who we’re expected to be. Discovering what we’re made of is an excavation of our dreams, our souls and our joyous bodies. Many of us spend our whole lives finding one piece of ourselves at a time, stumbling, groping, picking up and discarding, searching blindly in the dark with nothing but our feelings to guide us.
On one particular day of no special consequence, my small toddling self, clothed in a yellow bathing suit with white trim, was lifted into a pool of water as big as the sea. From that day to this I’ve loved the water, and during occasional long, dry spells without access to swimming I dream of water and wake myself weeping with the anguish of my longing.
I’m a creature of water. It’s part of what I’m made of.
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For some years I lived in a city and laid awake at night watching headlights move across the ceiling and walls, straining to hear a precious moment of silence in between the sound of cars and sirens and too many restless people moving through the pale night. I dreamed of high, snow-covered mountains under starry skies and the peace of trees in unbroken darkness. Every day I died a little more, but I knew in my heart one day, one day I would leave the city and live in the shadow of the mountains I dreamed of. A thousand nights later I freed myself from the tentacles of that city, but I also left behind my marriage and the father of my children, my belief in happy-ever-after, the most lucrative job I ever had and the good wife and mother I wanted so much and tried so hard to be.
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At last, I slept in the shadow of snow-covered peaks in a small mountain town without pavement and street lamps and sirens. When I awoke at night, I heard the cry of the vixen, the rushing wind, the owls calling to one another, the sound of the bear eating apples from the tree outside my window, or the raccoons cavorting in the tops of the pear trees like furry pirates.
I did not have it all. I had another piece of what I’m made of. I chose it, and I paid for it. I’m still paying for it, twenty years and thousands of miles later, and whatever the cost, it’s worth it. I cannot live in the city.
By the time my life is over, will I know everything I’m made of? Will I have lived with enough courage to choose what I’m made of, come what may? Will living true to what I’m made of sustain me? Will I ever find my own sealskin wedged between rocks, or locked away in a chest, or hidden in the thatch?
Reclaiming what I’m made of, one choice at a time. My daily crime.
The selchie lives in a small cottage on the shingle beside the sea. She lives with a fisherman whose face is carved with a lifetime of loneliness that she has relieved. She and her children gather seaweed and driftwood, mend nets and dry fish and watch for the fisherman’s return, lighting a lamp and setting it in the window to welcome him home in the evenings. She lies with her man at night and listens to him sleep, and the waves come in, and the wind sighs through the beach grass, and she thinks of her sea kin and wonders how it is with them and if she’ll ever see them again.
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The selchie takes the folded sealskin from her child and holds it to her breast, weeping, smelling its fading perfume of fish and sea, rubbing its softness against her cheek. She tells her children she loves them, but she must leave, and they clutch at her hands and her skirts, crying, not understanding what is happening. She tells them they will see her again, but in a different form. She cannot stop to explain, lest the fisherman return and her chance for freedom is lost. She stumbles out of the house, casting aside her clothing as she goes, until she stands naked in the surf and steps into the skin. The children follow, stricken and wailing, pleading with her not to leave, but her need for what she is made of is even greater than her love for them, and the surf takes her gladly in its embrace and carries her out. She looks back one more time, her great, dark eyes full of tears, before she dives into the arms of what she is made of and disappears.
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It occurred to me this morning that, in general, I’m still confused about what I want.
I’ve had a tumultuous history with my own wants. At some point, very early, as I was learning to be a people pleaser, I gave up wanting anything because I thought it was bad. What I understood was that everyone else’s wants were far more important, and it was my more-than-full-time job to provide those wants rather than selfishly have my own. With rare exceptions, that’s been my modus operandi my whole life.
When I went through a life coaching and emotional intelligence program, my coach suggested I had a perfect right to get my needs met, and he defined some of my “wants” as needs, for example my longing for community and connection. I was enraged. Nobody had ever before made such an outrageous proposal. He clearly didn’t understand the terrible vulnerability of needing or wanting anything from anyone. Having the right to get needs and wants met was the most ludicrous, dangerous piece of heresy I’d ever heard.
That was four years ago, and I’m as angry about it now as I was the first time I heard it.
I also can’t leave the idea alone. I think about it all the time.
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I picture my needs and wants as a snarling chained wolf with blazing eyes, nothing but matted grey hair over bones, backed into a tight corner, determined to go down fighting.
I grieve, literally, to admit I chained it there myself. I chained it without food, water or shelter, and walked away — for decades. During those years of neglect, it starved and thirsted. It suffered alone with no help, no hope, a solitary prisoner.
I’ve done a lot of animal rescue work in my time, and I know sometimes an animal is just too far gone to rehabilitate. Sometimes you can save their bodies, but the abuse and neglect they’ve suffered has damaged their will to live and their ability to trust and connect, and rescue comes too late. Sometimes, against all odds, some strength of heart or spirit survives and an animal accepts affection and care, but its body is too starved or broken to heal.
Part of what I’ve been doing since I’ve come to Maine is to try to rescue my chained wolf, this piece of self I rejected, denied and tried to destroy.
It’s a long process, filled with grief, shame and anger. It takes determination, patience, and the willingness to own my history, my pain and my choices, as well as consenting to my responsibility for my own self-healing. Overcoming internal taboos is desperately hard work, and Wanting is one of my oldest taboos.
Sometime last year I wrote a list titled “Things to Want.” It was short and consisted of necessities, mostly. After a lot of hesitation, I added two things that were not necessary but I just … wanted. It felt wrong. It felt shameful. I left the list on my desk and over the following days and weeks I looked at it as I went about my life. About eight months later I bought one of the unnecessary things, a perfumed body oil I love. It cost about $25.
It was like offering a little bit of bland food to my starving wolf, pushing it near with a stick so as to avoid getting mauled. Not so much food as to make it sick, but a place to start.
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This morning, in the pause of winter and our first big snowstorm, my partner and I talked about our plans, our dreams, and our progress. Later, I went out to walk in the snow and I suddenly saw another layer to wanting, another step closer to making amends to my chained wolf.
Wanting is just the beginning. Making a Christmas list is only the top step. What’s the list under the Christmas list, and the list under that? What is it I really want, independent of anyone else? What about the dreams I hold in common with no one, that are just about and for me? If I was free — If my wolf could bound through the snowy landscape and disappear into the Yule forest — what would I want? If we could escape judgement, our own and others’; escape for a moment our stories and labels and self-definitions; escape family, social and tribal expectations; escape our ideology (most imprisoning of all) and want, honestly, nakedly, with all our hearts, what would that Christmas list look like?
In other words, it’s not about the perfumed body oil (Aphrodisian Fire, by the way, from Kate’s Magik). It’s about touch, scent and caring for my thinning skin. It’s about deliberately honoring my own feminine sensuality.
I don’t need any particular product, cosmetic, clothing, gizmo or piece of technology in order to honor my own feminine sensuality, although there are plenty of things to buy that might support that want, including Aphrodisian Fire, but I see now those are really just symbols. I have the power to honor my sensuality in the way I live — in the choices I make about who I connect with and how, and how I treat myself.
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Santa hasn’t got my choices in his sleigh.
I’m very attached to the dreams my partner and I hold in common. I love our vision, and I’m invested in it. It’s going to take a lot of money, and we don’t have that right now.
Maybe we won’t ever have it.
Maybe I was a damn fool (again) and I should never, never, have listened to someone who says it’s okay to have needs and want them met. Maybe I should walk away from my wolf again, and this time never come back. Let it starve to death.
But maybe our grand vision and plans are only the top layers of what I really want. Maybe the plan is the wrapping paper around the real treasures of self-reliance; living as part of a complex, self-sustaining system; building independence from the energy grid and a culture I largely can’t support; fostering community and trusting in my greatest joy … writing.
I don’t have to wait for the plan to happen to have those things. I don’t need money. I don’t need to wait for someone else. I don’t need to brutally imprison or eliminate my wants and needs. I can be learning, building and transforming my life right now, today, from the inside out. I can, day by day, draw a step closer to my wolf with food, with water, with a gentle hand and with compassion, and maybe, one day, come close enough to remove the chain and let the poor creature go free and wild into the world, wanting and needing as it will.
So, I’m making a list and checking it twice. Or three times. I’m peering underneath the items, things, objects, stuff on that list. What is it I really want? What am I really longing for? And if I look under that, what do I find? What are the deepest wants and needs?
Merry Christmas, everyone.
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I read a blog post a few days ago titled ‘Romance Ruins Real Love’.
The post reminded me of a conversation I had with an old friend some years ago. She said her favorite part of relationship was the first weeks, when everything is romantic anticipation and excitement. I remember how violently I disagreed with that view, though I didn’t say so to my friend at the time.
I never trust romance, because I don’t equate it with love. Even as a child, I was suspicious of princes on white horses. As an adult, I want a relationship that survives the flu, a broken toilet, a week-long power outage, job loss, poverty, a car accident, a road trip, moving house and painting a room together. Anyone can dress up, buy flowers and make a reservation, given adequate time, money and motivation. Anyone can make love with words. Many can show up for a great night between the sheets. Most of life, however, consists of day-to-day challenges, tasks and unexpected stuff that no one can prepare for, and that’s when we find out what we’re made of, as well as what those around us are made of.
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In spite of all that, I hunger for romance in my life. I always have.
I realized this week I couldn’t come up with a succinct definition of romance. I could write lists of what I find romantic, sensual or sexy, but how do those categories overlap into a central core of what romance actually is? As I sat down to begin this post, I grabbed my Random House College Dictionary and was absolutely shocked at what I found.
Romance: A baseless, fanciful story; a love affair.
Wait, what? What about palpitating bosoms and muscled, shirtless heroes and wine and roses and diamonds? What about bikini waxes and lingerie, high heels, flowers, poetry, songs, movies and messages of love via social media? What about sex?
Is the whole world searching desperately for something that’s not even defined as real? I always thought it was real and attainable. I’ve thought of it as a rare phenomenon, a kind of shining miracle that can’t be bought or captured, coming only to certain remarkable, young, beautiful and deserving people.
I’m ashamed to want romance. It’s not for someone like me, someone flawed, broken, aging, unbeautiful and in many ways unlovable (another of my stories). To dream of romance, to yearn for it, is pitiable and pathetic, and I keep such dreams well hidden, releasing them only in my writing.
I notice all of these thoughts and feelings about romance, all the shame, futility and bitterness associated with one word that means a baseless, fanciful story. Wow.
I paused in writing this post and thought about Random House’s definition for a day. I decided the thing I find most disturbing about this definition is it’s purely subjective. Do we each have a unique baseless, fanciful ideal we’re searching for or trying to create? I’ve written about stories before. If my idea of romance is nothing but a baseless, fanciful story inside my head, it’s not about anybody else. It’s only about me. It’s not something I’ll ever discover out in the real world.
No wonder I haven’t been able to find it!
If romance is just another of my stories, then it’s pointless to carry shame around because nobody will participate in my ideal. I’m the only one who can be responsible for my story. Nobody else even knows it, unless I tell it, and this is a private story I’m unwilling to reveal. My story of romance is part of who I am, a piece of vivid and passionate authenticity. It’s what I dance with and write with. I need it. It’s an aspect of myself to be nurtured and cherished, not ignored and denied.
Romance is not about them at all. It never has been. It’s about me.
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This is a place I’ve been before, although this time I’ve followed a different road to get here. When I lived alone in my own home in my old life, I became romantically self-reliant, as it were. I was lonely, but I realize now I was probably the most satisfied romantically I’ve ever been. I burned candles and incense. I bought flowers for myself. I took myself to the movies, to breakfast, out for pizza. I took long, luxurious baths with music and essential oils. I bought my favorite sexy underwear and wore it for my own enjoyment. I gave myself weekends away and night walks to watch the moonrise. I danced naked. I bought art cards I loved and mailed them to myself to mark special anniversaries and days.
Then I came to Maine and began life with my partner, and because I had a man in my life again, I gave up romancing myself. I realized my new relationship is deeper and stronger than romance. I no longer feel lonely. Many of my needs are being met now that have never been met before. Life in central Maine in a 100+-year-old falling-down and leaky farmhouse with very little money is not romantic, however, and my partner is a pragmatic Yankee. He’s about as romantic as a rock. He loves me. I don’t want him to be different, and I recognize he is not equipped to satisfy my hunger for romance.
Well, no. But given the above definition, is anyone? Has my search for romance been in vain because what I long for isn’t out there at all, it’s in here? Was it my responsibility all along?
I say again: Huh!
If I decide to be the best romantic partner I’ve ever had, is that hilarious or creepy?
One thing’s for sure. I won’t have to work very hard to be the best romantic partner I’ve ever had!
Wait, I already am the best romantic partner I ever had, I just took some time off. And now I miss me.
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I often imagine life as a river and myself in a boat of my own making, floating on it. I don’t picture a sailboat, having no experience of one, but a small boat that glides with the current and can be paddled. I don’t imagine a single river, but a vast network, far more than I could ever explore in this lifetime. Sometimes it’s a river of water, sometimes a river of stars. Sometimes it’s a river of green moss carving a path through thick forest. Sometimes it’s an air-borne river of leaves and feathers and pieces of sky.
Sometimes it’s a river of stone.
The thing about rivers is they take me where they take me. I can paddle and steer, but whatever river I’m on at any given moment is a living thing in itself. I’m not its master and it doesn’t ask me where I want to go.
Of course, I don’t have to surrender to this kind of movement. I can refuse to make a boat in the first place, refuse to learn how, refuse to try. I can take a short cut and buy a premade boat or jump in someone else’s boat. If I do manage to create a boat, I can still make my way to the shore at any point and stop.
I can always throw myself out of the boat, too … but then I’ll never find out where the river is taking me.
I can also fight with the current.
I know a lot about this.
In the last few days, I’ve been floating on a river of stone.
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Stone is very, very, v…e…r…y slow. Oh, it moves, in the deep foundations of life. It shifts and compresses, slips, breaks down, heats and cools. It tells an old, old story, whole volumes of which are faded and weathered into illegibility, or hidden so well I know I’ll never read them. Now and then, though, a period of grace arrives in which I inadvertently enter a river of stone and have an opportunity, which I reject, avoid and try to escape, to hear whispers of stone stories.
During these times, others on the river are out of sight and out of hearing. My calls echo back to
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me off stone canyons and cliffs. I reach out for another in my sleep and wake with bloody knuckles. On the river of stone others do not respond. They don’t follow through. They don’t keep their word. My password doesn’t work. I can’t log on. There is no clarification or confirmation. I’m alone, in my little boat, and I feel adrift and forgotten, unseen and unheard, left behind.
The river of stone tells me a story of foundations, of beginnings, of layers of time and events, of family and tribe. My agenda, my insistence on movement and progress, my puny frustration with things not done, make less impression than a fragile-winged dragonfly that flung itself into the stone’s embrace uncounted aeons ago and flies now forever in the river of stone.
The river of stone is inexorable. It forces me to slow down. It provides me with no distraction and no easy entertainment. Creativity falls into sleep from which I cannot wake it. Those tasks and activities I call “productive” cease. Frantically, I paddle my boat, one side, then the other, until my hands are bloody blistered and my shoulders are a block of pain. All the old demons in my head leap into life, jeering and heckling, joining hands in gleeful celebration, and they have their way with me because I’m trapped in a river of stone.
I accomplish nothing on a list. I write no pages. Plans fall through. I wait too long to walk, and then it rains. Dirty dishes sit on the counter. All I want to do is get lost in an old familiar book — if only I could stay awake long enough!
Then, gradually, frustration, panic and fear exhaust themselves and lie down to rest. I rediscover the beauty of emptiness. I begin to see veins and gems and stardust in the stone around me. I remember the difference between doing and being, and the delicate balance they must maintain. The stone speaks to me of strength, of endurance, of centering and grounding. I give myself to the pause in communication and creative work. I put down the paddle, the oar, stretch out in the boat and rest, dreaming of stone-lipped wells refilling with spring water, dreaming of a spray of words leaping off waves or trailing behind stars in a river ahead, dreaming of friends whose faces I haven’t yet seen and broken connection repaired.
I doze, rocked in a cradle of stone. I rest, floating on a river of rock. I sink into the slow, deep, stony heartbeat in the center of all things, imagine inhalations and exhalations, each lasting 100,000 years.
Photo by Brent Cox on Unsplash
I surrender to the river of stone, and in doing so I float out of it.
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