Making An Offering

The seed for this post was a podcast by Pat McCabe, also known as Woman Stands Shining, who is a Diné (Navajo) mother, grandmother, activist, artist, writer, ceremonial leader and international speaker. In the podcast, she speaks about the idea of making an offering as part of our spiritual work.

Photo by Chinh Le Duc on Unsplash

That idea started me thinking about offerings, what it means to make one, to whom we make them, and why. Spiritual and sacred practices are a strong theme in my Webbd Wheel series. Mother’s Day has come and gone and Father’s Day is ahead. Many of us mark these days with offerings of some kind. For Earth Day, I joined a small neighborhood group and picked up trash, and I framed that activity as an offering. Yesterday I cleaned up my summer-only dance space and danced there for the first time this season. As so often happens, during that hour of dance this week’s post crystallized.

An offering is “a thing offered as a gift or a contribution” according to a quick Internet search. A gift is “a thing given willingly to someone without payment.”

The act of making an offering is ancient, a practice we began long before we could go out and buy a gift. Various cultures have historically engaged in ritual sacrifice (an act of slaughtering an animal or person or surrendering a possession as an offering to God or to a divine or supernatural figure), an altogether different degree of gift from a cute coffee mug.

I’ve long struggled personally with gift giving. There’s something in me that resents and resists the cultural mandates we’ve created to give gifts of a particular kind on certain occasions or days of the year. It seems to me modern-day gift giving has moved away from making an offering and into a demonstration of possessing money and spending it on some new piece of something, just for the look of the thing. We may feel real love, or gratitude, or whatever, but the only way we know how to express it is by buying a card (never mind the trees) and some kind of a gift.

I know that’s how we do things, but what does it accomplish, aside from contributing to our capitalist economy? Is that what we most want from the people in our lives — more stuff — or is that what we take because we can’t get what we really want? Is a coffee mug all we think we have to offer? Is a coffee mug all we think the other will accept? Are we unable to recognize and cherish an offering unless it comes gift-wrapped?

Photo by Chris Ensey on Unsplash

I’m thinking a lot about Pele, the Hawaiian volcano goddess, because I’m writing about her in my second book. Traditional offerings to Pele included tobacco, brandy, silk, crystals, tropical flowers and food. Offerings to Pele and other divine figures around the world involved ritual, prayer, music, song, dance and sometimes a sacrifice. Things, yes, although many were consumables or objects from the natural world, but also time. Presence. Creative, sensual and/or erotic expression. Community celebration, guided by spiritual leaders. Reverence. Appreciation. Gratitude. Acknowledgement of the Divine’s connection to the people and the natural world they inhabited.

Making an offering on this level is a demonstration of commitment and willingness to participate in the complex web of connection between people and nature. It’s a practice, not a one-time event. It’s flexible and not limited to the calendar or the clock. If there’s a community or individual need to speak to the Divine, time is set aside to do so. No money or commerce need be involved, because the offering is of self.

The offering of self, however, is often invisible, especially to our nearest and dearest. It’s so fatally easy to take one another for granted. The very act of feeding those we love is an offering we’ve been making and accepting since humans began. The acts of growing, harvesting, gathering, hunting, sharing and preparing food, absolutely necessary for survival, are almost obscured now by money and time constraints, ecological concerns, health issues, ideology and who does the dishes. Whether we recognize it or not, feeding another person is an offering of life. Parents know making that single offering to just one child, let alone other family members, is a colossal, exhausting, unending task. Yet it’s so often completely invisible, and who has time to enjoy the act of offering food to another (or ourselves, for that matter), or incorporate ritual, play or creativity into our eating? It’s just another chore in our busy days.

So, if our offering is invisible, unrecognized, unappreciated or even rejected in favor of something like a coffee mug, does it mean we’re worth nothing, we are nothing?

Of course not, but it feels that way sometimes, doesn’t it?

Making an offering means letting it go into the world and having faith in its worth. An offering is a gift, and a gift is a thing given willingly, without payment, remember? There isn’t a scorecard. It’s the practice of offering that enriches our spirit, not the outcome. Unfortunately, everything about our modern culture trains us to depend on immediate reinforcement. We’re hooked on likes, claps and our stats. We gloat over the number of our friends, subscribers, comments and shares. Deadliest of all, we compare our popularity and performance with the popularity and performance of others.

What others think about us and how the world perceives us is becoming more important than our own integrity and the authenticity and quality of our offerings. We’re forgetting how to trust and have faith in silence, in invisibility and in not knowing. We’re forgetting our worth is not defined by others.

What about the offerings we make to ourselves? What about our ability to meet our own needs, spiritual, physical, creative and emotional? Do we have any self to give ourselves? Do we tell ourselves there’s no time, no money and no point? Do we tell ourselves whatever our self-expression is, it’s not worth anything, meaning we can’t sell it to someone or no one will approve of it?

Woodshed

I danced yesterday in an old woodshed that was attached to a local one-room schoolhouse more than 100 years ago. It leans and tilts. The roof leaks. The windows and doors aren’t square and the wind blows through gaps. I swept out the winter’s accumulation of mouse and bat droppings, leaves and dirt. It was a warm, sunny day and as I danced I gradually peeled off my clothes until I was naked. The sun came in the west window and made a square on the floor.

I thought of trees and stones offering their bodies to moss and lichen, the earth offering itself to plants, and blossoms offering themselves to sunlight and insects.

I thought of smiling into a stranger’s eyes and complimenting a cashier on the color of her blouse.

I thought of the creators of the music I was dancing to making an offering of their talent, enabling me to offer my dance.

I thought of homes, rooms and gardens I’ve created that are long erased. I thought of people I’ve loved with my whole heart and volunteer work I’ve done. I thought of my partner, who was running an errand in town so I could eat bacon the next morning. I thought of picking up trash on Earth Day and the new trash that’s been thrown out car windows since then, and how futile that makes me feel.

I thought about words, all these words, all these stories and ideas and thoughts in my head that are here and in my books. I thought about all the words written by others I read each day and appreciate and share.

I thought about procreation, the red tide and the milky seed our bodies offer to life, to hope, to continuance. I thought about offerings of tears, of blood, of pain, of rage and of surrender.

Photo by Leon Liu on Unsplash

Offering is a circle. Life offers itself to us, and we can choose to offer ourselves to Life. What better offering can we make than our fully engaged participation and presence with ourselves, our experience and others? Such a gift can’t be bought or sold. It might not feed our fame, popularity or bank account. We probably won’t get validated by statistics or Twitter. Some people may never recognize or value it.

But our self-esteem will bloom. Our joy will increase. Our words and choices will add to the positive energy in the world. We will become self-empowered and spiritually strong and resilient.

I smiled and laughed and shouted as I danced, whirled and stamped and clapped. I offered up my white, winter-tender skin to the sun and air. A mosquito bit me on a knee; a blood offering. No one saw me, except maybe an astonished spider or two. No one cared. It was an offering of self to self, a private thing. It gave me joy. It gave my body a chance to move and be grateful. It fed my creative well.

It was nothing.

It was everything.

It was my offering.

All content on this site ©2018
Jennifer Rose
except where otherwise noted

Aging With Grace

It’s strange to be aging, isn’t it? It doesn’t matter if you’re in your 20s or 60s, getting older is a remarkable experience. As I move through my 50s, I see more and more of my life when I look over my shoulder and I no longer have the feeling of limitless horizons in front of me. Whatever is ahead, it’s not limitless.

I have a friend who looks at a tape measure and finds the number of inches corresponding to his age. He takes in the distance between the end of the tape and his place at 70 something. Then he puts his finger at another 10 years, another 15 years. The visual on this exercise is startling. What happened to all those years of our life, and when did we move so close to our last day?

Photo by Cristian Newman on Unsplash

For at least a decade now I’ve been watching my elders and trying to figure out how to age gracefully. Every now and then I meet a remarkable elder. They have a twinkle in their eye, they laugh a lot, they’re curious and interested and they’re wonderfully authentic. I want to grow up to be just like that.

I’m convinced the great keys to aging gracefully are staying in intimate connection with ourselves every single day, no matter how old we are, and embracing change like a lover. Without consent and resilience, aging becomes a bitter battle to the end.

So many of us, as we age, live increasingly in the past. It’s understandable. We’ve been, done and seen a lot. The problem is as the years roll over us we don’t update our software. We hang on to what we were, what our bodies could do, how it all was during a time we remember as the best time (or at least a better time than now). We continue to define ourselves by outdated habits and routines. I’m not sure if this is a function of nostalgia or weariness or just plain laziness, but somewhere along the way we cross some invisible finish line, stop paying attention to embracing how things are right now and start waiting to die.

As our software gets more and more out of date, incompatibilities arise between how we show up in the world and our stories and memories. We lose credibility and effectiveness.

It seems to me the day we stop being curious about what we might learn, do or be next is the day our lives really end. People who age gracefully still have plans. They still dream. Their thinking remains flexible, even if their bodies don’t. They find some magical balance between letting go and moving forward. Change becomes a beloved friend rather than a feared enemy.

It’s not hard to see this in small external ways. We hang on to clothing, for example, that no longer fits, or was fashionable for a fleeting moment fifteen years ago. We hang on to books or movies or music we once loved and couldn’t do without, but now have outgrown. I don’t suggest there’s anything wrong with such nostalgia, but I do think all that stuff can pile up around us and block a clear view of what is now, or what might be ahead. Too often, the externals mirror our internal habits.

I notice many people my age still describe themselves by a job or position they no longer have. Some folks seem almost apologetic about being retired, as though they’ve lost personhood in the world, have become nobody. Others tell you all about some beloved skill or activity, how they practiced it, the ways it enhanced their life, their mastery, but never mention it was all long ago and right now, today, that activity is no longer part of their lives. Their lives have changed, but they haven’t updated their sense of identity. They’re stuck in their past and missing their present. They dangle in the empty gap between who they were and the stranger they are now.

I think some people feel angry about aging. We want our bodies to look, feel and perform the way they used to. We refuse to adjust to our present physical realities because they don’t match what we used to be able to do. We’re ashamed of our changing bodies rather than comfortable in them. We fear the changes the years bring and try to hide them or resist them.

Photo by Capturing the human heart. on Unsplash

Then there are people, amazing people, who know the trick of beginning over and over again throughout their lives. They spend their professional years as a lawyer and then retire and become an artist. A woman marries, works, raises a family and then, divorced and in her 60s, begins traveling all over the world. People in their 50s and 60s go back to school and acquire a new skill or a degree. They live in the day they’re in, in right now, and they’re focused on the present and future rather than the past. They accommodate their physical needs, feel at home in their skin and are constantly updating their identity, intentions, connections and contributions.

Defining ourselves by our pasts is a sad business. I know aging can feel limiting, but I think the real limiting factor in aging is refusing to participate in it! Defining ourselves by what we can’t do, don’t do or once did (but no longer) is a terrible way to live at any age, but in old age it becomes a pernicious habit indeed. After all, anyone may have physical limitations at any age. Those limitations needn’t define us unless we invite them to.

Considering what is possible, what we can do, what we’d like to do and what we’ve always wanted to do — now, there’s a set of questions for living a full, rich life, today and tomorrow. An elder who draws wisdom from years of experience and has a well-exercised sense of humor, curiosity and the ability to learn is indomitable, irrepressible and irresistible.

Life brings many things, including devastating loss, injury and illness. Every day we live we’re aging, and every day is a new gift we might choose to receive, or we might turn away and look only at the old gifts, the old days, all that came before when we were younger, better looking, stronger, more hopeful, more innocent.

I know what’s behind me. Some of it was grand and some very painful indeed, but it’s all over, good and bad. Many of the clothes I wore, the thoughts and beliefs I held firmly onto, the meaningful routines and rituals in my life, are like so many dropped leaves, fluttering in the wind of my passing. I have no idea how much time I have left or what’s in front of me, but there’s so much I still want to do! Still, I cling to the past in some ways. I tell myself such-and-such (a lovely, longed-for thing) will never happen again. I say I can’t do XYZ instead of I’ve never done it before and will you teach me how? I feel frustrated and old when I wrestle with a 40-lb bag of bird seed and my back hurts for three days. I can be just as lazy, sulky, resistant and weary as anyone else.

Yet I’m convinced enormous grace lies in aging, if we can find it. I believe aging is full of invisible gifts, insight and strength. I want that grace. I don’t want to miss the last part of my life because I’m refusing to be present with it. I want to take the time to close all my programs and apps and let my psyche and body update and reboot regularly.

Aging with grace is a work in progress. Some days are more graceful than others.

Photo by ivan Torres on Unsplash

All content on this site ©2018
Jennifer Rose
except where otherwise noted

Letting Go

A small clay sculpture of a woman with her hands cupped in front of her chest sits on my desk. She holds a tiny clay bird and is surrounded by a couple of crystals, a piece of amethyst and a small geode. This little altar has been my daily companion for years. Wise and smiling, round and nurturing, the sculpture has comforted me through many losses, grief and rage. She’s one of my greatest treasures.

Letting Go

These days, the bird she holds is perched on the rim of the wooden dish she sits on, looking out at the room, at the world, at me. It can stay, or it can fly away. For now, it’s content to sit, watching and listening, as I live my life in these two small rooms at the top of our sagging farmhouse.

I have placed tiny polished garnets in the woman’s cupped hands where the bird once nestled.

I had a friend, dear and wise, in my old place who once said to me if we open our hands and let something go, and keep our hands open, something new will come and fill them. As she spoke, I again saw the image of an open hand, generous, allowing freedom, and prepared to welcome and support the next thing, and the next.

Letting go is power. Letting go is serenity. Letting go is an authentic act of love toward self and others. The usefulness of letting go is not a secret. Almost any self-help book out there talks about it as an aspect of healthy functioning, but I think popular psychology doesn’t explore it deeply enough.

Letting go doesn’t mean we brush aside our feelings. Not at all. Unexpressed feelings cement us in place. We all know people who remain frozen in time because of a death or traumatic event. Years and decades pass, but they don’t heal. They don’t move on. Their emotional growth is arrested. This is what unfinished emotional business looks like. Unexpressed feelings can’t flow through us and dissipate so we can release them.

We know very little about appropriately expressing our feelings in this culture.

Feelings aren’t thoughts. They’re not stories, expectations, beliefs or ideology. They’re not labels or rules. Like it or not, admit it or not, we’re physiologically wired for feelings, and they give us good information about how things are with us. Our thoughts and beliefs, on the other hand, are frequently distorted, confused, misinformed, outdated or otherwise unreliable.

That’s where letting go comes in.

We’ve all had events in our life that left deep scars. We’ve all seen things we can’t unsee, heard things we can’t unhear and done things we can’t undo. We’ve all felt disempowered or victimized at one time or another. Death and disaster enter our lives with no warning and take those we love.

Some people move on from such events with more grace than others. I suspect part of that grace has to do with forgiveness. Not forgetfulness, but forgiveness of self and others. I suspect another part is the ability to fully experience and express the feelings attached to the event. That requires a certain kind of support, and many folks don’t have it. Some people simply don’t choose to move on or let go. They center their thoughts, feelings and energy in the event, whatever it was, and they hold it tight, cherishing it, feeding the fire of their pain, keeping their scars open with the razor blade of their attention and focus. It becomes part of their identity, part of their story, a grievance to cling to, a betrayal to treasure, a wound to worship.

Photo by Andrey Grinkevich on Unsplash

I have a book called Clean Sweep, by Denny Sargent. It’s filled with rituals and instructions to help us let go of what no longer serves us. The author outlines a banishing exercise in which he suggests the reader visualize holding tightly to a thorny branch. In my own version, the branch is heavy, so heavy I can hardly hold it, which drives the thorns deeply into my flesh. The branch is a person, event, memory or belief that gives us emotional pain. We can make an easy choice and cling to it, cradle it, embrace it, let it tear our skin and make us bleed. We can make a harder choice and set it down, open our hands and let it fall. We can walk away from it. We can burn it or bury it.

In order to let go, we have to be willing to surrender control and endure loss. Letting go of a core piece of identity, a long-held belief or a painful memory is difficult work, even when that core piece, belief or memory gives us great pain. Letting go will leave a hole. Then what? Then who are we? How do we fill that hole? How do we understand ourselves and our place in the world? This is scary stuff.

Photo by a-shuhani on Unsplash

Aristotle said nature abhors a vacuum. My friend was right. If we open our hand and release what we’re holding, something else will come, though we can’t predict or control what it might be. In fact, the thing released might return to us in another form. We can’t know. We’ll never know unless we release our need to control. We’ll never find out what might perch on our open hand if we’re not willing to walk through loss in order to reach gain.

I’m having a long and involved break up with my desire to control. Some days I go all day without thinking about it, and other days I want to micromanage everyone and everything in my life. Some days I feel light and free, a confident and lovely woman, and other days I feel like a grubby three-year-old hiding under the covers sucking my thumb because nothing and no one is the way I want them to be. I sulk and pout and snarl and I feel crushed by the thorny weight of my need to control.

Then, at some point, my eye falls on my little clay wise woman and her cupped hands and wide-open heart, and I say, “Oh, yeah. That’s right. Letting go.”

I feel annoyed when people tell me to “get over it.” First of all, I have a right to my feelings, and secondly, it’s not that easy. Letting go, for me, is a practice, and I need time to engage in it. Sometimes I go back and find my leaden armful of hawthorn or bramble or locust and hold it again for a while, opening up all the old wounds, exhausting myself, hurting myself, and, finally, opening my hands and letting it fall again. Sometimes I need to design a ritual for letting go, a prayer or a dance or some kind of purification rite. Sometimes I need to make a physical resting place, like a grave or a patch of garden or a newly-planted tree in order to let something go. For me, taking time to honor whatever it is I’m trying to release is helpful. Whatever it is that no longer serves, it was once a part of my life and experience. Laying things to rest in this way helps me release them fully and finally.

When it comes right down to it, this blog has been an exercise in letting go as much as anything else.

Photo by Ester Marie Doysabas on Unsplash

When we know how to let go, we increase our power, as well as the power of others. Often, what we desperately hold onto is people. This is a strong archetype in old stories; locking the beautiful maiden in the stone tower to “protect” her. Part of love, as any seasoned parent will tell you, is letting go. Imprisoning, disempowering and trying to control others isn’t love. Refusing to let go of someone isn’t love.

Releasing our grievances with others frees them as well as ourselves. Being willing to accept an apology, an explanation, and the imperfections of others allows us all to move forward with lighter loads. The stories and memories we hurt ourselves with are often ghosts, events involving people who are long dead and far in the past. We can choose to bless them and lay them to rest.

I don’t want to haul around painful memories, toxic garbage, the futility of trying to control life and ineffective behaviors and beliefs. I can’t swim with all that tied to my ankle. I can’t dance. I can’t embrace anything or anyone with an armful of brambles. I can’t create with a heart full of thorns.

I want to be free.

I open my hands.

Photo by Stephen Leonardi on Unsplash

Make a Boat

Make a boat
out of who you are
not what you have.
If you don’t know who you are
(Search for the desert between the worlds.
Find Bone Mother.
Recollect.
Reassemble.
Bathe in soul.
Birth yourself.)
That is another journey.

Your boat will be small.
You can take no one.
You can take no thing.

Shape your boat with your truth.
Shape it with the joy in your hands
and the wisdom in the soles of your feet.
Make a chisel of rage and grief.
Sand with the grit of clarity.
Stain with blood.
Oil your boat with the moisture and musk of your sex.
Stitch the rags of your life into a sail.
Weave rope from your hair.

Take your time
And remember
Fear does not float.

When you know the boat is ready,
Sit in it.
Lay the backs of your hands on your knees.
Open your hands.
Let everything go.
Let everything go.

Keep your hands open
So that new things may come.

Without fear
Ask the one who stands just behind your shoulder
The one who shelters your life in the shadow of her wing
To come forward.
She will guide the boat.

Surrender yourself to your boat,
to the water,
to your guide.

Find your breath.
Stay there.
Find your heartbeat.
Stay there.
Keep your hands open.
Rest.

Don’t stand up in the boat!
Don’t throw yourself out of the boat!
Don’t you want to see where you are going?

Look. See how the feathers on her wing
trail in the water?

All content on this site ©2018
Jennifer Rose
except where otherwise noted

Samhain Wind

In the Neopagan Wheel of the Year, Halloween is the modern secular version of Samhain (SOW-in), the last harvest festival, a time when the veil between the spirit and corporeal world is thin and we prepare for the peace and rest of winter. It’s a time to let go of that which no longer serves us.

Photo by freestocks.org on Unsplash

This year Samhain was ushered in by the remains of Hurricane Phillippe, which battered Maine and other parts of the Northeast with high wind and heavy rain.

Wind is an old familiar of mine, as the place I came from in Colorado was extremely windy. There, the wind blows relentlessly for days and nights on end sometimes, a steady roar from one direction that fills the air with sand, grit, trash and other debris, frequently exceeding 60 mph and occasionally 70 mph. It’s the kind of wind nobody wants to go out in and it ground away at our nerves, making us feel housebound and irritable enough to climb the walls. It sucked all the moisture out of the ground, the plants and our skin. It tore roofs off sheds, blew down fences and trees, closed vulnerable highways and sent trampolines into the air.

The gale we had here this week was a different kind of wind. It came from all directions in gusts. It made the house groan and the trees thrash. It tore shingles off the roof and downed hundreds of trees. More than five inches of rain fell in billowing curtains. As a result, many thousands of people lost power, roads are blocked and it may be the end of the week before all the repair work is finished.

The storm hit us in the wee hours. We were awakened by an exploding power transformer somewhere close by, probably because of a fallen tree.

When I went out for my morning walk, I found change.

Several large trees have snapped off and lay or lean, the exposed raw wood pale and jagged. One less tree in a patch of thick forest is a subtle change to my eyes, but to the life surrounding it for several feet in every direction it’s a dramatic turn of events. It changes the light. It changes the nutrient demand underground. It feeds the mycelium and other organisms that will break down the wood. It gives new opportunity to young trees and other plants.

All the trees that came down on our land looked unhealthy, and several were rotting in place and collapsed rather than sheared off. Lots of dead branches tore away, too, and cones were flung far and wide.

As I walked, I reflected on change. Millions of people are experiencing unprecedented storms now. In just a few hours, whole lives are swept away by powers we cannot control. But the wind of change can also be a breeze, a zephyr we hardly notice, even if we practice daily presence with ourselves and our surroundings. Change is always with us, as inevitable as death.

More often than not, I fight with change. I don’t mind the idea of change, per se, but I want it to be on my terms. I want to control it. In my own life, though, change has often come unexpectedly and catastrophically, sometimes in the form of a seemingly insignificant moment in which I suddenly see. I suddenly assimilate a vital piece of information. A veil tears and I discern what lies behind it. In an instant, everything changes, and at the same time it doesn’t, at least not more than usual.

Yet I am changed, and I can never go back.

In a few days, things will normalize in Maine, but the landscape is altered now. It will never quite be the same again, although our experience was trivial compared to Texas, Puerto Rico and many other places.

Walking our boggy fields alongside the river, my old boots leaking at a split seam, it seemed to me the greatest gift of Samhain is the opportunity to allow wind and storm, to revel in them, to join power and energy with them, come what may in the aftermath. I stood watching the river, filled right to its brim, running muscular and turbid, crowded with tree debris and occasional trash. Several tree skeletons that had leaned on its banks were gone.

There can be a glorious sort of power in letting go, in spite of fear and resistance. I discovered that in Colorado. As I walked, it was still quite windy and wet, the landscape waterlogged and disheveled. Halfway through my walk I discovered a tick crawling on my hand, and a quick inspection of my head-to-toe canvas army supply rain cape revealed several more. I scraped off those I could see with a stick while I paused at my second river overlook to watch the water and then navigated a large old white spruce that had fallen across the mowed path and went home to do a lengthy and soggy tick check. The final count was 13, by the way.

Collaborating with a storm like this is good work for Samhain. I’m content. The forest has been culled and renewal will follow. New life will come into every space that was emptied. Our streets and roads, blocked with fallen trees and sagging power lines, look devastated rather than graceful and elegant. Thousands of people are managing without power. Yet the wind cleansed us of dead and dying life, whether or not we were ready or consented.

Now there’s no choice but to go on, to step into the diminishing light of winter, to face whatever the future brings, to replace what no longer serves with something more powerful. I want to leave you this week with a poem I wrote in October, 2012.

Wind

Come, wild wind, sweep across the sky and loosen the world!
Rise, wind, blow! I summon you with breath and breath again!
Blow, wind, roar! I command you from the center of loss!
Roar, wind, howl! Fling me open. Tear all the pretty things away.
Peel my lips from my teeth and flay me to pieces.
Lend your voice to mine and scream me into clean bones.
Scream!
Let us sever and rend together!
Strew the tatters of my dreams across stubbled fields and in dusty streets!
Rage, wind, exult!
You think you bend me to your will?
You take nothing I do not surrender.
You weaken and end before I do.
And when tumult has passed I will call myself home from wherever I am scattered.
I shall gather the rags of what has been and shape them into a sail and you shall fill it and take me onward.

Photo by Kelly Sikkema on Unsplash

All content on this site ©2017
Jennifer Rose
except where otherwise noted

The True Shape of Things

Photo by Autumn Mott on Unsplash

I love autumn, and autumn in New England is particularly poignantly beautiful. The leaves, oh the leaves! It’s as though the trees release their passion in one final gasp of ecstasy before their long sleep. The colors stun the senses with their beauty; it’s almost too much to absorb. Yet the trees’ splendor is fleeting. Inexorably, the leaves fall like golden tears, like blazing sparks, and as they fall the greatest power of all is revealed: The true shape of things.

The green and fiery sea of the forest and fields recedes. Lichen-covered rocks bare themselves. Trees stand or lean in bony beauty, gnarled and hollow, smooth and upright, each species clad in its own color and texture, but now the colors are russet and ivory, shades of brown and grey touched with black. Thorns and stems become semi-transparent cover for winter-colored birds and animals.

The bare forest is everything it is and nothing it is not.

I, too, am becoming reduced to my essential self. Confusion, guilt and shame are loosening their hold on me and drifting away, and I make a resting place for them in my writing. I look back in my memory and, for the first time, begin to see the true shape of things. All the words that weighed me down and kept me small, all the gaslighting and controlling, all the lies and distortions, are responding to some miraculous internal seasonal shift and slant of light. I am bursting into triumphant understanding, and then letting go, letting all that does not serve me fall away. My true shape emerges, and it’s strong and clear-seeing and wise. It always was.

Photo by Erik Stine on Unsplash

Now I begin to see the true shape of things. Now begins a season without pretense, unencumbered by expectations. Now the lineaments of my feelings lie bare. The landscape of my life becomes stark and uncomplicated, a walk through winter woods where a feather is a feather, a quill a quill and a swatch of fur on a thorn exactly what it is, not more, not less, not something else entirely. I reclaim the dignity of my own perception, intuition and experience.

It does not surprise me that traditionally this is the time of year when the veil between the worlds thins, ghosts walk, legends come to life, ancestors are honored, and we acknowledge that which haunts us. I do not fear my ghosts. Indeed, they’re old friends and companions. My bogeymen were flesh and blood concealed beneath dazzling costumes of false power, fearful only as long as their true shape was hidden from me.

Some fear the fading light, endings and truth. Some prefer the riot of distraction and confusion. Some refuse to see or know the true shape of things. My own courage is not strengthened by distraction, no matter how beautiful or seductive. My courage is a thing of unadorned simplicity, spare and clean as bone.

The leaves fall, ravishing, rapturous. At last, the true shape of things emerges from the blaze, pure and indestructible, and I embrace it like a lover.

Photo by Vanessa von Wieding on Unsplash

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Jennifer Rose
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