My partner and I have been watching back episodes of Nova for several weeks now on PBS. Last evening, as we watched “What’s Living In You?” and “Can We Make Life?” I realized that part of why I like the show so much is that it’s filled with people from all over the world who know they don’t know … and they want to know.
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This is a direct contrast to some interactions I had this week with people who know … everything. They know what happened; they know everyone’s motivations and secrets; they know exactly what everyone else should think, do and say. They have no interest in anyone else’s point of view or experience. They ask no questions seeking understanding or more information. They don’t have to. They already know, and any information that doesn’t fit their story is an attack, a lie, or a threat.
In these posts I’ve referenced Kathryn Schultz’s book, Being Wrong, a fascinating and funny look at the myriad ways in which we’re all wrong, every day, though some folks seem to feel their lives depend upon winning and being right. Even when forced to admit we’ve been wrong about something, we avoid thinking or talking about it, concentrating instead on all the ways we were, are, and will be right!
We live in a world in which knowing is highly valued. Uncertainty or even, God forbid, admitting or contemplating the vast cosmos of what we don’t know, is seen by some as weakness. I suspect, however, that what’s really going on is simply fear. It makes us uncomfortable to think about how much we don’t know. If we discover things, we might have to make different choices, and most of us don’t want to do that. It’s too much work.
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Fear doesn’t empower me, and neither does being right or wrong, or knowing or not knowing, Power is in the inquiry, in the questions, in the curiosity about ourselves, each other and our world. Power is in our ability to learn, unlearn and relearn — also called resilience — as we navigate our lives. We’re all both right and wrong, ignorant and knowledgeable, whether we admit it or not, but not everyone can ask a good question. Not everyone is able to propose an hypothesis and see it through to becoming a theory.
One of my greatest frustrations in life is with people who don’t want to know. What is that? How can anyone choose to be willfully ignorant? I don’t mean we all need to be interested in everything, as though life is one unending mechanistic reductionist set of classes. I mean we all need to be interested … period. In ourselves and the quality of our lives and experience. In others and the qualities of their lives and experiences. In our home, Planet Earth, and how to take care of it. In problem solving and innovation. In relationships and connection. In choices and consequences. In patterns, history and creativity.
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The old map-makers drew maps of the discovered world, labeling the undiscovered areas “Terra incognita” or “Here be dragons.” What is the difference between someone who stays strictly within the confines of what the majority accepts as known and those of us who poke and pry; open forbidden doors, jars and boxes; look through microscopes and telescopes; and sail, ride, walk, stumble or crawl in search of dragons?
It boggles my mind to imagine some people find safety in not knowing, in not understanding. How can we make effective choices if we’re missing information? How can we heal, or learn to do better? How can we break dysfunctional patterns in our behavior? How can we have healthy, authentic relationships with ourselves or anyone else?
The hardest part of this issue for me is how disconnected I feel from people who say they don’t want to know. I think of life as an adventure, and I want playmates. I want to share what I’ve learned and learn more. I want to live the questions. I want to explore, reframe, turn beliefs and ideas inside out and upside down. I want to master new tools and skills. I feel sad when people in my life can’t — or won’t — play with me. It’s hard to feel my curiosity and questions are threatening to others. It silences me, and when I have to be silent, or less than I am, I’m bored.
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The older I get, the less I realize I know. The older I get, the more willing I am to be wrong. The older I get, the more comfortable and confident I am with my ability to research, read, synthesize, understand, experiment, challenge and learn. I notice how angry that makes some people, and how intolerant some folks are of questions, especially uncomfortable questions.
Terra incognita. What a wonderful phrase. Anything could be there, anything at all. I’ll send you a postcard with a footprint of a dragon.
I’m currently reading The Intuitive Way by Penney Peirce. Various notes and bookmarks remind me I’ve started it before, but I didn’t finish it. I picked it up again because I’m also reading The Gift of Fear by Gavin de Becker (for the second time), and he talks about how important intuition is in our ability to avoid danger.
I’ve always been interested in intuition. What is it? How does it work? I know from personal experience it’s a real kind of perception or knowing, but I also know many people view it as “woo” and scientifically unprovable. I’ve frequently been met with fury and denial when I voiced an intuition about someone’s state of mind or behavior. Certainly I might be wrong, but then why all the fuss?
As I began writing this post I explored Peirce’s website for a few minutes. I listened to an interview and read a couple of her posts. Yes, it looks rather New Age and “woo” to me.
On the other hand, that doesn’t mean she’s wrong!
As a matter of fact, science is catching up to what we call intuition. Scientists and researchers like Paul Ekman, who recognized how important fleeting micro expressions and body language are, have begun to assemble the neurological pieces of the process of intuition. Experts in their own fields like de Becker are revisiting the importance of intuition to our resilience and survival.
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In any event, I picked up The Intuitive Way again to see if it was something I wanted to work with and explore or pass on to the library for donation. I’m glad I did. I’m uninterested in debating whether intuition is real or a worthy subject for study, but I’m very much interested in any tools which might assist me in healing and living a more joyful life and/or shaping my creativity. The book is filled with provocative writing exercises. I remember now it takes me ten minutes to read a chapter and ten days to play with all the exercises.
When I learned emotional intelligence I was introduced to the work of Byron Katie. Her great question is: Who are you without your story? Peirce’s book asks the same question in a slightly different way, providing exercises challenging the reader to replace fearful, limiting beliefs with those that are loving and life-enhancing.
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Who am I without my story? What a wonderful, important question. What a game changer. It’s like asking ourselves who we are if we stand bodiless in some infinite but undefined space with no memories, no objects around us, and no other context. If we’re not a name; an age; a family member; a job; an ethnicity and tribe; a set of beliefs, experiences, memories and stories, then who the hell are we?
My mind boggles, and the artist in me salivates. So much of my self-identity is bound up with stories about my life and experience, and many of those stories are small, hard, stony things about breaking, severing, smashing, exile and futility.
I have fantasies about who I’d like to be and how I’d like to feel, of course. They’re fantasies, though, not the real story. I know the difference.
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But do I?
We write our stories from our feelings and experiences, many of which occurred in childhood. Do children necessarily see a wide picture? Are they able to understand all the behavior and choices of the adults around them? Are they able to process their feelings and separate them from their thoughts about their feelings?
I doubt it. I certainly wasn’t able to.
As we grow up, we have opportunities to compare our stories with those of our siblings, or others who inhabited our childish world, and we notice our stories aren’t the only ones in the mix. Everyone has a story, and they aren’t the same one. A word or event burned in my brain might be something no one else even remembers.
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Stories are slippery things, powerful as an anaconda and just as hard to pin down.
All that being so, how would it be to simply erase the limiting parts of my story ,to find the file, open it, hit “delete” and then empty the trash of all the feelings, conclusions and thoughts my story carried? No more story. Just a clean space …
… In which to write a new story!
As a storyteller, I’m fascinated by all the creation stories from around the globe. As a writer, I’ve even written a couple of my own. I’ve never considered writing a story about my own creation before, though. After all, I already know all about the story of my first ten years. I’ve been telling it to myself for decades. It’s shaped me profoundly.
But would a different story have shaped me differently?
Would a different story shape me differently now?
I don’t suggest we deny or bury our feelings and memories. I’ve never found that particularly useful. I think of my story as an old-fashioned quilt, carefully pieced together out of all kinds of scraps of feelings, memories and experiences from which I formed conclusions and beliefs over my lifetime.
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I can lift that quilt out of the cedar chest of my psyche, unfold it, hang it on a clothesline in the sun and spring breeze and examine it. Which pieces make me feel stained, frayed, torn or damaged? Which pieces are vibrant, vivid, gorgeously colored and textured?
After the quilt has aired, I can unpick stitches and remove the pieces that hurt, distort or limit me, replacing them with scraps that make me feel happy, confident and loving. I can rewrite some of those childhood monsters and villains, understanding now people are complex and we don’t always know their motives or secrets. I can consider painful pieces of my story from the view of another character in it instead of from my own narrow perspective. As I unpick stitches and loosen up my old story quilt, I can think about forgiveness, gratitude and being wrong, and revel in stitching new patterns and colors into it.
Rewriting our story, like reworking a quilt, takes time. Writing our original story took time. Events happened in our lives. We had feelings and experiences. We had thoughts about our feelings and experiences. We came to certain conclusions about who we are, who others are and how life works. We wove a story and told it to ourselves over and over again, until we believed it completely and it became unconscious. We carry our story with us into the world and it influences every choice and action.
The thing about story is it’s limited and limiting. It can never catch all of reality, even in a single moment. If we understand this and work to bring our personal stories back into consciousness, we become aware of all the ways our stories hurt and/or help us. They can limit and paralyze us or inspire us with courage and confidence. It’s all up to us, because we are the authors of our own stories. We have the power to rewrite.
Many cling to their stories as though they were a matter of life and death, not to mention identity. I’ve noticed some people with miserable stories cling the hardest. I can only conclude for some, even the most wretched and harrowing story provides some kind of a payoff for the one holding it. Such a person doesn’t want to rewrite their story, in spite of how ineffective or painful it may seem to be.
I choose not to be run by my story. I can do, be and contribute more than parts of my old story say I can. I don’t want to validate and reinforce outdated conclusions that made me fearful and small. I don’t want to continually irritate and open up old wounds.
I refuse to be a victim, especially not a victim of myself!
So I’m rewriting and revising my own creation story from before the beginning, when two cells joined and created the miracle of my life. From those two cells came the complex human being I am, and a complex human being contains and creates many different kinds of stories with many different feelings, experiences and thoughts.
Lately I’ve been thinking about how much living a life resembles writing a story.
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We love our stories, whether they be in the form of songs, film, books (digital or tangible) or spoken language. We love the nonfiction of history and science, memoirs, and fiction. Story has anchored me to life since before I learned to read.
During my writing hours I’m engrossed in creating characters and weaving them together. One scene gives rise to another. There must be action and movement. There must be some kind of story logic. Every word must help drive the story forward. Characters need to be believable and recognizable in their behavior and growth. As an audience, we want to see characters change and learn. We want to commiserate with and applaud our favorite characters. We want them to do well.
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As a writer, I don’t have total control or knowledge of my story. I create a rough outline, create characters, choose a setting, and start writing. If I’ve done well with my characters, the act of writing animates them into becoming collaborators rather than pawns. I’ve learned the characters who remain passive and one-dimensional are weak and need to be reworked. I may have a direction I want my characters to go in, but strong ones frequently refuse to comply with my outline and notes and we wind up sitting glaring at one another with our arms folded, my character looking out from the laptop screen at me at the keyboard. The flow of the writing stops then, until I set aside my rigidity and work with other possibilities.
This is exactly like life. How often have we gone down a blind alley and wound up with our noses against a brick wall but been too stubborn or exhausted or despairing to retrace our steps and choose another direction? How often have we taken a well-worn path of anxiety and wound up in a trackless desert or marsh, floundering, miserable and lost?
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As we journey through the story of our own lives, however, our view is from the bottom of the valley rather than from a high mountain from which we can see the whole thing. We live our stories one moment at a time, losing sight of the beginning and never knowing the end until we reach it. Our lives are filled with things like visits to the bathroom, brushing our teeth, lost car keys, bills, errands, flat tires and dead car batteries, and colds.
But these details, so ubiquitous in what we call “real life” add nothing to a great film or book. They’re not sexy and entertaining. Nobody wants to watch Wonder Woman floss her teeth or cut her toenails. We don’t see our favorite heroes spending hours hunched over their phones, tablets and games.
We can’t tell the sweeping story of our lives while we’re living them. We know when things feel good or bad, but we don’t look beyond that most of the time. We’re more concerned with our discomfort and disappointment than we are with the inherent ebb and flow of life.
We don’t think about what our story requires. We don’t see our most difficult times as turning points essential to our story.
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As a writer, however, I know tension, conflict and obstacles are necessary. They create movement and growth. They create change. They force characters to reveal weaknesses and summon strengths. They teach resilience and test faith.
What would it be like if we could watch our own lives as though watching the next big superhero movie? What if we could revel in the setting we find ourselves in, even if we decide to escape it and find a new one? What if we chose to feel inspired by the unpredictability of our unfolding lives and heartened by the way obstacles shape us?
What if every experience was an essential, beautiful part of our story?
I moved to Maine with a U-Haul packed with things from my old life. I was moving from a small, tight, energy-efficient home where I lived alone to a slouching, leaking farmhouse with a cracked foundation and a peeling roof. I didn’t trust my cherished possessions to the dubious protection of the house or the barn, also dilapidated and leaking.
So I rented a storage unit.
Now it’s four years later and I’ve been reading and thinking about minimalism. Minimalism appeals to me because it creates space and simplicity in our lives. I’m gradually coming to understand even my most cherished possessions are not important to my quality of life. In some ways they even block my view and obscure thresholds and openings.
That’s not to say I don’t frequently miss my just-the-right-firmness double mattress and box spring in storage, or my comfy couch and matching chair. I do miss them, but they don’t fit into my life anymore and they don’t fit into the house. Literally. I don’t think we could get my modern overstuffed couch in the old front door.
My bed and furniture, along with a few boxes, have languished in subzero temperatures in the winter, and heat and humidity in the summer, and I’ve faithfully paid the monthly rent all this time.
A couple of weeks ago we had a call from the owners/operators of the storage unit to say there was flooding on the property.
Here in Maine, we have yet to experience a snowstorm this season that wasn’t mixed with freezing rain. What this means is layers of ice have built up on the frozen ground and clogged culverts and drains. As temperatures see-saw between normal below-freezing and subzero and much warmer air that turns falling snow to rain, the rain has nowhere to go.
The storm that caused the problem at the storage unit dumped several inches of snow and then three inches of rain. Cellars and basements that had never flooded before got wet. Intersections and streets flooded in town. It was a mess. At the storage unit, all that water couldn’t drain away from the buildings, so it crept along the ground and washed through them.
When we unlocked the door and pushed it open, we found ice covering the floor of the unit. The floor slopes a little, so the ice thickness varies from half an inch to two inches or possibly more in places I couldn’t see well. Everything on the floor is absolutely frozen solid to the cement.
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For now, there’s nothing much I can do. After the initial look, I went back with a friend for moral support on another day. As I pushed up the overhead door, I had the usual pang of nostalgia and loss at the sight of the pieces from my old life, unused and abandoned. Added to that is the bitter cold and solid ice locking everything into place as though it will never let go.
The irony is inescapable. I was trying to keep those things safe from water and fire while I waited for a life they would fit into again. Keeping them safe felt like keeping me safe, or at least parts of me. Memories. History.
It’s all an illusion, though. How safe is any object? Objects get lost, broken or stolen. They get damaged. We have to manage them, care for them, protect them, carry them from place to place.
A couple of inches of ice have forced me to confront my thoughts and feelings about my stuff. Embracing minimalism is all about de-owning and decluttering, but as I go through my possessions in the house I’m in control. I can choose what to discard and what to keep. Now an act of nature has taken away some of my choice.
My cherished bed, for example, is nothing more than a mattress and box springs leaning against the wall in the back of a storage unit that got wet and are now firmly anchored in ice. When I am able to remove them and take them to the dump, all I’ve lost is the objects themselves. I’ll still remember with pleasure my wonderful bed and using all the bedding that goes with it. I’ll still remember my cat, gone now, with love and gratitude, and treasure the happy hours we spent together on that bed.
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I’ve lost nothing but the necessity to store the bed for the sake of my memories and/or future possibilities. The truth is I have no use for a double bed in the life I’m living right now.
Why do we save things? Why are our lives full of things we wouldn’t buy today for the life we live now? Why do we save things “just in case?” Just in case of what? Does just in case ever come or is it merely a scary or hopeful story we tell ourselves? Do the things around us speak of who we are right now, or of who we once were or who we wish we were? Are we frozen in the past or in our fantasies?
The poet David Whyte says that most of us are at least three to four years behind our own growth and change. That struck a chord with me. My storage unit is filled with things from a life I left four years ago, a life I couldn’t go back to even if I wanted – and I don’t. I have moved on and out and up. As precious and sweet as some aspects of my old life were, they’re gone.
Except that I’ve been holding on, which has cost money and now created a situation requiring me to cut my losses and clean up. Maybe, if we took the front door off its hinges and even removed the door frame, we could have gotten my couch into the house, replaced the broken-down one we presently use, and been enjoying it all this time.
(Except the TV is always on in the living room. I hate the TV. The couch is mine. It used to be my reading place, but I can’t read in our disaster of a living room with the TV on. I don’t want it here if I can’t ever enjoy it! It’s mine. And the cat will sharpen her claws on it. And what if the house burns down?)
There is no moral to this story, aside from having learned it really is a good idea to put pallets down in a storage unit! It will be some weeks before the ice softens enough to chip off the floor and sweep out or melt. I have gone in and salvaged what I could, discarded some things, assessed some of the damage. Everything will have to come out while I dry the floor. Then I’ll need to discard whatever is ruined, buy and transport pallets and re-pack the unit.
Or maybe not. Maybe it’s time to reconsider the number of objects I’m carrying through my life. For far less than I’ve already spent on the storage unit we could have tightened up at least two of the outbuildings right here on the property for storage. How badly do I need anything I haven’t used in four years?
I’m inclined to be grateful for the flooding of my unit. It forced me to ask some important and provocative questions. It forced me to consider what’s truly important for my happiness. It challenged me to let go of things that no longer serve me without fear or regret.
When I left Colorado, I told friends I was coming to Maine because I thought I had a life here waiting for me. It’s taken me some time to find it, but I was right about that. I chose not to remain frozen in place, and that’s still my choice. Perhaps it’s time now to free my things from that old life as well.
As an oral storyteller, I’m committed to gathering old tales from all over the world and retelling them because they contain blueprints for life. Each story is a teacher, a small piece of code, a seed, a fragment of wisdom, a snippet of DNA. Stories speak to us about who we are, who we have been and who we might yet be. They speak in the voices of place, people, history and culture.
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Story does not exist without storytellers. Literacy is not necessary, as long as people remain connected enough to pass story on orally. A culture which unravels and frays in its ability to form healthy connections and bonds and at the same time stifles the acquisition and sharing of knowledge is in grave danger of losing stories, and when old stories are lost much of the collective wisdom of our ancestors is lost with them. We become crippled and impoverished. We lose our way in the world and we have to spend time and energy reinventing wheels we learned how to make hundreds of years ago.
As a storyteller, then, I come to you this fine spring week when the snow is ebbing in Maine, leaving behind rich, greasy mud, with the old story of the wolf in sheep’s clothing.
Every old story is in fact many stories. A piece of oral tradition is like a many-limbed tree. As it grows and matures it branches out over and over. Every teller who passes on the tale adds or takes away a piece of it, reshaping it according to the teller’s context in history and place. Still, the skeleton of the story remains recognizable, because the bones contain the wisdom, the old truth, the regenerative pieces reanimated over and over by those of us who share them.
The essential truth contained in the idiom “a wolf in sheep’s clothing” has appeared in many times and places. According to my research, the first time was in the Bible, in the Gospel of Matthew, as a warning against false prophets. The sermon goes on to suggest actions speak louder than words. Thereafter, the phrase was repeated in other Christian religious writing and from there entered into European vernacular. A Latin proverb arose: “Under a sheep’s skin often hides a wolfish mind.”
A 12th century Greek wrote a fable about a wolf who changed his appearance in order to get access to ample food. He put on a sheepskin and mingled with a flock of sheep, fooling the shepherd. The disguised wolf was shut up with the sheep for the night. The shepherd decided he wanted mutton for his supper, so he took his knife and killed the deceitful wolf, mistaking it for a sheep. Here is a branch in the story tree. The Gospel reference warns against deceitful teachers. The Greek fable warns evil-doing carries a penalty. The bones of the story — the consequences of a wolf disguising itself as a sheep — are the same. The story is now two-dimensional. Such pretense is dangerous for both wolf and sheep.
Another iteration occurs three centuries later in the writing of a 15th century Italian professor. A wolf dresses himself in a sheepskin and every day kills one of the flock. The shepherd catches on and hangs the wolf, still wearing the sheepskin, from a tree. When the other shepherds ask why he hung a sheep in a tree, the shepherd replies that the skin was of a sheep, but the actions were of a wolf. There it is again: Actions speak louder than words.
Aesop wrote two fables having to do with wolves gaining the trust of a shepherd and killing sheep, but the wolf is undisguised in these cases. Even so, the common theme is clear. A wolf is a wolf, and cannot be trusted with sheep.
In the 16th, 17th and 18th centuries, Italian, French and English writers adopted versions similar to the early 15th century Italian tale, in which the wolf pretends he is not a threat to the sheep.
Most of us know the tale of Little Red Riding Hood, whose origins can be traced back to 10th century European folk and fairy tales. In the familiar modern version, a wolf disguises itself as Red Riding Hood’s grandmother and the innocent too-sweet maiden is fooled and subsequently eaten.
My favorite story of wolves and, in this case, goats, comes from my own childhood, the tale of the wolf and the seven kids (young goats). The mother goat must leave the house and warns her seven children about the wily wolf who might try to gobble them up. She says they will recognize her by her sweet voice and white feet, and they mustn’t open the door to anyone else. I was mightily amused by the wolf’s machinations in trying to fool the kids: Swallowing honey to make his rough voice sweet, whitening his black feet with flour. Of course, he does fool the kids and they are eaten, but, much like Little Red Riding Hood, the kids are saved from the wolf’s stomach in the end.
As an adult, this tale doesn’t seem nearly so amusing.
Lastly, modern zoology makes use of the term “aggressive mimicry,” which describes a method of deception by an animal so it appears to either predator or prey as something else.
I’m deeply troubled by what I see going on around me in the world. It appears many millions of people are no longer able to discern the difference between wolves and sheep, and this is creating dire consequences for all life on Planet Earth.
How did this happen? Why did this happen? When did this happen? How are we producing college graduates who don’t recognize wolves in sheep’s clothing? What kind of a so-called educational system, public or private, produces such myopia? For two thousand years we’ve understood the dangers of failing to clearly see the difference between sheep and wolves. Such a failure of judgement is bad for the wolves as well as the sheep. Tracing this old tale through time (when most of the world’s population was largely illiterate and uneducated), clearly shows us this is a learned skill. Little Red Riding Hood, the seven kids and several confused shepherds, all innocent, naïve, and inexperienced, had to learn to recognize a wolf when they saw one, or starve or be eaten. Critical thinking is not an innate skill. Parents, teachers and leaders must actively teach it.
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Here is a wolf. It’s an apex predator; intelligent, flexible and canny. The wolf is evolved to survive and pass on its DNA. It’s not confused about what it eats or the meaning of its life. Its job is to do whatever is necessary to survive and successfully reproduce. As a predator, wolves are an essential part of the complex system we call life. A healthy population of wolves benefits both the land and prey animals.
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Here is a sheep. It’s an herbivore, a prey animal. It’s evolved to produce milk, meat and wool, survive and pass on its DNA. It eats grass. It too is an essential part of the web of predator (including humans), prey and plants. Its presence, properly managed, benefits the land and predators.
One can certainly throw a wolfskin over a sheep and say it’s a wolf, but that doesn’t make it so. Now we have a sheep in the throes of a nervous breakdown, but the animal is still a sheep. It still needs to eat grass. We cannot change a sheep into a wolf.
Likewise, a wolf wearing a sheepskin does not begin to crop grass. Wolves eat meat, no matter what kind of a skin they’re wearing. A simple shepherd might be fooled by a single glance in the dusk if the disguised wolf mills among the sheep, but five minutes of observation will quickly reveal the truth. Sheep do not tear out one another’s throats. A wolf cannot be changed into a sheep.
The wolves of the world, those who prey on others, naturally have a large inventory of successful speeches and manipulations. They study their prey and learn quickly how to take advantage of it. They are everywhere, in politics, religious organizations, schools and cults. They’re athletic coaches and businessmen, people of influence and power. They’re shadows behind conspiracy theories and cults like QAnon. They disguise themselves with projection and gaslighting, mingle freely with their prey and pick them off, one by one.
In the natural world, an overpopulation of wolves eventually runs out of prey animals. At that point, the wolf population goes down dramatically while prey animal populations recover. Nature seeks a balance of life, and if we create endless flocks of fat, stupid, blindfolded sheep, the grass will run out, wolves will increase, and slaughter will commence as the sheep begin to starve for want of food.
That’s a lot of destroyed land, dead sheep, fat and happy wolves and then, in the next generation, a lot of young wolves starving to death and, (one hopes) a few smarter and wiser sheep and shepherds.
People say we’re a superior species to wolves and sheep. I don’t see much evidence of that recently. We can’t seem to remember what we once knew well. We teach our children how to press buttons, look at a screen, and pass a standardized state test, but they can’t tell a wolf from a sheep, and neither can we. The wolves are not confused, but the sheep are milling around aimlessly like … well, like sheep, ripe and ready for slaughter. We’ve allowed ourselves to be brainwashed into believing our true nature is expressed by appearance, words and socioeconomics. Actions don’t count, and neither does DNA. Off we skip to the slaughterhouse, following honey-tongued wolves dusted with flour, who praise us for our compassion, compliance, inclusivity and political correctness while drooling at the prospect of all that food. Meanwhile, our planet degrades so no one else is properly fed and natural checks and balances are destroyed. Even the noncompliant, troublemaking sheep who manage to escape slaughter will starve. So will the wolves, eventually, after they’ve devoured everyone else.
Maybe then the complex system of life can begin to heal. I hope so.
In the meantime, I’ll be separating wolves from sheep and telling stories.
