Today is Mabon. My calendar informs me it’s my weekend to post on Harvesting Stones. Some weeks I’m all ready to go and need do nothing more than push the publish button. This week these are the first words I’ve written, sitting here on my little porch on Saturday morning watching the clouds tatter before the morning sun.
Mabon, or fall equinox, is the balance point during which the hours of daylight and darkness are equal. It mirrors spring equinox and falls between winter and summer solstice. Fall is my favorite time of year, and this fall I’m in the midst of profound transformation. It’s a harvest season like no other in my life.
Photo by Brigitte Tohm on Unsplash
Sometimes we are so swept up in the tides of life and death we can do nothing but keep breathing. Days fall away from me, hours drift by and disappear without my awareness. I am focused on the next task, and the next. At the end of each day, I cross to-dos, questions, concerns off my lists, make notes for the next days and weeks, and fall into bed before rising at 4:30 or 5:00 to begin again.
In the midst of the chaos, I remember I choose my life. I’m getting better at just stopping.
I have before me a weekend. Mabon, 2023. It will never come again. A hundred tasks to do. A hundred things to worry about. A hundred choices to make.
Mabon is about balance. Action balanced with rest. Complexity balanced with simplicity. Fear balanced with confidence. Work balanced with play. Grief balanced with joy.
The light; the growing season; the summer of hospice, anguished love, extra caregivers, demented phone calls, medication lists, and, finally, my mother’s death, wane. Trees retain their leaves, but summer’s fierce green fades, bronzing, drying. Sedum and chrysanthemums bloom in the garden. A few sunflowers still flower among the ripening seed heads of their fellows.
Mabon. Balance. And I, a creature, a life among so many other lives, what can I say about it? How can I talk about balance when it feels so far from reach? How will I find balance again on the other side of transformation?
What I hold are impressions, vivid moments of mindfulness and sensuality, unexpected emotions, and the determination to cling fast to myself as autumn rip tides carry me where they will. For I am here, alive, curious, creative, awed, grateful, terrified.
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I’m rereading Susan Fletcher, a favorite author. I just finished Oystercatchers. On the last page, this: “You’re this: an onion bulb. The glint of a rabbit’s eye. The clicking of a beetle’s legs on a leaf; the leaf’s brown edge; dandelions; a pebble; windfall fruit.”
I read no more; I was crying too hard.
My mother is always with me. She has always been with me. My blood, my bone, my sculptor. Now, her death is with me, too, and her dying. Grief has not come to the front door, which I’ve left ajar in anticipation of its coming. It’s crawled through cracked windows, slipped through old screens long-dead cats tore with their claws. It’s drifted down the chimney, come up through gaps in my old wood floor from the cellar, crept along the copper radiator pipes, cool now, but soon to be warming.
I carry bewildered pain within me, like a ripe nut in its shell. How does it happen that a human being, intelligent, talented, competent, with so much to give, can have no feel for life? How can anyone refuse to engage with the mystery, the glory, the terror, the sweetness, and yes, even the pain of what it means to be alive, to love, to be broken and heal over and over?
Isn’t it strange that I find her in the small delights she herself would never have recognized as sustenance, as miracles? Something in Mom was too blind or too broken or perhaps too frightened to allow life to clasp her in its arms. Something. We could never talk about it. I knew it was there, but she would not reveal even the edges of her true experience.
In the end, as the fogs of dementia surrounded her, she was at last able to say she loved me. I have that, at least. And yet, she was demented … But I choose to believe.
Mabon, then, is the autumn garden. Planting blue and white grape hyacinths in drifts with daffodils under the magnolia so in spring they will bloom and naturalize as the seasons come and go. Shoveling and spreading compost mixed with aged cow manure, rich with earthworms and beetles. Pruning, trimming, prying weeds and grass out of cracks in the sidewalk and driveway. Disturbing our small brown toads as I weed and clean up debris in readiness for the blanketing fallen leaves. Dividing and transplanting. Spider webs jeweled with dew. Chilly mornings and gorgeous afternoons. The smell of my catnip, ecstatically trampled and chewed, no doubt discovered by the neighborhood black cat, Winston by name. Planting a few end-of-season sale perennials from our local greenhouse: lavender, black-eyed Susan, sedum. My garden manicure of dirt ground under my fingernails and into my cuticles, always dry and ragged from so much time in the pool. It won’t scrub away, but it will soak off in the pool during my next lesson. Peeling skin and blisters. Bruised knees.
Photo by Dakota Roos on Unsplash
Mabon is the early morning mist rising from the Kennebec River three or four blocks away. It moves up from the surface of the water, along the dark, early-dawn streets and walkways, enveloping the trees, rising to hide the church spire and then gently dissolving as the sun rises while the crows call and the neighborhood rooster announces the dawn.
Mabon is the taste of Apple Pie Chai (Republic of Tea) with a dollop of half n’ half in it, as delicious as it sounds. It’s scented candles burning in the first hours of my day as I journal, make lists, think about the day ahead. Orange, red, and golden candles – orange and spice, apple and cinnamon, sandalwood. One of my closest friends says sandalwood is a “dirty hippy smell.” The thought makes me smile every time I light it. The apples and cinnamon candle sputters companionably because it has a wooden wick (Book&Reverie candles on Etsy).
Mabon is linen sheets dyed a glorious old gold on my bed, textured, heavy, luxurious. It’s socks and sneakers instead of my Keen sandals. It’s my heavy grey shirt jacket with a Buff bandana or a scarf.
Mabon. The Wheel of the Year turns. Seasons and cycles. These things remain. These things are predictable, comforting. They sustain me.
This year, Mabon is also a blizzard of what feels like endless documents, digital, paper, filed away, stacked on my desk, put into binders, stored on USB sticks. Soon, Mom’s house in Colorado will sell, the requisite paperwork will be filed for tax preparers and other legalities. Printing and scanning, FedEx drop offs, notarizing, will eventually be complete. The business of opening accounts with a new bank, obtaining new cards and checks, changing automatic payments and direct deposits, connecting to other accounts, will be finished. Insurance, retirement accounts, paying off debt – all will be managed. I will create new systems, effective and simple.
This week my nearly 20-year-old Subaru failed to pass inspection. I can’t understand it. The driver’s side door handle still works; I don’t really need the others. It drives. I don’t need AC or an audio system. I can manage without being able to open the back hatch. The heat and defrost work if I put in the fuse, and the battery is good as long as I don’t leave the fuse in when I park it. I know exactly where to bring my fist down on the hood when an ice storm seals it shut and I need to open it and put the fuse back in.
It needs $3000 of work. It’s worth $1100.
I need a new car. More tasks. More paperwork. Insurance. Registration.
Photo by Nathan Dumlao on Unsplash
These things, the documents, the tasks, the paperwork, phone calls, texts, emails, are nothing but the chrysalis of transformation. I know it. I feel stressed and overwhelmed much of the time, frustrated by delays, miscommunications, jumping through legal and bureaucratic hoops. It’s all temporary, though. It will fall away, along with the autumn leaves. The chrysalis will shred in the dark winds of late autumn and winter, this rip tide will release me, and then … something new.
Through it all is my mother. My memories of her. The pain of my love for her. I’ve inherited so much more from her than assets. There is some comfort, some strange, painful comfort, in remembering to pause. To choose. To stop. To be touched, broken open by the small daily beauties and comforts of life. The taste of creamy tea. The scent of sandalwood. The texture of rich soil. The late copper and garnet blooms of mums. The mist rising into the sun’s golden warmth. Most of all, the painful risk of loving friends, family, the world, life.
Look, Mom. See the little toad? Let’s put him here, under the rhododendron. Remind me to buy toad houses.
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I’m a spinner, a speeder, a thought racer. (Yes, I know it doesn’t help. I know rocking chairs and hamster wheels go nowhere. I know worrying is pointless.) Under the right conditions, the inside of my brain is like a dusty attic filled with hysterical cats zooming in all directions, climbing the walls, knocking over piles of junk, filling the air with dust and yowls. Chaos. Destruction. I call it speeding. I call it anxiety. The world calls it racing thoughts.
Whatever we call it, it’s a miserable state of mind, and a common one.
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Herding cats, as any cat lover will tell you, never works. Sheep, maybe. Cows. But not cats.
However, at times familiar life goes off the rails in such varied, complex, and unforeseen ways I find myself once again herding cats, usually during the hours I need to be sleeping, though sometimes those hours bleed over into days when I’m supposed to be focusing. On something productive or something relaxing or something. But all I’ve got are catapulting (pun intended) thoughts and emotions racing around in my brain.
Not long ago, before the start of my current cat rodeo, I read somewhere (probably Substack) about The Rule of 9s. I’ve since gone back to look for it, but I can’t find the original source. Anyway, I didn’t come up with it myself. I wish I had.
The Rule of 9s is a tool used to identify what really matters. Or, if you like to look at things bass-ackwards, like me, what really doesn’t matter.
This morning, for example. I could garden, work on business at my desk, write, or make a Spotify playlist. I have just under two hours at my disposal before I head off to work.
I have a lot of desk business just now as my brother and I (mostly my brother) wind up my recently deceased mother’s estate and deal with our inheritance. By inheritance, I mean not just assets, but the inevitable emotional inheritance we all receive from our families of origin. What I’ve heard is true. When a parent dies, we cannot be prepared for the ways it changes us and how uncomfortable some of that change is.
My metaphorical cats – these mixed up thoughts and feelings — pull me in different directions at the same time. Everything feels overwhelming right now. It’s irritating. Two items on my grocery list and I’m overwhelmed. Now and then I have a few minutes free from the inundation, but I get a call, a text, another document to sign, and I’m overwhelmed again.
Fortunately, I just learned The Rule of 9s.
So, the option of gardening. It’s hot outside. Really, really hot and humid. Just when the weather should be getting crisper and cooler, a heat wave has arrived. It will ease in the next couple of days, but it’s brought a resurgence of mosquitoes and it’s not fun to be outside. So, no garden this morning. I’ll wait for cooler weather. Is that a crisis?
Photo by Morgan Sessions on Unsplash
Will gardening or not gardening matter in 9 seconds? In 9 minutes? In 9 hours? In 9 days? In 9 months? It might start to matter then, because I’ll be making spring plans and whatever progress I make this fall will affect those plans. But it’s clearly not urgent. I won’t remember choosing or not choosing gardening today.
Business at my desk. I’ve already done some of that this morning. Balanced the checkbook. Looked for a document I’m waiting on from my bank (not there yet). Made some notes. Did some planning. Considered options. I have money in my account. All the bills are paid. I don’t need to spend anything today. Will taking care of more business or not taking care of more business matter in 9 seconds? Nine minutes? Nine hours? Nine days? It might start to matter at that point, as one thing leads to another as we wade through this process. If I stay on top of tasks, step by step, I know I’ll eventually come out of the tunnel with effective systems in place that work for me and respect my goals and values. Tempting to start herding the cats quivering on my desk, but I only have two hours and nothing is urgent.
Make a Spotify playlist. I may shortly have an opportunity to bring a dance program to the community. I’ve tried several times in years past without success, but I haven’t given up hope. Now that I’m on Spotify (though I have misgivings about how platforms like this fail to support artists), I wanted to get a few of my dance playlists put together. I have them burned onto CDs and in iTunes, but not on Spotify. However, I don’t have any solid dates for dance now. It’s all in the planning stages. At some point it will matter, but not right now.
Writing. It’s my weekend to publish on Harvesting Stones. I don’t have to. It’s not required. But I’d like to, if for no other reason than it’s my usual routine, a stepping stone in the current chaos, and it comforts me to be doing something normal. Not to mention how much I enjoy it. Hard to think about focusing on it, though. All those cats whizzing around …
Will writing or not writing matter in 9 seconds? Nine minutes? Nine hours? Nine days? It won’t matter to the world, but it matters to me. It will matter to me in two days, when Saturday morning comes and I either do or do not have a rough draft I’m happy with.
So I’m writing. And while I’m doing that, miraculously, the other cats settle down. Tired, I guess. Maybe they’ll curl up in the chaos they’ve wrought and sleep a while. Sleep is good.
As I live my life and listen to the inside of my head, especially the anxiety, the fear, the resistance, the catastrophizing, I pull out The Rule of 9s and apply it. Will this matter in 9 seconds? In other words, will I die in 9 seconds if I don’t do whatever-it-is or figure it out, completely and perfectly? How about in 9 hours? (Have you ever noticed how crazy your nighttime I-can’t-sleep thoughts are in the light of day?) In 9 days will I even remember whatever feels stressful this minute? Will the fearful thing I can imagine happening be important in 9 weeks? In 9 months? In 9 years?
The Rule of 9s requires I slow down and think. The questions give me perspective, help me with a reality check. I stop reacting and remember my power to choose. I decide what’s more important than my peace of mind (not much). Hysteria is contagious; so is calm.
Photo by Ryan Moreno on Unsplash
Applying The Rule of 9s settles the cats right down. One or two may still zoom, because cats are contrary like that, but the chaos diminishes as I become intentional and mindful. I can find some focus, at least for a few minutes. I know what to do next, in the next 9 seconds, anyway. The next 9 years can take care of themselves.
- What are your strategies for pulling yourself out of racing thoughts and anxiety loops?
- How do you choose priorities?
- Is your experience one of choice in life, or one of reaction and compulsion?
- Share something ridiculous that’s kept you up at night.
Leave a comment below!
To read my fiction, serially published free every week, go here:
Two weeks ago my 87-year-old demented mother fell in her memory care unit and broke a hip for the second time in less than a year. Eight days later she died in a hospital under the care of Hospice, my brother at her side.
Until I sat down to write this, I was afraid I had lost my words, lost the need to write them, lost the ability to form them into meaning. But I haven’t. I’m still a writer. This remains. That’s a relief.
Oh, I’ve been writing. Lists. Notes. An obituary. Texts. Updates to family and friends. Daily journaling. But it hasn’t been creative writing. It hasn’t been this blog, or my fiction. These last two weeks have passed by, the first in a blur of pity and anguish, and the second in numb relief glazed with exhaustion, and I have not posted or published. I haven’t kept track of the days; they spill into one another, as the days and nights blended together while my mother lay dying and we waited.
For a time words have simply been inadequate to relieve the pressure of my feelings in any organized or coherent way. They flew away from me, leaving a series of kaleidoscopic impressions, sensual details so vivid they frightened me with their power.
While my mother lay dying I reread my childhood copy of The Wind in the Willows by Kenneth Graham. Reading has also largely failed to sustain me during this time. I find myself unable to focus. I read a paragraph or two, and then realize I’ve been sitting staring into space, out the window or into the garden, not hearing, not seeing, not even thinking. Just sitting. But I needed a companion for the night watches, something comforting and familiar. Something innocent.
Photo by Josh Applegate on Unsplash
The fan in my window purred during those hours, blowing in cool night air and an occasional moth or mosquito. Every night, when I go to bed, I light a tea light in a candle lantern. When calls or texts reached me, I knew when I opened my eyes if it was before midnight or after, according to whether the candle still burned. Propped up on pillows, glasses on, my small bedside lamp alight, I spoke to Mom’s facility staff, emergency department doctors and nurses. I texted with my family. I read, the well-remembered illustrations making me smile as I communed with Rat, Mole, Badger, and the ridiculous Toad, finding respite for a few minutes before turning off the light and lying awake in the dark room, listening to the fan, feeling my heart beat, resting, breathing, waiting.
While my mother lay dying and after, I’ve stained wooden pallets. My partner and I are building a 3-bin compost system against the back yard fence. We set out sawhorses. I found an old brush, a rag, a stirring stick. We bought stain. I lay a pallet on the sawhorses, brush away dirt and debris, and paint every surface. The raw wood soaks in the oil-based stain, a rich brown color. The brush is more and more frazzled. I’m sloppier than I would be if painting a wall. The pallets are splintery. Some of the boards are split or loose. I bend over, the sun hot on the back of my neck and my bare arms. Mosquitos bite me. Stain drips between the boards as I brush their edges, dappling the sawhorses, falling onto the filthy old cream-colored jeans I’ve been wearing all summer in the garden, and onto my worn-out sneakers, used only for outdoor work now. As I maneuver between the boards, stain smears the skin of my hands and wrists. I kept the phone close, in a patch of shade.
This is the only sustained work I’ve been able to do. Now and then I wash a few dishes. I’ve done a couple loads of laundry. I go out into the garden, note the trimming, pruning, composting, mowing waiting to be done, and turn away. It all feels like too much. I don’t know where to start. It’s impossible to open the garden shed, get the tools, wheel out the wheelbarrow.
But the pallets. I can do that. It’s a simple task, direct. I don’t need to make any choices. Each side takes fifteen or twenty minutes. When I’ve finished a side, I wrap the brush in an old plastic bag, cover the can loosely, let the pallet dry an hour and a half in the sun. Then I turn it over and begin again. Two coats each side. One side after another.
Photo by Manuel Barroso Parejo on Unsplash
The smell of stain. The prickly feeling of intense sun on my skin. I think about compost, recycling, breaking down life to sustain new life. I think of ashes to ashes and dust to dust. I wonder if I’ll ever use the compost bins without thinking of Mom. I wonder who names the colors of stain and paint. I chose ‘Canyon Brown’ for this project. I vaguely hear birds, cars passing by. Small groups of women walk by in clumps, hospital employees on their lunch break, talking about families, gardens, school starting, hospital gossip. I should be at work, on that same campus, just a ten-minute walk away. I should be, but I’m not. I’m here, staining pallets, waiting for Mom to die and then on bereavement leave.
Am I bereaved? How would I know? I wonder why I don’t care enough to follow the thought. I let it drift away.
I decide I want to make bread. I don’t eat bread often, so rarely make it any more. But my rosemary is bushy and ready to be harvested, and someone brought fresh home-grown garlic into work to share before … before all this. So I make a sponge, stirring together milk, a little sugar, yeast, water. I chop fresh rosemary and garlic, very fine. I take flour out of the freezer and let it warm. The dough is heavy under my hands, sticky at first and gradually becoming supple and smooth. The earthy smells of garlic and rosemary vanquish the smell of stain in my nostrils. I turn the dough, kneading. The timer ticks off seconds and minutes. I clean the bowl, grease it, use a linen towel to cover it for rising. I put it in the oven for safe keeping, because the cats are likely to lie on it or step in it, or nibble at it if I leave it out. The bread, like the pallets, is a project in stages. I don’t have to focus on any one step for more than a few minutes. I move between the kitchen and the back yard with my phone, not thinking, not planning, just taking the next step, and the next. I can’t remember times, so I write them down. About 90 minutes for the stain to dry. An hour for the bread to rise. Another 90 minutes for the pallet to dry. Another hour for the shaped loaves to rise. Another 90 minutes. An hour for baking.
Photo by Helena Yankovska on Unsplash
At the end of the day, I have two enormous round loaves of bread to cool, slice, and put in the freezer. This batch will last me for a year. I have finished another pallet. I leave it on the sawhorses to dry overnight. My stained hands smell like garlic.
I haven’t cried since the last night call, my brother telling me Mom was gone. Perhaps I cried all my tears before she went. I receive condolences with all the grace I can muster. People talk to me about God and heaven. They talk to me about Mom. They talk to me about their own experiences of death. I try to be gracious. I try to look like I’m listening, like I’m there. With my brother and sons, my partner, I can be real. The faces of my friends comfort me. They don’t need anything from me. They don’t ask for anything. I can see their concern, their love for me, their sorrow. They hug me, and smile. They talk to me about small things, the daily things I’ve lost track of – family, friends, outings, work. I pick up a friend’s daughter and feel almost normal, doing an ordinary thing, a manageable task I cannot fail.
I realize part of my feeling of unreality is rooted in a loss of identity. I catch sight of myself in the bathroom mirror and pause. I rarely look at myself in the mirror. This woman, who is she? She isn’t the disappointing daughter any more. She can’t be, if there’s no mother to disappoint. What else is she? Who else is she? I look into my own eyes and feel no shame, no guilt. Did Mom take them with her? How will I navigate my life without them on my shoulders, without the knowledge that Mom is alone, suffering, needing? For fifty years I was at her side, day and night, year after year, ineffectual, helpless to fix or heal her physical pain, her dysfunction. Feeling my failure, my powerlessness, knowing I more often made it worse than better as time went on, even though she clung closer and closer to me as she aged. She could not release me and I almost waited too long to release myself.
But the geographical distance I put between us brought no real release. She still suffered. She declined, grew confused. Her body aged and began to run down. She was just as lonely without me as she was with me, just as emotionally remote, just as relentlessly needy. She cut herself off from me, but I still carried her. Internally, I still orbited around her. I still agonized for her.
I still loved her. I always loved her. I accepted she could not find me lovable, but it made no difference. She was my mother, and I loved her. All I ever wanted was for her to be well, and happy, but I could not make it so, and in her eyes it was my responsibility to fill her need. Indeed, she told me long ago her physical pain started with her pregnancy with me. I accepted the blame, and was heartbroken, and have tried desperately to make up for it ever since.
Photo by Nicole Mason on Unsplash
Now Death has come to stop her suffering. Has mine stopped, too? I don’t know. I’m too numb to tell. But I feel different. I feel … released. I prayed for her release and freedom, not mine, but perhaps they were linked. Many times a day I think of her, hear her voice in my head, and I realize with a painful clench of my heart she’s gone. It’s over. I can’t humiliate her anymore because of what I wear, how my hair looks, what I do, who I sleep with, or, most of all, what I write. She’s moved beyond humiliation. I can’t fail her anymore. And that’s a soaring, joyful, unbelievable thought. I can’t fail her anymore.
I wonder if I’ll finally feel good enough, if I’ll do a good enough job, live a good enough life. Might I simply enjoy my small talents, my joyful work, my community, my garden? Might I immerse myself in the loveliness of life without the gnawing guilt of knowing I’m happy when she’s not, I’m companioned when she’s not, I’m relaxed and rested and peaceful when she’s not, I’m laughing when she’s not?
The last couple of times I spoke to Mom, I told her it was okay to rest now, she could let go, be at peace. We told her her loved ones and animals were well and happy, and she could relax.
I told her, and I meant it. Was I telling myself, too?
She could not release me, yet I am released. Did Death break the chains when he gathered her in? Or now, at last, have I released myself, now that she’s moved entirely out of my power and knowledge?
As I write this, it’s Wednesday afternoon. I have finished another pallet. I have written. I have sat in the sun, read a paragraph or two at a time of an old Edna Ferber novel, rested my eyes on the garden. The lily stems are turning dry and brown, as are the leaves. Sunflowers bloom. The sun is hot. The phone has been sitting on my kitchen table all morning, silent, as I go in and out. I have balanced my checking account, scheduled a private swim lesson in a home pool, ironed a tablecloth and three napkins. Tomorrow I go back to work.
A new page of my life has turned. I can’t read it yet. It’s enough to sit with it in my lap, letting my gaze wander over blue sky and afternoon clouds, the garden, our old cars, the worn wooden boards of the porch, the bruise on my left knee, the mosquito bites on my right arm, the smears of stain on my hands. It’s too bright in the sun to read this new page, too hot, too much effort. I’ll read it later.
I dare to be at peace.
Daughter’s Dream (July 2014)
I dreamt I carried my mother.
The car had slipped out of her control
with a blind will of its own,
and I thought
I knew she shouldn’t be driving.
We landed in water.
I swam to her and held her in my arms.
Then the water was gone.
I carried my mother,
but she left my embrace,
slipping free of her embattled flesh.
Irrevocably, I felt her go.
I was alone.
I carried the vacant body of my mother.
Empty beds stood all around me
but the sheets were disordered and dank,
Smeared with shit.
I carried the vacant body of my mother.
There was no clean place to lay her down.
I carried the vacant body of my mother,
seeking to slip into my own freedom,
To read my fiction, serially published free every week, go here:
Last week a Substacker I follow, Candace Rose Rardon, illustrated a memory I shared with her. I was absolutely thrilled. The union of my words and her art spoke to one of my core values: collaboration.
Collaboration is about power management. It’s defined as working with someone. Not directing them. Not submitting to them. Working with them. In other words, sharing power – power-with rather than power-over.
Image by Bob Dmyt from Pixabay
Is it just me, or are we as a culture moving away from sharing power rather than toward it?
Collaboration and cooperation lie at the heart of my fiction. All my life I’ve been preoccupied with working together, but I never had adequate language or studied power until I learned emotional intelligence. At that point the light dawned. I reviewed my relationships, both family and otherwise, through the lens of power.
It was a grim review. I set out to reclaim my power.
Let’s be clear: reclamation is not stealing.
I didn’t want to take power away from others. I wanted to reclaim what had been taken from me.
This involved needs, boundary work, and many other moving parts, most of which I’ve written about here over the last seven years (almost exactly seven years … wow), and all of which are woven into my books.
Speaking of my books, I have a dream that one day a visual artist will read my work, become inspired, and want to illustrate it. That’s not all. (Might as well dream big, right?) In the same dream a musician (drums and flute or pipe, at least) reads my work, becomes inspired, and adds music and a soundscape to it. I even dream one day we’ll develop the ability to incorporate scent into reading.
I am a sensual person, and my writing reflects that. I myself see my characters and my world of Webbd vividly, but I’m not an artist. I respond deeply to music physically and emotionally, but I’m not a musician.
In every relationship I’ve sought collaboration. I’ve wanted a safe place to have an authentic voice, express an opinion, make a contribution. I’ve wanted the power to make choices. This has been true in the context of family, friends, spouses and boyfriends, coworkers, and community.
I have not been noticeably successful until the last ten years.
No matter how talented, strong, or knowledgeable we are, healthy collaboration can only make us bigger. Collaboration is tricky, though. It’s messy. We’re forced to deal with conflict, with different visions and voices than our own, different backgrounds, different belief systems, different ways of looking at the world and interacting with life. It’s work. It stretches us uncomfortably. We might have to be wrong (gasp!) and someone might find out we were wrong (horrors!).
Plenty of people say they want to collaborate when their true intention is a hostile takeover. Others seek collaboration as a way to make money or leverage other aspects of social power. Their agenda is to accrue power, not share it.
What Candace Rose Rardon did was extend a gift of generosity. When I sent her my memory I had no power over whether she chose to illustrate it or how she would illustrate it. I handed her my words and went on with life. I had no expectations. She sent back something beautiful woven of my words and her art. I’ve never met her. We exchanged no money. I know very little about her, but I do know this: she’s part of my tribe. She’s a creative collaborator.
Collaboration requires a willingness to be flexible and the willingness to accept someone’s vision regarding our art. As creators, we need to loosen our grip on our masterpieces and allow others to widen us. Perhaps someone else visualizes our character slightly differently than we do. Perhaps they see the character more clearly, or more fully than we can. As collaborators, we may be pushed to do more than we’ve done before, take new risks, try new things. Healthy collaboration makes us all more powerful, more expansive, more interesting, more textured.
We are stronger and more beautiful together than we are apart.
Photo by Helena Lopes on Unsplash
Collaboration is everywhere. It’s the falling rain and early birdsong on a spring morning. It’s the calling of shorebirds against the background of surf. It’s the buzzing of a fat bumblebee in a fragrant blossom. The world is unbelievably sensual. Walking through tall grass this time of year, the stems and heads turning straw-colored, the small scratching prick of grasshopper legs on my bare skin, the scent of warm grass in my nostrils, is a miracle of collaboration. A garden exists because of collaboration between countless forms of life and the weather.
We can’t collaborate in every situation all the time. Leaders lead. Parents parent. Bosses must manage their people, teachers their students. We all have areas in our lives we like to manage solo, including areas in our creative lives. On the other hand, we are seeing the consequences of no collaboration: chaos, fear, hatred, division, destruction, and social breakdown. We are now successfully being manipulated into choosing not to collaborate even with ourselves, but with consumerism, capitalism, and ideology instead.
Collaboration is wide. It’s not only about human-to-human interaction. If we don’t figure out how to collaborate with our planet, with the human and non-human life around us, and (perhaps most importantly) with ourselves, we will not thrive. We’ll solve no problems. Nothing will change. We’ll meet challenges as individuals and as communities and countries poorly. We will keep ourselves small, disorganized, and weak.
Or we can choose to combine our knowledge, our skills, our vision, and our humanity.
- How have you collaborated successfully with others?
- How have you struggled with collaboration?
- What’s the hardest thing for you about sharing power with another?
- Are you open to collaboration? Why or why not?
Leave a comment below!
To read my fiction, serially published free every week, go here:
Delayed closure is a wound treatment strategy in which complex wounds with extensive soft tissue damage and high levels of possible contaminants are treated with initial control of bleeding, cleaning, and debridement, and then left open for a period of time during which the possibility of infection is treated proactively. At the time of delayed wound closure, further debridement of scar tissue or dead tissue takes place.
As I count down the days and prepare for my second trip out to Colorado this year to manage my mother’s recent admission to memory and hospice care, the phrase ‘delayed closure’ reverberates through my mind.
Photo by Ryan Moreno on Unsplash
I have recognized for some weeks the significance of this second return to the place I called home for more than 20 years and my frail, confused, aging mother. At least, I have begun to recognize the significance. Every day brings added clarity. Awe is not too strong a word for what I feel.
When we flee people, places, or situations (and my flight from Colorado to Maine eight years ago was all three), it’s not an elegant, dignified process. It’s a frantic life-or-death flailing and thrashing, a single-minded determination to survive, whatever it takes.
The process leaves wreckage behind, a lot of unfinished business, a lot of rending and tearing, misunderstanding and hurt. It leaves, in other words, a complex psychic wound, not a clean laceration.
When I found myself in Maine, I thought I would not survive the trauma. I had torn myself up by the roots and gone to ground in a strange place I’d never been before. I felt like skin and hair wrapped around a suppurating wound of such longstanding duration and composed of so many different kinds of damage it didn’t seem possible it would ever heal. I didn’t think of healing. I didn’t hope for healing. I was a feral creature in survival mode.
I had no idea I had in fact saved my own life and taken the first steps to transformation, and I wouldn’t have cared if I’d known.
All I was doing was surviving.
In medical care, part of the strategy of delayed wound closure is giving the body’s natural defenses a chance to overcome infectious bacteria rather than sealing them in.
What were my natural defenses?
Photo by Aaron Burden on Unsplash
Water. My home in Colorado had been enduring a years-long drought. The wind blew all the time. Gaunt, dusty cattle stood sunken-eyed on plots of hard-baked ground. The wind blew relentlessly, scouring the land with flying sand, dust, and debris. We prayed for rain as we hauled grey water to our gardens. The city imposed restrictions on outside watering, car washing, any outside fires. Trees died. Fires consumed the land. It was apocalyptic, a hellscape with no relief in sight. Our water bills went up and up for simple household use. The rain didn’t come, year after year.
Maine was a revelation. Water. Big water, like I’d never seen before. The Kennebec River. Puddles everywhere, each with a duck. The people here call an enormous lake (to my eyes) a pond. Huge trees. Hip-high ferns. Moss.
Rain. It rained. It actually rained. Measurable rain falling for hours, sweet, cool, life-giving. Mist. Fog. To breathe was to absorb water like a desiccated sponge. My cracked skin healed, drinking in the moisture. I lived in a house with a hand-dug well. No water bill. Free water! I trained myself to flush the toilet every time! My hair curled, growing out rather than down.
I lived in the country in Maine. No one knew me. No one knew I existed or any member of my family. For the first time in my life I escaped everyone’s expectations. No one demanded anything from me. No one watched me with critical eyes. No one told stories about me. I had no reputation. I was free, untethered from everyone and everything. I could think my thoughts and feel my feelings in safety and privacy. I could read, or work, or sleep, or take a walk, or garden without interruption or someone telling me I was failing. No one demanded anything from me. I had no emotional labor to do. I rested in the healing solitude of nature, laying my hands on trees, sitting on rocks watching little spring streams trickle, sitting in the sun listening to the birds, lying in bed listening to the owls, coyotes, and spring peepers in the pond.
Writing. In 2016, a year after I arrived, I began this blog. I had no expectations. My sole intent was to write my truths in my own uncensored voice without trying to please anyone, in spite of my fear. I had done some writing in Colorado, but always with a sense of guilt and shame, always with the fear of what others would think. I knew everything I wanted to write would be looked upon as unforgiveable betrayal or wildly shameful.
Photo by Angelina Litvin on Unsplash
In Maine, so far away in a new life, I discovered my courage and started, week by week, recording my journey from a broken, cringing creature, filled with self-loathing, to a strong, confident woman. At the same time, I pulled together my scrawled notes and the stories I’d written in the dim, hidden edges of my life and finished a book. Then I started another one. Then I finished the second book and started a third one.
These were my natural defenses: water, nature, and writing. Slowly they overcame the infection in my ravaged soul.
Yet the wound did not close. It stopped stinking and bleeding. Scar tissue formed. But I had lost too much to pull the edges together and make a neat closure. I had saved my life. I had survived and gone on to thrive. But I knew I was not done.
I know an old story about amends; it says only the hand that dealt the wound can heal it. Sometimes we must flee in order to live to fight another day. I fled, and I was right to do so, but flight leaves no time for closure. For closure sometimes we must go back.
The first time, in January, I was afraid to return. Afraid of judgement. Afraid of old pain. Afraid of what others would think, or say. I was afraid to have my memories stirred up. I was afraid my wound would tear open again, and this time I would not survive.
What happened instead was acceptance and love in the arms of old friends. My love for them was met by their love for me. The place, dear and familiar, welcomed me, though I no longer call it home. I found changes, of course, but not painful changes. Natural changes. I realized my fear had kept me from the closure I need, and my fear, once faced, amounted to nothing. In reclaiming my power, I was able to gain perspective. I’m just a part of that little town in the way it’s a part of me. I’m not the most important part of it and never was. It’s not the most important part of me and never was.
Having reclaimed my power, I felt and expressed my honest love and affection for the place and the people without needing anything in return, although I received much in return with gratitude and, I hope, grace. I examined the wound again, debriding scar tissue, cutting away necrosis, until my soul was healthy and vital once more. Some lines. A few silver scars. But free of infection, free of pain.
Still, when I came home to Maine again, I knew I was still not finished. Closure was not complete. I knew one day I would return once more to the place I had left.
In less than a week I’ll be there again, this time for a longer period. We must prepare for and hold a living estate sale: clean, sort, sell, discard, donate, and perhaps store a house full of, not my mother’s life, but her stuff. The things from which she constructed her identity. We must see to repairs and the business of welcoming renters in.
We will also visit my mother in memory care. If she’s well enough, we’ll take her out for a meal or a little gentle shopping. Perhaps we can sit in the sun with her. Or, perhaps she’ll be angry and bitter, refuse to sit in her wheelchair, demand to go buy a car, or some other wildly inappropriate and impossible thing.
I will see her again, though, speak to her, tell her I love her. I’ll check to be sure she has everything she needs. I’ll speak to the staff, to her hospice team. I’ll buy some books for her from the Friends of the Library bookstore she herself created and helped run for years. If she can’t go out, we’ll bring food in, perhaps a flower in a vase, and sit in the dining room where other residents can see her with her family, give her the dignity of being loved and cared for rather than forgotten and discarded.
It will be hard, or it will be easy, or it will be both. Dementia is like that. However it is, though, I won’t take anything to heart. Her power to hurt me has unraveled, along with her memory and cognition. She’s physically safe at last. Her physical and emotional wellbeing are no longer my responsibility. They never were, of course, but I didn’t believe that until recently.
Photo by Jeremy Bishop on Unsplash
I’m free. Free of my painful memories, free of old stories and narratives, free of the fear of what people will think of me. Free of fear, most of all. Freedom fills in that old wound and now, at last, I can pull the edges together, stitch them with words, with love, with wisdom, with forgiveness of her and myself. I have traveled a long, long road through darkness, despair, self-hatred, and trauma, but I still love. I still care. I still dance, and laugh, and write, and thrive. I still belong to Life.
I did the very best I could every step of that journey. I was blessed with guidance and friends and teachers. My wounds were not mortal.
Now, journey’s end. Delayed closure. New beginnings.
- What is your experience of going to a place you called home after a long absence?
- What open wounds do you still have?
- How have you closed longstanding wounds?
- Do you see a living estate sale as a cruel betrayal or an appropriate business choice?
Leave a comment below!
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